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Chicago Live In Japan 1995

The concert is recorded in Japan in support of the Chicago Night and Day (Big Band) album. Not released and performed with a Japan Big Band ensemble and one of my personal favorites in my Chicago live concert video collection. Setlist: Band Introductions Saturday In The Park Questions 67 and 68 You're The Inspiration Free Hard Habit To Break Colour My World Look Away The Making Of Night and Day - Big Band Night And Day Chicago Don't Get Around Much Anymore Moonlight Serenade Goody Goody Make Me Smile Beginnings Just You And Me Does Anybody Rally Know What Time It Is I'm A Man Hard To Say I'm Sorry In The Mood 25 Or Six To 4 If You Leave Me Now

Chicago Live In Japan 1995

9.0 1995
Girl Power

Set to music by Bikini Kill (an all-girl band from Washington), Girl Power is a raucous vision of what it means to be a radical girl in the 90s. Benning relates her personal rebellion against school, family, and female stereotypes as a story of personal freedom, telling how she used to model like Matt Dillon and skip school to have adventures alone. Informed by the underground “riot grrrl” movement, this tape transforms the image politics of female youth, rejecting traditional passivity and polite compliance in favor of radical independence and a self-determined sexual identity.

Girl Power

5.4 1992
The Complaint of an Empress

This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations. The futility of human activity and the search for love make up the film's central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989.

The Complaint of an Empress

5.0 1990
I Rap Therefore I Am

Rap ? Violent words, a social chronicle without complacency at a time of the politically correct and a wishywashy consensus. Twenty years after its first babblings in the popular quarters of New York, rap has imposed its presence beyond the borders. Je rap donc je suis (I Rap Therefore I Am) goes around five different towns where it meets rappers driven by the same motivation. In Paris and its suburbs, Marseille and its districts, Algiers, London or Berlin, rappers move, play, record, teach... And above all, they talk. Outside of any promotional context, the present-day heralds of French hip-hop, from La Rumeur to IAM, speak about the role of rap, the environment in which it was born, boredom, the feeling of belonging to a sacrificed generation, drugs in districts of towns, immigration, parents, political and social actors, the police, school, writing, money, the parallel economy, violence...

I Rap Therefore I Am

NR 1999
Mayhem: Mediolanum Capta Est

This live album was recorded at a performance at the Rainbow Club in Milan, Italy in November 1998. The line-up features original Mayhem vocalist Maniac, plus Hellhammer on drums, Necrobutcher on bass & Blasphemer on guitar. The show also features a guest appearance by now-current Mayhem vocalist Attila Csihar on the track ‘From the Dark Past’. With a crystal clear sound & the noticeably stunning drum work of Hellhammer, the band themselves considered this worthy of being labelled an official release, as Mayhem storm through a strong set full of classics from old releases ‘Deathcrush’ & ‘De Mysteriis Dom Sathanas’, to the post-Euronymous compositions as featured on ‘Wolf’s Lair Abyss’. Expect nothing but dark & chaotic black metal carnage.

Mayhem: Mediolanum Capta Est

NR 1999
Black Sabbath - Cross Purposes Live

1. Time Machine . 2. Children Of The Grave 3. I Witness 4. Mob Rules 5. Into The Void 6. Anno Mundi 7. Black Sabbath 8. Neon Knights 9. Psychophobia 10. Wizard 11. Cross Of Thorns 12. Symptom Of The Universe 13. Headless Cross 14. Paranoid 15. Iron Man 16. Sabbath Bloody Sabbath Cross Purposes Live is a live album recorded by the British metal band Black Sabbath. It was released in 1995. It is the only live-record with singer Tony Martin. It was available only as part of CD and VHS double-pack. The CD was housed within an oversize videotape-case but had its own inserts and jewel-case. It was recorded at the Hammersmith Apollo, London, on Wednesday 13 April 1994. In Dec 2010 an officially licensed by Eagle Rock Entertainment complete 87min version NTSC region 2 DVD was finally released in Japan only.

Black Sabbath - Cross Purposes Live

8.0 1994
Yehudi Menuhin: The Violin of the Century

This film is devoted to the artistic heritage of a personality who ranked among the most extraordinary musicians of his time, even as a child. Menuhin was not a mere musician: he was a cosmopolitan, a peacemaker and a true humanist. French filmmaker Bruno Monsaingeon, who filmed this great retrospective, describes his work with Menuhin as follows: “He threw himself into it whole-heartedly, with great sense of humour and overwhelming humanity. This film also shows my heartfelt gratitude for a man who gave such decisive sense to my own existence.”

Yehudi Menuhin: The Violin of the Century

6.0 1996
FILM THE PSYCHOMMUNITY REEL.2

The live concert movie centers around the last day at Yokohama Arena during his first tour "HIDE OUR PSYCHOMMUNITY - Hide no Heya e Yokoso". Hide's ideas and stage gimmicks were constantly changing and developing even during concert tours. Another surprise about this video is that in 1993, Hide already foresaw that there was going to be a hardware that allows viewers to enjoy films in multi-angle mode, and because of that idea, the clip for "Doubt" was filmed in multi-angle mode. That film footage was shelved till now that finally DVD carries that feature.

FILM THE PSYCHOMMUNITY REEL.2

4.0 1994
Silent Passability (Ride to the Countryside)

Deemed "too ambient for broadcast" by MTV's AMP, Thaemlitz' first video "Silent Passability (Ride to the Countryside)" contrasts cinematic footage from drag performances in upstate New York with highly processed digital audio from his CD "Couture Cosmetique" (US: Caipirinha/Japan: Daisyworld, 1997). Thaemlitz is known for her fusion of computer synthesis techniques with non-essentialist transgenderism as two methodoligies which appropriate and critically recontextualize cultural signifiers, whether they be audio sources or gender constructs. The audio for "Silent Passability" deals with fears of violence while travelling in 'passable' drag between safe zones, and Thaemlitz' unsettling compulsion to remain silent in such circumstances so as to avoid confrontation. Antithetically beatific images from the transgendered stage question posturing as a means for alieviating and/or concealing such oppressive circumstances.

Silent Passability (Ride to the Countryside)

NR 1997