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Aribert Reimann: Lear

Aribert Reimann's "Lear" is a milestone in the tragic opera of the 20th century. Ever since it's 1978 premiere at the Bavarian State Opera in Munich, it has made it's triumphal progress around the world in more than thirty productions as the most successful Shakespeare opera of our time. The remorseless logic of the action and plot and the primal force of irresistible sonic fantasies give this work the power to hold the attention of it's listeners and viewers from the first moment to the last. The great theme of self-deception is fancifully portrayed in this captivating stage production by Karoline Gruber with a retreat into the interior of a far from frail old man. It is not senility that drives Lear, brilliantly sung by Bo Skovhus, into isolation but his hyperactive ego. The first Hamburg performance of Lear is a musical achievement of the highest order.

Aribert Reimann: Lear

NR 2015
Revolution of Sound - Tangerine Dream

‘Tangerine Dream is science fiction!’ declares band leader Edgar Froese who died in January, 2015 aged 70. For almost fifty years he and his band ‘Tangerine Dream’ explored sound and its effect on our emotions. This film about one of Germany’s first electronic bands kicks off with the young Berlin musicians who were as inspired by the space age of the 1960s, with its rocket launchings and visions of the future, as they were by their own heartbeat, on which Froese also based compositions. Aided by the Moog and other synthesisers Froese (and various band members) revolutionised popular music. His explorations took him into the worlds of classical, new and film music. He preferred to visualise moods rather than create clearly structured songs. A blend of amateur footage, interviews with band members, relatives, friends and colleagues such as Jean-Michel Jarre that creates a comprehensive portrait of an artistic pioneer.

Revolution of Sound - Tangerine Dream

6.8 2017
Do You Still?

A beautiful homage both to Ernst Reijseger's music and genre ambiguity. This documentary tries, and mostly manages, to balance the picture by capturing private solo improv sessions, both indoors and outdoors, that display Reijseger's mastery over different colors and tones - with the same astounding technique and soulful commitment. Interspersed with beautiful country- and city-side footage that evokes his ever contemplative music, Do You Still? also features intimate and sometimes bitter-sweet statements by Reijseger on his early years, "career" choices, mannerisms, anxieties and shortcomings.

Do You Still?

NR 2008
Johann Strauss - Die Fledermaus

Barrie Kosky gives the “operetta of all operettas” a new look and devotes himself to its morbid side. The setting is Vienna, city of the golden operetta era, where Die Fledermaus premiered at the Theater an der Wien in 1874. The bat's revenge becomes a nightmare, and not just for Gabriel von Eisenstein. A society, an entire city dances towards the abyss. To take revenge on his friend Eisenstein, Dr. Falke, alias Die Fledermaus, stages a game of mistaken identity at Count Orlofsky's house. A marquis and a chevalier, a countess and budding artists meet there for a raucous party. Glasses clink, relationships are shaken, people love, lie and dance. The party lasts as long as it lasts, true to the motto: “Happy is he who forgets...”.

Johann Strauss - Die Fledermaus

NR 2023
OSN: musiche ispirate all'acqua per Juraj Valčuha con l'Orchestra Rai

From the Rai Arturo Toscanini Auditorium, conductor Juraj Valčuha presents the Rai premiere in Turin of Jean Sibelius’s Symphonic Poem Op. 73, *Aallottaret* (The Oceanides), followed by the *Four Sea Interludes* from Benjamin Britten’s masterpiece *Peter Grimes*. In the second half of the programme, the mood shifts with two masterpieces of extreme expressive power: the Concert Suite from Béla Bartók’s one-act pantomime The Miraculous Mandarin and Maurice Ravel’s La valse, composed between 1919 and 1920, when Europe was attempting to emerge from the ruins of the Great War.

OSN: musiche ispirate all'acqua per Juraj Valčuha con l'Orchestra Rai

NR 2022
Morrissey Foretelling The Death of Diana

The sixteen minute video suggests – through an exquisitely constructed montage of found film and video footage, appropriated song fragments, and a meticulously researched voice-over narrative – that Morrissey, the former lead singer of The Smiths, somehow anticipated the 1997 death of Princess Diana via cryptic clues and asides secreted in his lyrics or embedded in images on Smiths’ record sleeves or in their pop videos. Focusing on a track-by-track analysis of The Smiths’ seminal 1986 Album “The Queen Is Dead” Laumann’s film adopts the form of a conspiracy-theory-cum-urban-myth, and despite its labyrinthine twists-and turns, seems to make absolute sense: somehow proving its case, suggesting that perhaps Morrissey – albeit aided and abetted by extraterrestrial forces – did indeed possess clairvoyant powers.

Morrissey Foretelling The Death of Diana

NR 2006