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Al Di Meola Jean-Luc Ponty Stanley Clarke Live at Montreux

Guitarist Al di Meola, violinist Jean-Luc Ponty, and bassist Stanley Clarke, all of whom recorded numerous albums as leaders during the 1970s and 1980s, join forces for this 1994 concert in Montreux. Each musician's compositions are featured in this mostly acoustic performance, though charts were necessary to help them find their way through unfamiliar pieces. There is a noticeable lack of ego apparent on-stage, with no one player trying to steal the spotlight. For his solo feature, "Eulogy to Oscar Romero," Ponty incorporates the use of a digital delay to accompany himself, while Clarke's and di Meola's solo performances are more in the context of the concert. CD The Rite of Strings, which was recorded the following year.

Al Di Meola Jean-Luc Ponty Stanley Clarke Live at Montreux

7.0 1994
Sunny Day Real Estate: Live

Live is a live performance by Sunny Day Real Estate. Recoded on the How it Feels to Be Something On tour on May 26, 1999, in Eugene, OR and released in the same year through Sub Pop. The VHS included the promo music videos for "Seven" and "In Circles" Set list: "Pillars" – 5:01 "Guitar and Video Games" – 4:18 "The Blankets Were the Stairs" – 5:48 "100 Million" – 5:37 "Every Shining Time You Arrive" – 4:31 "Song About an Angel" – 6:21 "The Prophet" – 6:02 "J'Nuh" – 5:48 "Rodeo Jones" – 5:08 "In Circles" – 5:00 "Days Were Golden" – 8:42

Sunny Day Real Estate: Live

10.0 1999
Tokimeki Marine: Fiji

A very relaxing background video compilation of footage of the Fiji islands, backed with the slick Jazz-Fusion tracks by Issei Noro who is best known as the guitarist for the Japanese band Casiopea! See the beautiful islands of Fiji as we fly into the city of Nadi. Then, follow our model/diver above and below the waves. Watch as she walks the warm sandy shores, dives into the beautiful coral reefs, and spends time with the friendly local residents. This BGV recording features all the songs from Issei Noro's 1989 album, "Vida," played in the same order as the music-only release. Performed with a number of well-known Brazilian musicians, the music is relaxing, yet upbeat & exciting. A perfect match for the footage! To make this video even sweeter, the video ends with a Carioca tune!

Tokimeki Marine: Fiji

NR 1991
Guitar Legends EXPO '92 at Sevilla - The Fusion Night

Guitar Legends was a concert held over five nights, from October 15 to October 19, 1991, in Seville, Spain, with the aim of positioning the city as an entertainment destination to draw support for Expo '92 beginning the following April. The event featured 27 top guitarists, including BB King, Brian May, George Benson, Joe Walsh, Keith Richards, Les Paul, Robbie Robertson, Robert Cray, Roger Waters, Albert Collins, Steve Vai and Joe Satriani. The vocalists included Rickie Lee Jones, Bob Dylan and Joe Cocker. Five 90-minute shows and a one-hour documentary were broadcast. Forty-five countries showed at least one live show. Later, broadcasters in 105 countries broadcast one or more programmes.

Guitar Legends EXPO '92 at Sevilla - The Fusion Night

6.0 1991
Grow Live Monsters

Grow Live Monsters is a selection of 8mm, super-8, and 16 mm film phantasies from the period 1971-76. While still at high school Cary Loren started a correspondence with underground filmmaker, actor, and performance artist Jack Smith, which led to a meeting in the summer of 1973. Shortly after that the artists’ band Destroy All Monsters was formed by Mike Kelley. Jim Shaw, Cary Loren, and Niagara. Most films on this DVD revolve around this group of friends and the music they produced in basements and during live performances.

Grow Live Monsters

NR 1995
Üç Kurşunluk Opera

Ferhan Şensoy says the following about The Threepenny Opera: "When updating Brecht's (The Threepenny Opera) 67 years later, I sometimes approach John Gay's "The Beggar's Opera." For example, in the original work performed 267 years ago, Mack the Knife was a folk hero, while in Brecht's version, he is an ordinary thief. Our own Mahmut is a Kemalist gangster. But we don't stray too far from Brecht; in our play, too, the wrong characters say the right things. And yet The Threepenny Opera is not an opera. It is not a Brecht 'work.' It is an epic farce as close to Brecht's Kel Hasan Efendi as it is to his own work."

Üç Kurşunluk Opera

NR 1995