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AC/DC: No Bull

1. Back In Black 2. Shot Down In Flames 3. Thunderstruck 4. Girl's Got Rhythm 5. Hard As A Rock 6. Shoot To Thrill 7. Boogie Man 8. Hail Caesar 9. Hells Bells 10. Dog Eat Dog 11. The Jack 12. Ballbreaker 13. Rock And Roll Ain't Noise Pollution 14. Dirty Deeds Done Dirt Cheap 15. You Shook Me All Night Long 16. Whole Lotta Rosie 17. T.N.T. 18. Let There Be Rock 19. Highway To Hell 20. For Those About To Rock (We Salute You) No Bull captures the over the top spectacle that was AC/DC's 1996 Ballbreaker tour. Shot at the Plaza De Toros De Las Ventas bullfighting arena in Madrid, the film has been completely re-edited in HD and remixed in both Stereo and 5.1 Surround Sound.

AC/DC: No Bull

7.2 1996
Tango of Life

Claudio is a farmer. His wife Ivana is a dressmaker and they are avid tango dancers. They have a big dream: to dance the tango together in Buenos Aires. Claudio has Parkinson’s, an incurable degenerative disease. His condition was diagnosed 20 years ago. Doctors told him that he would be in a wheelchair within two years. However, not only is Claudio still on his feet and able to work, but he’s also still dancing. Today he is devoted to fostering and supporting research on the benefits of tango for Parkinson’s patients. Claudio and Ivana’s story inspired the renowned Latvian composer Arturs Maskats to write a new tango composition with world-famous accordionist Ksenija Sidorova. But just as their dream of dancing in Buenos Aires is about to come true, Claudio is hospitalized...

Tango of Life

NR 2024
I Am Weekender

Wiz's Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.

I Am Weekender

7.0 2023
Clara and the Why Not

In 1981, in Grenoble, Mickey, Bertrand, Frédéric, Charles, Louise, and Aimée—brought together by a shared desire to make music—are the members of a band called the “Why Notes.” During a wedding ceremony in a church where Charles is playing the harmonium for the occasion, Bertrand, who has come to join him, notices the groom interrupting the ceremony and running away. A few hours later, just as the band is about to leave for a concert in Paris at the high school they attended, Bertrand runs into Clara, who suggests they run away together and then disappears... Bertrand, completely captivated by Clara, leaves the band and sets off in search of her... in Paris.

Clara and the Why Not

5.5 1981
Karajan: New Year's Eve Concert

Karajan had been appointed music director for life of the Berlin Philharmonic in 1955, and soon the orchestra mastered the entire palette of Karajan's subtly defined phrasings, moods and orchestral colors. At home in the majesty of Bruckner or the raw power of Beethoven, the orchestra was also able to "let go" with Suppé or a Lisztian Hungarian Rhapsody, as the recording illustrates. For the 1978 New Year's Eve concert with the Berlin Philharmonic, Karajan put together a program of exclusively popular classical works, pieces that would guarantee a bubbly good time. Following Verdi's Overture to "La forza del destino" are the two major works of the program, Bizet's Arlésienne Suite No. 2 and Liszt's Hungarian Rhapsody No. 2. The Hungarian March, or "Rákóczy March," from Berlioz's "La damnation de Faust" never fails to rouse listeners with its instrumentation. The program closes with the Intermezzo from Mascagni's "L'amico Fritz" and the popular Overture to "Leichte Kavallerie" by Suppé.

Karajan: New Year's Eve Concert

10.0 1978
Eine Nacht in Venedig

Eine Nacht in Venedig (A Night in Venice) is an operetta in three acts by Johann Strauss II. Its libretto was by F. Zell and Richard Genée based on Le Château Trompette by Eugène Cormon and Richard Genée. The farcical, romantic story involves several cases of mistaken identity. The piece premiered in 1883 in Berlin and then Vienna. It became one of Strauss's three most famous stage works and has been seen in New York, London and elsewhere, and has been adapted for film.

Eine Nacht in Venedig

8.0 1974