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Die Soldaten

Nancy Shade is persuasive as the awkward adolescent Marie, whose naiveté leads relentlessly to her downfall. Michael Ebbecke is sympathetic as Stolzius, her jilted lover and avenger, while William Cochran is properly brutish as Desportes, the officer who initiates her spiral of decline. Bernhard Kontarsky gets a dedicated response from his Stuttgart Opera forces, who perform with belief in this often excessive but always engrossing work. Recorded at the Staatsoper Stuttgart, 1989.

Die Soldaten

10.0 1989
Vazgeç Gönlüm

The film tells the story of a man whose life changes because of his brother's mistakes. Orhan is a car mechanic. Orhan, who wants to help his brother Hakan start a business, takes on a large amount of debt. Hakan, who wants to get rich quickly, ruins the business. As a result, Orhan goes to work outside the city to pay off the debt. Meanwhile, a relationship begins between Hakan and Pınar, whom Orhan loves but cannot confess his feelings to. When Orhan returns, even bigger problems await him that need to be resolved.

Vazgeç Gönlüm

5.0 1980
Breakin' Through

STREET DANCERS: They're bold and they're bad; they're breakers — freestyle dancers who know a mean beat as well as a mean street. STAGE DANCERS: Grand and graceful gypsies — polished performers who are passionate about their art and the theater. When the choreographer of a troubled Broadway-bound musical brings the two groups together to energize his show, the results are less than successful. The professional dancers rebel when the street-wise breakers invade their turf — the theater. Tempers explode and the opening of the show is threatened. The exciting dance sequences, including the grand finale, were choreographed by Beat Street's Lester Wilson.

Breakin' Through

8.0 1985
Mylène Farmer: Ainsi soit je...

Tribute to Walt Disney's animated feature, Bambi. The video was the singer's favourite at the time, and was her sole one in sepia tone. It was broadcast for the first time in the television show Top 50 on Canal+ a few weeks after the single release. The scene of the drowning, shot in the same pond and with almost the same team as that for "Plus grandir", was very difficult to film because the singer was then afraid of the water. Farmer said in an interview that the sobriety of the clip was well suited to this song.

Mylène Farmer: Ainsi soit je...

NR 1988
Legends of Rock 'n' Roll

Are you ready for some old-time rock and roll?! Then you are ready for the masters, the originators, the men who made the music, the "Legends of Rock 'n' Roll Live." Join the "Godfather of Soul" James Brown, "The Killer" Jerry Lee Lewis, "Mr. Blueberry Hill" Fats Domino, "Hey" Bo Diddley, the "Genius" Ray Charles, "King of the Blues" B.B. King and "Tutti Frutti" Little Richard as they raise the roof "old school style." There's nothing like the originals, and this concert proves it once and for all! Songs: Papa's Got a Brand New Bag, I Feel Good [I Got You] (James Brown), Bo Diddley, I'm a Man (Bo Diddley), Mess Around, I'm a Fool For You (Ray Charles), Great Gosh a' Mighty (Little Richard), The Wild One [Real Wild Child], Great Balls of Fire, Whole Lotta Shakin' Goin' On (Jerry Lee Lewis), I'm Ready, Blueberry Hill (Fats Domino), Let the Good Times Roll, How Blue Can You Get? (B.B. King), All-Star Jam (Company).

Legends of Rock 'n' Roll

9.0 1989
Khovanshchina

The last and arguably finest opera of Modest Mussorgsky is captured in one of its most powerful interpretations in this 1989 recording from the Vienna State Opera, conducted by Claudio Abbado. A moody opera that is thematically broad at times and intimately personal in others, "Khovanshchina" tells the story of the 17th-century clash between Russian conservatives and Peter the Great's reformists. Among the singers is renowned basso Nicolai Ghiaurov and Paata Burchuladze, as well as Anatoly Kocherga, Ludmila Semtchuk, and Heinz Zednik.

Khovanshchina

9.0 1989
Aida

This was one of the most emotional evenings in Met history—the night Leontyne Price bid farewell to opera. Aida is the role that inspired audiences around the world to acclaim her as the greatest Verdi soprano of her time. And this telecast shows why: the famous soaring phrases that seemed to never end, the shimmering top to her lustrous voice, undimmed by the years. But most of all, there is the ennobling heart and soul Price lavished on every performance—captured here forever. With James Levine conducting the Met orchestra, chorus, and ballet.

Aida

NR 1985