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Die Zauberflöte

Wolfgang Amadeus Mozart's Magic Flute is undoubtedly one of the most multi-layered, profound, complicated, and therefore also most difficult to stage works in the entire opera repertoire. In terms of genre, it can only be understood if it is seen as a mixture of four things: a philosophically profound drama of ideas with countless encryptions, a naïve fairy tale, a bawdy comedy, and a crude Punch and Judy show. It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.

Die Zauberflöte

7.0 1971
Farewell to a Warrior

Disillusioned by years of futile bloodshed, General Chang Ta initially refuses the emperor’s call to defend the collapsing dynasty. It is his wife, Chen Pi-niang, a woman of exceptional intelligence and resolve, who urges him to answer his duty. At Tzu Lang Chow, she bids him farewell with a lock of her hair, a symbol of devotion and sacrifice, as he marches toward a seemingly hopeless battle. While Chang Ta fights at the front, Chen Pi-niang organizes local militias and leads a daring volunteer fleet of fishing boats to deliver supplies and strike the enemy. As defeat closes in and betrayal looms, husband and wife each face their fate with unyielding loyalty to their country.

Farewell to a Warrior

10.0 1976
An Evening with Glen Campbell

Captured at his peak in 1977, this extraordinary live performance at London’s Royal Festival Hall showcases Glen Campbell in the company of his talented band and the Royal Philharmonic Orchestra. Featuring new orchestral arrangements of his iconic hits, including Rhinestone Cowboy, Southern Nights, By the Time I Get to Phoenix, Wichita Lineman, and Galveston, the concert also includes a stunning Beach Boys medley, a nod to Campbell's time as Brian Wilson’s tour replacement in 1965. As a special treat, Jimmy Webb—who wrote Phoenix, Wichita Lineman, and Galveston—joins Campbell on stage, creating an unforgettable performance filled with pure musical bliss.

An Evening with Glen Campbell

NR 1977
The Unanswered Question III : Musical Semantics

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse:Semantics is the study of meaning in language, and Bernstein's third lecture, "musical semantics", accordingly, is Bernstein's first attempt to explain meaning in music. Although Bernstein defines musical semantics as "meaning, both musical and extramusical" this lecture focuses exclusively on the "musical" version of meaning.

The Unanswered Question III : Musical Semantics

9.0 1976
Camelamos naquerar

Camelamos naquerar (We Want to Speak) is an adaptation of the theatre play of the same name which was born out of a collaboration between Romani poet and university professor José Heredia Maya and Romani flamenco dancer and choreographer Mario Maya; the latter also performs in the piece, along with other artists. The title in Caló, the language used by Gitanos, translates as ‘we want to speak’, a revolutionary message that illustrates the efforts to reclaim a place in Spanish history for the Roma people and denounce the institutional injustice suffered by the community. It takes as its starting point the Pragmatic decrees signed by the Catholic Monarchs at the end of the fifteenth century, which heralded the long persecution of the Roma people, and continues right up to the twentieth-century Francoist laws.

Camelamos naquerar

7.0 1976
No Cheating, Darling

For some time now, the residents of the placid little village of Sonnenthal talk only about one topic: Football! The ambitious mayor wants to promote the Sonnenthal team to the district league at any price because this success would also boost his own popularity. But he did not expect the resistance of the new head of school, Barbara, who is heavily annoyed by the one-sided focus. To bring Sonnenthal′s men and the mayor in particular to their senses, Barbara sets up a women′s football team that soon turns out to be a serious competition for the men′s team.

No Cheating, Darling

5.5 1973
Joe Cocker: Mad Dogs & Englishmen

"Joe Cocker - the Rotating Rocker - and his 42 member communal touring company Mad Dogs & Englishmen with the Master of Space and Time Leon Russell - see them perform in the pleasure palaces of America - it's a moving picture" says the classic film poster. See this spectacular rock 'n' roll tour documentary and get a dramatic visual record that captures the spirit of the hippie era with mind-blowing performances, crazy backstage footage, and spaced-out interviews. Supporting cast includes Claudia Lennear, Rita Coolidge, Sherman Jones reciting "Face on the Barroom Floor," and Canina the dog.

Joe Cocker: Mad Dogs & Englishmen

8.3 1971
David Bowie On Stage: Live in Japan

The Isolar II – The 1978 World Tour, more commonly known as The Low / Heroes World Tour or The Stage Tour, was a worldwide concert tour by David Bowie. The tour opened on 29 March 1978 at the San Diego Sports Arena continuing through North America, Europe and Australia before reaching a conclusion at the Nippon Budokan in Japan on 12 December 1978. This performance at the NHK Hall in Tokyo, Japan on 12 December 1978 was filmed and broadcast on Japanese TV's The Young Music Show. Song listing: Warszawa, Heroes, Fame, Beauty and the Beast, Five Years, Soul Love, Hang on to Yourself, Ziggy Stardust, Suffragette City, Station to Station, TVC15.

David Bowie On Stage: Live in Japan

NR 1978