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Mike Brant: Laisse moi t'aimer

Based on the real-life death of Mike Brant, who reluctantly became a foreign singing sensation during the 1960s and '70s. Born in a displaced person's camp in Cyprus, the then-named Moshe Brand grew up in a working-class environment, occasionally making time to entertain at weddings, bar mitzvahs, and, eventually, nightclubs both at home and abroad. When Sylvie and Carlos Varton saw one of his performances, they whisked him off to Paris and saw to it that his career took off. Though he was an almost instant success, he is believed to have committed suicide at the age of 28. This film features rare interviews with family, friends, and colleagues, as well as footage from home movies, television appearances, and radio recordings.

Mike Brant: Laisse moi t'aimer

7.3 2003
The Unexpected Party

This musical comedy produced in 1953 for the General Government of Algeria, features the comic trio composed of Rouiched, Mohamed Touri and Sid Ali Fernandel, accompanied by the orchestra of the master of the Algiers Chaâbi El Hadj M'hamed El Anka, the singer Fadhéla Dziria, Mustapha Skandrani on the piano. Some scenes were filmed at the Summer Palace (the current Palace of the Algerian Presidency, called the People's Palace). André Zwobada, the director, will play an important role after the independence of Algeria in 1962, in the production and preservation of the first Algerian newsreels.

The Unexpected Party

10.0 1953
Louise

A huge success when it premiered at the Opéra-Comique in 1900, Gustave Charpentier’s (1860-1956) “musical novel in four acts and five scenes” was panned by the critics, who considered its depiction of female desire and its heroine’s rebellion against her family to be scandalous. In this new reading, Christof Loy (Salomé) – famous for his meticulous productions, precise direction and refined aesthetic – has detected beneath the innovative theme of female emancipation an unspoken aspect of Charpentier’s libretto: the toxic family relationship in which Louise finds herself trapped, and the hold that her possessive – even abusive – father exerts over her with the complicity of her mother. Keen to tell the story without judging the characters, the director draws the audience into Louise’s subconscious, highlighting the darker side of a society that, far from emancipating its daughters, only offers them cheap romance as a deflection from the frustrations of their limited prospects.

Louise

NR 2025
Alors je fais des chansons

Jean-Luc le Tenia (1975-2011) is the author of more than 1,300 songs, produced in a hurry, minimalist and melancholic. Becoming a true legend during his lifetime in Le Mans, the singer is considered the French Daniel Johnston. From his complex relationships with others, particularly with women, and from his deep psychological suffering, he created songs that many still sing. In this film, enriched by archives and interviews with those who knew him, historian Hervé Guillemain reconstructs the influences, practices and singular journey of a multifaceted artist by placing him in the history of French song and the alternative punk movement, in the landscapes of the city of Le Mans. Between art, psychology and history, Alors je fais des chansons is a film which, by observing the creative process on an individual level, ultimately questions the notion of art brut.

Alors je fais des chansons

NR 2025
Les Indes Galantes

"William Christie and Les Arts Florissants propel this exuberant production of Jean-Philippe Rameau's second opera to great heights. Andrei Serban's extravagant, highly baroque staging presents the four exotic love stories vibrantly. In 'Le Turc généreux' Osman sets free his captive, Emilie, whom he loves, so that she may be reunited with her former lover, Valère; 'Les Incas de Pérou' is all about the rivalry of the Inca Huascar and the Spaniard Don Carlos, both in pursuit of Princess Phani; 'Les Fleurs' offers a Persian love intrigue, as the Sultana Fatime tries to detect whether her husband Tacmas has his eye on the lovely Atalide; and 'Les Sauvages' takes us to North America, where a Spaniard and a Frenchman compete for the love of Zima, daughter of a native chief, who prefers one of her own people." — from the DVD cover

Les Indes Galantes

7.0 2004