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Mozart: Le nozze di Figaro

The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single "day of madness" in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro's bride to be, under the nose of the Countess.

Mozart: Le nozze di Figaro

4.0 1994
Ann-Margret Smith

Book-ending the year 1975 with two big budget TV Specials, Ann -Margret also earned her second Oscar nomination that year, for Tommy. In January, "Ann-Margret Olssen" premiered and was titled with the star's maiden name. This second special premiered late in the year and was titled with the star's married name. Her husband Roger Smith also appears in the opening sequences. Presented by the Bell System's Family Theatre, the program was filmed at the ATV Studios at BBC Elstree Centre, Borehamwood, England.

Ann-Margret Smith

7.0 1975
Urgh! A Music War

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

Urgh! A Music War

7.4 1981
Country at the BBC

Grab your partner by the hand - the BBC have raided their archive and brought to light glittering performances by country artists over the last four decades. Star appearances include Tammy Wynette, Kris Kristofferson, Johnny Cash and, of course, Dolly Parton. All the greats have performed for the BBC at some point - on entertainment shows, in concert and at the BBC studios. Some of the rhinestones revealed are Charley Pride's Crystal Chandeliers from the Lulu Show, Emmylou Harris singing Together Again on the Old Grey Whistle Test and Billie Jo Spears's Your Good Girl's Gonna Go Bad from the Val Doonican Music Show. We're brought up to date with modern country hits by kd lang, Garth Brooks, Alison Krauss and Taylor Swift, plus a special unbroadcasted performance from Later...with Jools Holland by Willie Nelson.

Country at the BBC

7.5 2011
How the Beatles Changed the World

The fascinating story of the cultural, social, spiritual, and musical revolution ignited by the coming of the Beatles. Tracing the impact that these four band members had, first in their native Britain and soon after worldwide, it reappraises the band and follows their path from young subversives to countercultural heroes. Featuring fresh, revealing interviews with key collaborators as well as a wealth of rarely-seen archival footage, this is a bold new take on the most significant band in the history of music and their enduring impact on popular culture.

How the Beatles Changed the World

7.3 2017
Marley

Bob Marley's universal appeal, impact on music history and role as a social and political prophet is both unique and unparalleled. Directed by Academy Award-winning director Kevin Macdonald (The Last King of Scotland), MARLEY is the definitive life story of the musician, revolutionary, and legend, from his early days to his rise to international superstardom. Made with the support of the Marley family, the film features rare footage, incredible performances and revelatory interviews with the people that knew him best.

Marley

7.5 2012
Black Wax

Gil Scott-Heron, one of rap's earliest (and unfortunately unknown) pioneers, gets his full due in Black Wax, the 1982 documentary recently reissued on video. Interspliced between performance footage of Scott-Heron and his Midnight Band are vignettes of him walking around Washington D.C., spouting his views on then-President Reagan (dubbed "Ray-Gun") and generally dropping knowledge. The live performance features many of Scott-Heron's best-known hits, including "Johannesburg," "Winter in America," and "Angel Dust," among others. Warm, intelligent, and insightful throughout, Scott-Heron is clearly enjoying himself and the opportunity to espouse his views. A must for any fan of Scott-Heron's, and definitely worth a look for fans of the funkier jazz music of the mid to late 1970's.

Black Wax

10.0 1983
Welcome to Rockwell - A Night of Legendary Collaborations

The O2 arena, London was stage for the gathering of some of the UK's most notable, and charitable music icons. "Rockwell" event brought together the likes of Robert Plant, Tom Jones, Joss Stone, as well as Lulu, Razorlight, Beverley Knight, Escala, Dan Gillespie Sells (from The Feeling)in one of the most memorable benefit concerts to date. The evening with many major stars sharing the spotlight for brilliant, unexpected surprises was culminated in the final song that saw every act hit the stage for a fantastic version of The Beatles' classic "Let It Be"!

Welcome to Rockwell - A Night of Legendary Collaborations

NR 2012
Supertramp: Crime of the Century in Concert at Hammersmith Odeon 1975

Supertramp: Crime of the Century in Concert at Hammersmith Odeon 1975 is a comprehensive release capturing the British progressive rock band's landmark March 9, 1975 show in London. Restored from original 16mm film, this release features a Dolby Atmos audio mix and a setlist that bookends their hit album. Just prior to embarking on their first major North American tour in 1975, Supertramp played a highly anticipated, sold-out show at London's Hammersmith Odeon. This performance showcased the classic line-up of Rick Davies, Roger Hodgson, Dougie Thomson, John Helliwell, and Bob Siebenberg at the critical moment Crime of the Century was propelling them to global fame.

Supertramp: Crime of the Century in Concert at Hammersmith Odeon 1975

8.0 2026
Britten: Gloriana

Benjamin Britten’s opera Gloriana was written in 1953 for celebrations around the Coronation of Her Majesty Queen Elizabeth II, to whom the opera is dedicated. It had its first performance at the Royal Opera House on 8 June 1953, in the presence of The Queen then just 6 days into her reign. The centenary in 2013 of Britten’s birth prompted this new Royal Opera production, in which director Richard Jones uses the setting of a celebratory pageant in 1953 to explore the work’s alternating splendour and intimacy. This theatrical, inventive and colourful staging has at its core the symbolic reflections between the Tudor Elizabethan and the New Elizabethan ages that characterize the opera. The juxtaposition of the modern and the archaic in William Plomer’s libretto is wonderfully amplified in music that artfully fuses the sounds and manners of Tudor England – from lute songs to courtly dances – with Britten’s own distinctive style.

Britten: Gloriana

NR 2013
1 Giant Leap

1 Giant Leap is a concept band and media project consisting of the two principal artists, Jamie Catto and Duncan Bridgeman. This is the film part of their first project. The result is a flowing, loose-knit tapestry of imagery, interviews, and diverse performances. Gathering material from 25 countries and dozens of famous and not-so-famous musicians, authors, celebrities, spiritualists, philosophers, and unique individuals from nearly every cultural background, this enveloping DVD is best enjoyed as a soothing audiovisual odyssey (select "loop mode" for continuous play!). Assembling this cornucopia by theme (Time, Inspiration, Sex, God, Death, etc.), Bridgeman and Catto function as co-composers with an astonishing array of collaborators, giving 1 Giant Leap its richly international (and some might say inter-spiritual) identity. The result is a far-reaching glimpse of our world through the eyes of those who improve it by their musical presence. --Jeff Shannon

1 Giant Leap

5.3 2002