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23 Skidoo, 7 Songs

"The 7 songs video was Made between 1981-1982 . Edited at The London collage of printing and St Martins school of art. Shot on 8mm and vhs and u matic tape and found footage. The colourisation was created using a wonderful hand made early colour synth that was installed into the edit suite at the L.C.P at the time. I started doing live projectons for 23 skidoos performances having already known Johnny and Alex Turnbul from being in the same skateboard team and hanging out at skate cty skateboard park with them. They released 7 songs and wanted to make pictures to go with the tracks. We were rehearsing In Throbbing Gristles recording studio in london fields in Hackney at the time and i filmed them there for the small bit of live footage of them in the video. I released the VHS of this with Doublevsion a coumpany from Shefield . It was a cut and paste piece of work, i was learning to edit as i went along and was a very ntuitive process." - Richard Heslop

23 Skidoo, 7 Songs

NR 1982
Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan

Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.

Amir: An Afghan Refugee Musician's Life in Peshawar, Pakistan

7.0 1985
Electricity

A poetic documentary by Alfredo Nagib, it outlines a futuristic vision of electricity through the musical universe of Kodiak Bachine, a composer and performer, a cybernetic character with punk hair. Kodiak Bachine is a pioneer of Brazilian electronic music and a founding member of Agentss, the country’s first electronic music band. Bachine plays himself as a man from the future who, although he has learned to control machines with his mind, has also become dependent on them.

Electricity

NR 1984
Boynu Bükük

Ferdi's father Yakup is cheating on his wife with Şükran, who lives in the city. Şükran, who has a child with Yakup, wants him to divorce his wife Elvan. Yakup then divorces Elvan. Ferdi wants to stay with his mother. Yakup, separated from his wife and child, returns to Şükran's side, tormented by guilt, but dies in a traffic accident. Şükran had already arranged everything before Yakup's death and seized all of his wealth. However, Şükran's cruelty toward Ferdi and his mother does not end there.

Boynu Bükük

8.0 1980
Art Pepper: Notes from a Jazz Survivor

Saxophonist Art Pepper (1925-1982) lived the kind of jazz life only found in Hollywood movies. His prodigious talent led him to top gigs as a teenager, but drugs and attendant criminal activity knocked him out of commission for virtually all of the 1960s and early 1970s. This documentary, shot shortly after his searing memoir, {-Straight Life}, was published in 1979, shows Pepper in the full flower of a remarkable comeback. His third wife, Laurie, is featured prominently; they met in the drug treatment facility Synanon in 1969 and were married in 1974. She took over his business affairs and helped him write {-Straight Life}. Pepper tells his own story here, but the emphasis is on an evening's performance at a club in Malibu, with the musician in fine form, backed by a terrific trio. (Tom Wiener, Rovi)

Art Pepper: Notes from a Jazz Survivor

6.3 1982
The Replacements: Incident on 7th Street

During the first week of September 1981, Twin/Tone took the mobile recording unit and rented a bunch of video gear and recorded 15 bands live (five nights) at the 7th Street Entry in Minneapolis... These movies are from the show on September 5th. The band had released "Sorry Ma..." earlier in the year and were already working on future projects. These clips are presented as they were recorded live... in set order and very much with the tuning that troubled the night. The Replacements were the middle band of three (Husker Du closed the show) and played two 25 minute sets.

The Replacements: Incident on 7th Street

NR 1981
Mezi námi kluky

Pistolník is a teacher who rules the boys' boarding school of a vocational school with a firm hand. Room No. 135 is Pavel, Tonda, Roman, Slavek and especially Olin, nicknamed Koblih, five classmates who, with extraordinary imagination, drive Pistolník crazy with new and new Canadian pranks. Their recessions are only put to an end by the arrival of a new and young teacher, Kamila, who is not affected by their tried and tested tricks. Despite their seemingly carefree life, each of the boys has his own problems, which gradually surface, and so in the avalanche of funny moments, a serious tone is occasionally heard.

Mezi námi kluky

4.7 1982
Guitar

A vibrant kaleidoscopic tribute to the guitar that meshes dance, mime, visual art, and virtuoso performances to create a spectacular yet intimate celebration of the instrument. For one exciting week the city of Toronto plays host to the International Guitar Festival. The streets echo with the sounds of the instrument as the great masters from every tradition gather to play for each other -- John Williams from England, Leo Brouwer from Cuba (classical), Turibio Santos from Brazil (folk), Vladimir Mikulka from Czechoslovakia (avant-garde), Rik Emmett and Kim Mitchell from Canada, Steve Morse from the USA (rock).

Guitar

NR 1988
Punks and Poseurs: A Journey Through the Los Angeles Underground

At its core, “Punks and Poseurs” is a narration-free concert film, but it’s cut with terrific interview footage that explores the changing nature of punk, from insider and outsider perspectives. There’s a lot of great footage with writer/performers Pleasant Gehman and Iris Berry, torpedoing the influx into the music scene of neophyte phonies who just didn’t get it, explaining title of the program. (After this first aired in 1985, a bunch of the new waver/Durannie chicks at my high school—which is to say all the girls who were trying their suburban Ohio best to look like Gehman and Berry—started calling everyone “poseurs,” which was pretty funny.) There’s also a hilarious interview with employees at a store called “Poseur,” which sold punk fashions and accessories—people had to get that shit somewhere before Hot Topic forever banished punk to the mall, no? Also keep an eye out for the kid giving a primer on how to fashion liberty spikes with Knox gelatine.

Punks and Poseurs: A Journey Through the Los Angeles Underground

NR 1985