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Bolshoi Theatre: Marco Spada's ballet

Marco Spada was created at the Paris Opera in 1857 with choreography from Joseph Mazilier and music adapted from Daniel Auber’s comic opera of Marco Spada. Soon forgotten, the ballet was revived in 1981 with a brand new choreography by Pierre Lacotte for the Rome Opera, with Rudolf Nureyev as the 18th-century Italian bandit pretending to be an aristocrat, and Ghislaine Thesmar as his daughter Angela. At the Bolshoi, Marco Spada was premiered on the historic stage on November 8, 2013. Leading roles were performed by David Hallberg (Marco Spada), Evgenia Obraztsova (Angela), Olga Smirnova (Marchesa Sampietri), Semyon Chudin (Prince Frederici), and Igor Tsvirko (Count Pepinelli). Pierre Lacotte designed sets and costumes.

Bolshoi Theatre: Marco Spada's ballet

NR 2014
Boston Waltz

The name of Alexander Rosenbaum, inseparably linked with Leningrad–Petersburg, is among the most renowned in Russia. His persona has become a symbol of our great, tragic, and transformative era. Poet and singer Alexander Rosenbaum is a true child of Leningrad. To him, Leningrad is, above all, the old city, the old buildings, the old courtyards. Childhood has long since passed, yet his songs still often carry a gentle sorrow for the old courtyards of Leningrad. He frequently returns to the past of his beloved city...

Boston Waltz

NR 1997
Verdi: La Traviata

Giuseppe Verdi based his famous opera on the novel “The Lady of the Camellias” by Alexandre Dumas. Robert Wilson’s production of Violetta Valéry’s tragic fate is his first work at the State Theater of Linz, Austria, one of the most modern operatic stages in Europe by architect Terry Pawson. After the run in Linz, the production was transferred to the Opera House in Perm, Russia, where the production was conducted by Teodor Currentzis. In 2017, the work received a “Golden Mask”, the most prestigious Russian theater award, in three categories (Teodor Currentzis, Best Conductor; Nadezhda Pavlova, Best Female Singer; Robert Wilson, Best Lighting Design).

Verdi: La Traviata

NR 2016
The Tower: A Songspiel

Filmed in April 2010, the film is based on real documents of Russian social and political life and on an analysis of the conflict that has developed around the planned Okhta Center development in Petersburg, where the Gazprom corporation intends to house the headquarters of its locally-based subsidiaries in a 403-meter-high skyscraper. The proposed skyscraper has provoked one of the fiercest confrontations between the authorities and society in recent Russian political history. Despite resistance on the part of various groups who believe that construction of the building would have a catastrophic impact on the appearance of the city, which is a UNESCO World Heritage Site, Gazprom has so far managed to secure all the necessary permissions and has practically begun the first phase of construction.

The Tower: A Songspiel

NR 2013
The Last Trial

Raistlin Majere is a dark sorcerer, weak in body but proud in spirit, who's forced to make a choice between happiness and unlimited power. Only the arrogant high-priestess Crysania and the sorcerer’s brother Caramon can stop his plans. But is it possible that there's more than just darkness hiding under Raistlin's robes? “The Last Trial” is a fantasy musical that quickly became a cult classic despite it's fairly short run-time. The musical is based on the “Dragonlance Legends” trilogy, written by Margaret Weis and Tracy Hickman.

The Last Trial

10.0 2018
Kuranta

A film about the early chamber music ensemble "Kurant." Based on filming from 1986-1988. A concert featuring the ensemble was filmed in Leningrad, at the S. P. von Derviz mansion at 33 Galernaya Street, (then the Mayak club of the Admiralty Plant, 33 Krasnaya Street). Part of the filming took place inside the Rotunda at 57 Gorokhovaya Street. In the late 1960s and 1970s, the Rotunda regularly hosted informal gatherings of Leningrad youth. In the 1970s and 1980s, the Rotunda gained fame as a cult venue, attracting representatives of various subcultures—rockers, hippies, and punks.

Kuranta

NR 1998
A Garden of Joy in a World of Sorrow

Gubaidulina is one of the most prominent and profound composers of the second half of the 20th century. According to many, she is the most outstanding female composer of our time. Her work reflects a desire to organically unite the qualities of Western and Eastern art, influenced by spiritual and religious concepts. Through faith, she also finds meaning in her creative work. Along with Alfred Schnittke and Edison Denisov, Gubaidulina is part of the so-called "trio" of Moscow composers associated with the avant-garde movement.

A Garden of Joy in a World of Sorrow

NR 2011
Группа Кино: Концерт. Москва, ЦСКА Арена

The concept of the project is to show what a Kino performance can be like in the 21st century, with good modern sound and stage production. Most of the material will be performed as close to the original as possible, but there will also be improvisations and new interpretations. The basis of the program is the real voice of Viktor Tsoi, digitized from the original multi-channel recordings of Kino. The group includes two original bass players of the group from different years, Alexander Titov and Igor Tikhomirov, and the permanent guitarist Yuri Kasparyan.

Группа Кино: Концерт. Москва, ЦСКА Арена

NR 2021