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Journey from Greece

Djam, a young Greek woman, is sent to Istanbul by her uncle Kakourgos, a former sailor with a passion for Rebetiko, to find a rare part that will repair their boat. In Istanbul, she encounters Avril, a nineteen-year-old French girl, alone and without any money, who came to Turkey as a voluntary worker with refugees. Djam, generous, cheeky, unpredictable, and free-spirited, takes Avril under her wing on the way to Mytilene. A journey filled with encounters, music, sharing, and hope.

Journey from Greece

6.3 2017
Tannhäuser

A romantic opera in three acts with music and libretto by Richard Wagner, performed by the Orchestra of the Teatro di San Carlo. The original title, Tannhauser und der Sangerkrieg auf Wartburg, reveals the real nature of the opera, born by a fusion of two traditional sagas and dedicated to the dualism of spirituality and sensuality and the possibility of redemption through love. Composed between 1843 and 1845, Tannhauser has a tormented musical theme, made up of constant variations. It debuted in Dresden in 1845 when Wagner was just over 30.

Tannhäuser

7.0 2000
Boris Godunov

This is the Andrei Tarkovsky production of the famous Pushkin/Mussorgsky opera, performed in 1990. Modest Mussorgsky's opera in prologue and four acts is performed by the Kirov Opera with performances from Olga Borodina, Alexei Steblianko and Sergei Leiferkust. Boris Godunov has obtained the throne of Russia by murdering the rightful heir Dmitry. An old monk, Pimen, witnessed this, and convinces his apprentice Grigory to avenge Dmitry's death. In the following years Grigory poses as Dmitry, raising an army against Boris, who is now convinced that he is being punished for the murder. Filmed in Russia during the collapse of the Soviet Union, this particular production of Mussorgsky's 1872 tale of political upheaval is considered a highly unique and historical moment in opera. Robert Lloyd stars in the title role of Boris Godunov.

Boris Godunov

7.3 1990
Mozart: Die Entführung aus dem Serail

In the 18th century, in the palace of Pasha Selim, in a purely imaginary Turkey. Belmonte, a young Spanish nobleman, is searching for his fiancée, Constance, who has been captured by pirates and sold to Pasha Selim. Blonde, Constance’s English maid, and her lover Pedrillo, Belmonte’s servant, have suffered the same fate and are at the mercy of the cruel Osmin, the seraglio’s guardian. Belmonte and Pedrillo devise a plan to rescue Constance, who is determined to die rather than succumb to the advances of Pasha Selim, who is eager to win the heart of his beautiful captive. ‘The Abduction from the Seraglio’ (‘Die Entführung aus dem Serail’ K.384) is a three-act singspiel by Wolfgang Amadeus Mozart, with a German libretto by Gottlieb Stephanie, based on the play by Christoph Friedrich Bretzner. It premiered at the Burgtheater in Vienna on 16 July 1782, conducted by the composer. Recorded live at Glyndebourne Festival, July 19, 2015.

Mozart: Die Entführung aus dem Serail

NR 2015
The Metropolitan Opera: La Bohème

Puccini’s timeless love story, which includes some of its composer’s most beloved music, has moved generations of opera lovers since its 1896 world premiere. It has also proved incredibly popular with the Met’s global HD audiences and has been featured in three live high-definition transmissions since 2008. The most recent, presented during the 2017–18 season, includes a cast of celebrated young artists. Soprano Sonya Yoncheva is the fragile seamstress Mimì, who instantly falls in love with the passionate poet Rodolfo, sung by tenor Michael Fabiano. Soprano Susanna Phillips and baritone Lucas Meachem trade both spars and kisses as the on-again-off-again lovers Musetta and Marcello, with bass Matthew Rose and baritone Alexey Lavrov rounding out the rambunctious gang of bohemian friends. Maestro Marco Armiliato takes the podium to lead Franco Zeffirelli’s picturesque staging.

The Metropolitan Opera: La Bohème

9.0 2018
Still Crazy

In the 1970s, Strange Fruit were it. They lived the rock lifestyle to the max, groupies, drugs, internal tension and an ex front man dead from an overdose. Even their demise was glamorous; when lightning struck the stage during an outdoor festival. Twenty years on, these former rock gods they have now sunk deep into obscurity when the idea of a reunion tour is lodged in the head of Tony, former keyboard player of the Fruits. Tony sets out to find his former bandmates with the help of former manager Karen to see if they can recapture the magic and give themselves a second chance.

Still Crazy

6.8 1998
The Threshold

In a world populated entirely by puppets who are unaware of their condition, a young couple finds themselves aimlessly wandering through an amusement park, yearning for excitement. He is a workaholic, consumed by his job, while she is on the brink of motherhood. Little do they know that their lives are about to be forever transformed. In a secluded corner of the park, they encounter a group of actors led by a peculiar plague doctor. Together, they embark on a mesmerizing musical journey through time and space. Along the way, their perception of reality is shattered, leaving them to question the very essence of their existence. This extraordinary odyssey not only changes the course of their lives but also sets a new destiny for their future child.

The Threshold

NR 2025
Glastopia

In this personal film, Julien Temple, who directed the definitive documentary history of the Glastonbury Festival, explores the alternative side of the festival away from the spotlight of the main stages with their global pop superstars. In fields known as Shangri La, Arcadia, the Unfair Ground, Strummerville, Block 9 and the Common, every year an unlikely attempt at utopia takes shape. Here, the festival reconnects with its radical, countercultural origins combining underground music, performance art and some of the funniest and most provocative sights of the festival with a dark, urgent 21st century spontaneity. Filmed at the 2011 festival, this 75 minute documentary features Michael Eavis, the creators of, and visitors to the true heart of the Glastonbury, and, fuelled by the music of tomorrow, explores the hopes, dreams and personal utopias of those who, for one weekend in June, come together as the tribes of 21st Century Albion.

Glastopia

NR 2012
Salsa

At age 24, Rémi Bonnet, brilliant pianist, abandons Chopin and Toulouse to play the music he has secretly loved for years - Salsa! He heads for Paris, the salsa capital of Europe, only to discover to his great surprise, that nobody wants a white boy in Latin band! Felipe, his Cuban friend, sets him straight: " You don't have the Latino look, muchacho! Today, if your are not Cubano or Columbiano, you are out!". Undaunted, Rémi deliberately takes on the identity, accent and complexion of an unemployed alien in a city where most foreigners will do almost anything to become French. Barreto, 75, the legendary Cuban composer, who is about to close down the once famous Casa Cubana, offers Rémi a job giving dance lessons to the locals. It is here that Rémi falls in love with Nathalie. Her family's "secrets and lies" reveal parental links to Barreto. Do these links explain why this shy beauty ought to be a bomb on the dance floor?

Salsa

6.5 2000