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KMFDM: Beat By Beat (VHS)

Live performances and backstage tour footage from the band's 1995 Beat by Beat tour as well as all seven of the band's videos produced at the time. Tracklist: Intro Flesh (Live) Behind The Scenes Footage Disobedience (Live) A Drug Against War (Video) Money (Video) Behind The Scenes Footage More & Faster (Live) More & Faster (Video) Son Of A Gun (Video) Behind The Scenes Footage Vogue (Video) Juke-Joint Jezebel (Manga) (Video) Behind The Scenes Footage Godlike (Live) Behind The Scenes Footage End Titles/Sascha Playing Guitar Naïve (Video)

KMFDM: Beat By Beat (VHS)

NR 1997
The Putney

This video was created by using an EMS Videosizer which is fed with musical information in order to produce and treat color, shape, lightness and contrast of the visual information. Pete Namlook is a purist. He never wanted to release a video with grinning musicians fuzzing around with their instruments or 3D animation which has not the timeless quality. More Important is the direct connection to the music. Visuals not as an explanation of the sound but more an enhancement and intensification of the overall musical experience.

The Putney

NR 1995
Bernadette: The Princess of Lourdes

It’s February 11, 1858. Three girls from Lourdes, France, gather firewood in front of a grotto. Suddenly one of them, Bernadette Soubirous, 14, drops to her knees, gazes ecstatically at something beautiful only she can see, and starts to pray. Soon the town buzzes: Has Bernadette, poor, sickly, and always behind in school, really seen a Lady from Heaven? Then a spring bubbles up from nowhere and withered arms and sightless eyes are cured. At last, the Lady tells Bernadette her name: “I am The Immaculate Concepcion.” BERNADETTE, THE PRINCESS OF LOURDES, is the exciting true story of a visit by the Queen of Heaven that left the entire world a source of health for body and soul.

Bernadette: The Princess of Lourdes

NR 1990
Ten vánoční čas

Folk carols from Wallachia played by Beskydy music... In 1992, to make the Christmas atmosphere more pleasant, Ostrava's creators prepared a musical programme in which a number of well-known carols will be performed by the Rožnov gajdoš, the Beskydská muzika brass band and the children's ensemble Zvoneček from the Pod Skalkou Primary School in Rožnov pod Radhoštěm. The programme will also feature several well-known personalities who will talk about what Christmas means to them: the actor Josef Kobr, the director of the Wallachian Open Air Museum PhDr. Jaroslav Štika, the Olympic winner Vítězslav Mácha, the former Polish Consul General Jerzy Kronhold and the businessman Peter Kominek.

Ten vánoční čas

NR 1992
Divine: Live at the Hacienda

On 16 February 1983, Divine performs a seven-song set at the Hacienda Club in Manchester. His peroxide blond hair sticks in all directions; he's dressed in a skin-tight, short, off-one-shoulder, sparkling dress that he says he got from the Queen, who wouldn't wear it. The set includes Gang Bang (the name-game song), Jungle Jezebel, Born To Be Cheap, Alphabet Rap, Native Love, Shake It Up, and, for an encore, Shoot Your Shot. The band, whom we never see, is techno-rock. Between songs, Divine chats up the audience, usually talking about sex.

Divine: Live at the Hacienda

7.5 1994
FILM THE PSYCHOMMUNITY REEL.1

The live concert movie centers around the last day at Yokohama Arena during his first tour "HIDE OUR PSYCHOMMUNITY - Hide no Heya e Yokoso". Hide's ideas and stage gimmicks were constantly changing and developing even during concert tours. Another surprise about this video is that in 1993, Hide already foresaw that there was going to be a hardware that allows viewers to enjoy films in multi-angle mode, and because of that idea, the clip for "Doubt" was filmed in multi-angle mode. That film footage was shelved till now that finally DVD carries that feature.

FILM THE PSYCHOMMUNITY REEL.1

4.8 1994
CAN: The Documentary

The late-'60s avant garde rock band CAN gets a feature-length tribute with this affectionate documentary chronicling its odd inception and subsequent career. In CAN -- The Documentary, the remaining band members are interviewed amidst culled together archival footage from talk shows, concerts, and television appearances to paint a portrait of a band who always remained happily on the sidelines of mass appeal, mixing street music, jazz, folk, and rock into a sometimes poppy, sometimes abstract stew. The band's influence on such seminal acts as Sonic Youth and Talking Heads is also analyzed.

CAN: The Documentary

6.5 1999
Nutcracker: The Story of Clara

This acclaimed adaptation of Tchaikovsky's fabled masterwork from Graeme Murphy and the Australian Ballet tells the story of a famous Russian ballerina who immigrates to Australia in the 1940s, only to find a newly tumultuous life awaiting. Noel Smith conducts the State Orchestra of Victoria, and Vicki Attard, Siobhan Elsmann, Steven Heathcote and Dame Margaret Scott star in this 1994 production. Nutcracker was recorded live at the State Theatre, Melbourne, Sep. 22, 1994.

Nutcracker: The Story of Clara

NR 1994
The Manhattan Book of the Dead

The Manhattan Book of the Dead was my response to the ongoing AIDS crisis that was plaguing NYC (and elsewhere in the late 80s-mid 90s). I just felt like I needed to do something more concrete than merely going about my business. Putting my own particular talents to use seemed like a good way to go about it, and it was cathartic for me as well. It explored many sides of my musical personality—including the first “songs” I’d written in many years. But it also had some of the most advanced just intonation drone pieces and corresponding rhythmic structures I’d ever done. Also, the root/fifth drones heard throughout much of it was two ebows on the piano—I believe the first time that had been done..

The Manhattan Book of the Dead

NR 1995
Verdi La Traviata

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

Verdi La Traviata

4.0 1992