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A Lady Macbeth of the District of Mcensk

On the 50th anniversary of Shostakovich’s death, La Scala opens the Season with his masterpiece Lady Macbeth of the Mtsensk District, based on the novella by Nikolai Leskov. After its premiere in St. Petersburg, the opera – which was intended to be the first part of a trilogy on women’s condition in Russia – enjoyed great success at home and abroad. Stalin attended a performance in Moscow in 1936; two days later, the famous denunciation titled “Chaos Instead of Music” appeared in Pravda, through which the regime blacklisted the opera and its composer. Years later, Shostakovich prepared a new version that was staged in Moscow in 1963 under the title Katerina Izmailova, after Superintendent Ghiringhelli had unsuccessfully tried to secure its premiere for La Scala. Today, the theatre presents the original 1934 version, conducted by M° Chailly and the debut of director Barkhatov.

A Lady Macbeth of the District of Mcensk

NR 2025
Rigoletto - Festival d'Aix-en-Provence

In celebration of Verdi's 200th birthday in 2013, the Festival d’Aix-en-Provence produced the composer's colorful masterpiece Rigoletto for the first time in its history. Verdi expert Gianandrea Noseda conducted the London Symphony Orchestra in a production that marked the return of the Canadian stage director Robert Carsen to the festival following a 17 year hiatus. Carsen sets his interpretation of this classic opera in the cutthroat world of the circus. Based on Victor Hugo's play Le roi s’amuse, Verdi's opera in three acts Rigoletto premiered in 1851. Similar to the play that inspired it, the opera faced censorship because of its controversial subject of libertinism at court. The opera’s tragic story revolves around the licentious Duke of Mantua, his hunchbacked court jester Rigoletto, and the jester’s beautiful daughter, Gilda.

Rigoletto - Festival d'Aix-en-Provence

NR 2014
Fatherland

Persona Non Grata in his homeland, protest singer Klaus Drittemann must leave East Berlin, his wife and child and emigrate to West Berlin, where the representatives of an American record company are eagerly waiting for him. They plan to exploit his defection from communism both ideologically and financially. But Klaus, as ill-at-ease in the West as he was in the East, is reluctant to be used as an expendable commodity. Leaving his contract unsigned (or signed in his manner), he leaves for Cambridge to meet his father, a concert player, who - just like him - left East Berlin thirty years ago as Klaus was a little boy. He is accompanied by a young French journalist, Emma, who knows where his father has been living since he disappeared for more than a decade. The young lady is cooperative but might hide things from him...

Fatherland

6.3 1986
Composing the Beatles Songbook: Lennon & McCartney 1966-1970

Featuring a wealth of performance clips, archival footage and testimonials from friends, peers and experts, this fascinating documentary explores the legendary collaboration between John Lennon and Paul McCartney. Focusing on the period of work that began with "Revolver" and ended with "Abbey Road," this feature chronicles the duo's efforts, from the writing to the recording, and examines the impact their partnership had on the world at large.

Composing the Beatles Songbook: Lennon & McCartney 1966-1970

NR 2008
Respighi: La Fiamma

Christof Loy continues his exploration of early 20th-century opera at the Deutsche Oper Berlin with Respighi's rarely heard La fiamma. Imposing choruses and sweeping tableaux drive a drama of suspicion, desire and public frenzy, heightened here by Carlo Rizzi's musical direction and a cast led by Olesya Golovneva and Georgy Vasiliev. Premiered in 1934, the work mirrors a society sliding towards authoritarianism, its show trial carrying an unsettling emotional charge. Respighi's score moves beyond the colours of the Trilogia romana, blending impressionist shimmer, Russian influence and a renewed fascination with Italian Renaissance sound worlds.

Respighi: La Fiamma

NR 2024
The Music of Lennon & McCartney

A 1965 British television special honouring the songwriting partnership of John Lennon and Paul McCartney. It was produced by Granada Television and aired on that network on 16 December 1965 before receiving a national broadcast the following evening. The programme mainly consisted of other artists miming to their recordings of the songs. The Beatles performed Day Tripper and We Can Work It Out, and Peter Sellers delivered a comedic interpretation of A Hard Day's Night, in the style of stage actor Laurence Olivier's portrayal of Richard III.

The Music of Lennon & McCartney

7.0 1965