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Alberta Hunter: My Castle's Rockin'

This music biography portrays the life of the legendary blues singer and songwriter Alberta Hunter. After 40 years of show business success beginning in the 1920's, Alberta became a nurse. Twenty years later, when the hospital thought she was 70, she was forced to retire. Still anxious to do something with her life, she returned to singing, to enjoy an acclaimed comeback. Her age was really 82! MY CASTLE'S ROCKIN' traces Alberta's remarkable career through the 20th Century, incorporating her best live performances from New York's famous downtown night spot, The Cookery. Ms. Hunter opened her personal archives to the producer for this documentary, sharing never before seen photos and other momentos from her celebrated career. The film features Alberta Hunter's final interview before her death in 1984; plus interviews with her manager, nightclub entrepreneur Barney Josephson; her record producer, the legendary John Hammond, and others.

Alberta Hunter: My Castle's Rockin'

8.0 1992
Wie aus Weiter Ferne

At the invitation of the Concertgebouw in Amsterdam, the Dutch conductor Jules Coulée returns to the Netherlands to conduct a one-off performance of Third Symphony by Gustav Mahler. Coulée is unpleasantly surprised when he sees that the Concertgebouw is under construction and that the renovations continue during rehearsals. In addition, the acoustics of the hall are terribly bad and the balcony too close, so that the post horn solo in the third movement cannot possibly come from afar, as the score prescribes. For Coulée, the entire implementation stands or falls with this detail.

Wie aus Weiter Ferne

9.0 1994
Cinta Metropolitan

The story begins when a photographer, Haris accidentally met his brother, Irwan in a dinner. They met with Chloe managed to catch a thief after her handbag. Irwan was actually a female accomplice who tries to find Chloe's attention, even though she has named Monisa sugar mummy. Haris less pleased with the attitude of his sister, especially when his lover She also seduced by Irwan. Rizal, Chloe handbag thief told Haris and Irwan about counterfeit money held by Chloe. Chloe's brother, Farouk, finally realized that the secret syndicate was uncovered counterfeit money and sent the lock-extended arm Haris hunting, Irwan, Rizal, Nurul and Monisa to force them all to flee abroad.

Cinta Metropolitan

NR 1994
The Sensual Nature of Sound: 4 Composers Laurie Anderson, Tania Leon, Meredith Monk, Pauline Oliveros

The Sensual Nature of Sound portrays four New York based composers and performers in terms of their musical lives and artistic passion. Though Laurie Anderson, Tania Leon, Meredith Monk and Pauline Oliveros are all pioneers in American music, each composer pursues a distinct direction of her own. Their rehearsals and performances show a common pursuit of lyrical storytelling through which a new set of contemporary narratives has been forged. Through body, sound, movement and composition, these women have forged their own path through the wild world of modern music.

The Sensual Nature of Sound: 4 Composers Laurie Anderson, Tania Leon, Meredith Monk, Pauline Oliveros

NR 1993
An Introduction to Harmolodics

Ornette Coleman is always asked, “what is Harmolodics?” Harmolodics is the term he coined to describe his music and his philosophy of life. He decided to do a short film about Harmolodics. A few artists were in enlisted, including Lou Reed, Thurston Moore, Yoko Ono and dancer Wunmi Olaiya. The film only went out to journalists as part of the Tone Dialing press kit. It was released publicly in honor of the occasion of Ornette’s 90th birthday March 9, 2020.

An Introduction to Harmolodics

NR 1995
The Ritual [Propaganda Videozine: Volume 3]

Poor, beautiful Antinous, sacrificed so that his beloved Caesar might declare him a god, but the fate of his cult and his imperial admirer was one of ruin and despair. And what of the proud Diana and Hebe, champions of womankind, sworn to avenge the suffering of Mother Earth at the hands of a violent Sun. For as the god fell from the sky, the lovers were engulfed in the flames of his anguish. Yet, the willfulness of the pagan ceased not, for woe alsoe befell the black Adepts of swastika mysticism, who in their desire to purify the world in fire and blood were cast headlong into the eternal Abyss. Such is the course and consequences of THE RITUAL. Following this pignant and sensual mythos are music videos by the Gothic groups THIS ASCENSION, ROSETTA STONE, DEEP SIX, HUMAN DRAMA AND TRIO NOCTURNA. It is by their pale ghostly light that the darkest corridors of human thought and experience are explored and made known in sound and vision.

The Ritual [Propaganda Videozine: Volume 3]

6.0 1994
The Damnation of Faust

The three main soloists have voices on a scale that can compete with these flashy production values – White and Kasarova, in particular, sing at a level of intensity that would swamp anything less; the climactic seduction trio has rarely been sung so well or with such an overpoweringly polymorphous eroticism. Cambreling marshals his forces effectively, giving full rein to the work's showstoppers like the "Hungarian March" but not neglecting the subtler less kinetic Gluckian side of Berlioz's vocal writing. Recorded live at the Salzburger Festspiele, 1999.

The Damnation of Faust

10.0 1999
Premonitions Of Absurd Perversion In Sexual Personae, Part 1

Another cutting-edge visual experiment from British artist John Maybury, Premonitions Of Absurd Perversion In Sexual Personae, Part 1 serves up a video tribute to the male body, a steamy Kenneth Anger for the video age. Pieced together from a ten year stockpile of evocative, personal images, Maybury’s tape uses multi-form mixing techniques in a typically freeform exploration of the polymorphous field of desire and sexuality.

Premonitions Of Absurd Perversion In Sexual Personae, Part 1

9.0 1992
The Black Crowes: Live at Ronnie Scott's

Chris Robinson apparently collapsed from "exhaustion" after this 'secret' acoustic show at London's famous jazz club, Ronnie Scott's. The group returned to the US, cancelling their pending tour dates. Anyone with even a passing interest in the band or the genre should check this out, as this is one of those truly great moments in Rock & Roll, documenting the period when the band shed the regimented sound of their debut album and settled comfortably into what they really were - a highly proficient and genuine rhythm and blues outfit.

The Black Crowes: Live at Ronnie Scott's

NR 1991
Richard Smallwood with Vision – Adoration: Live In Atlanta

It was released on CD, VHS, and later DVD, and is widely regarded as one of Smallwood’s most powerful worship projects. The performance blends classical arrangements with gospel intensity, showcasing songs like “Total Praise,” “I’ll See You Again,” “Center of My Joy,” and “Adoration.” The album’s orchestral and choral richness, produced with Mervyn Warren’s direction, helped define the modern worship sound of the late 1990s.

Richard Smallwood with Vision – Adoration: Live In Atlanta

NR 1996
The Cunning Little Vixen

Nicholas Hytner's enchanting production, sung in the original Czech, is conducted by Sir Charles Mackerras, a master of the best Janacek style. Through myriad shifts of scene, the episodic story is presented in brightly-colored sets and costumes of blissful innocence and simplicity, designed by Bob Crowley. Jean-Claude Gallotta's choreography for the insects and animals, and Jean Kalman's lighting add to the nostalgically poetic effect of the whole. With Thomas Allen as the Forester, the cast includes Eva Jenis, Hanna Minutillo, Richard Novak and Ivan Kusnjer. This live recording comes from the Theatre du Chatelet in Paris.

The Cunning Little Vixen

NR 1995
Dead Men Don't Tour: Rodríguez in South Africa

Directed by Tonia Selley, Dead Men Don't Tour was first broadcast on SABC 3 at 9.30pm on the 5th July 2001 just after 'Ripley's Believe Or Not'. This film features wonderful concert footage, backstage antics, interviews with Craig Bartholomew Strydom and Stephen "Sugar" Segerman, Rodriguez and his family, the promoters, the fans and the musicians. All live footage was filmed at the concerts in Pretoria, Durban and the Blues Room in Johannesburg.

Dead Men Don't Tour: Rodríguez in South Africa

NR 1998