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Moonspell: Lusitanian Metal

Moonspell is a Portuguese heavy metal band. Formed in 1992, the group released their first EP Under the Moonspell in 1994, a year before the release of their first album Wolfheart. The band quickly gained status and became one of the most recognizable metal bands from Portugal. Live At The City Of Ravens (Metalmania, Poland 2004) 1. Intro 2. In and Above Men 3. From Lowering Skies 4. Alma Mater 5. Vampiria 6. The Southern Deathstyle 7. Everything Invaded 8. Opium 9. Devilred 10. Abysmo 11. Ruin & Misery 12. Mephisto 13. Full Moon Madness

Moonspell: Lusitanian Metal

7.0 2008
Saltatio Mortis: 25th Anniversary Show - W:O:A 2025

Saltatio Mortis are the masters of medieval rock, who stormed from the streets onto the big stages. From a group of minstrels grew a band that weaves bagpipes, shawms, and heavy guitars into wild anthems, combining the spirit of times long past with the power of rock. In their lyrics, they sing of freedom, hope, and the fight for a better world. They sweep their audience away with their unbridled joy of playing. For their 25th anniversary, they are bringing their entire story, passion, and lightness to the stage at Wacken.

Saltatio Mortis: 25th Anniversary Show - W:O:A 2025

NR 2025
40 Jahre Böhse Onkelz - Ein kurzer Abriss der Geschichte

Forty years of Böhse Onkelz. We let it melt on the tongue with cake and beer. And because we can't celebrate this insanity, which cannot be expressed in words, with you personally, we chopped our heads together to serve you something for the anniversary - the result was a 45-minute punch of the very best. A distillate, an outline of our years together and the ups and downs of the rapid journey from the first punk pogo party in the youth center to the sea of flags in the Waldstadion. Well get it.

40 Jahre Böhse Onkelz - Ein kurzer Abriss der Geschichte

9.0 2020
City of Sounds

The sound of Cairo – hardly anyone knows it as well as Munich-based musician Roman Bunka. He is not only an outstanding guitarist, but also a virtuoso on the oud, the Arabic lute. His decades of engagement with Arabic music have made Bunka a mediator between the Orient and the Occident. In "City of Sounds," he embarks on a journey through the diverse musical scene of the Egyptian capital. He meets promising young talents who are currently only known to insiders, as well as established music greats such as Grammy Award winner Fathy Salama and Egyptian megastar Mohamed Mounir, whom Bunka has accompanied several times on his tours.

City of Sounds

NR 2015
Late Autumn Afternoon Sonata: Our Choir's Trip to Großarl in October 2009

Director Fabuli Schnibuli's cinematic tour de force whisks audiences away on a poetic, melancholic journey with singing seniors – cardigan-clad artists searching for meaning in a world devoid of it – to picturesque Marktgemeinde Großarl. Daring and delightfully unhinged, the film transcends all boundaries and conventions: It is a meandering ode to the absurdity and fragility of life, a profound meditation on the human condition, a dreamlike tapestry of past and present, remembrance and oblivion, and a subtle critique of local pastry culture. With his wit and sensitivity, Schnibuli conjures a haunting and ethereal hymn to nature's beauty and human intimacy, all underscored by the gentle rustling of leaves, the babbling of streams, the resonance of Günther's remarkable baritone. Those who embrace this thought-provoking and inspiring opportunity to rediscover their lives in the subjunctive will lose themselves and find themselves again – a true testament to the possibilities of cinema!

Late Autumn Afternoon Sonata: Our Choir's Trip to Großarl in October 2009

NR 2009
Lichtung

The installations exhibition was part of a series organized by Galerie Vayhinger revolving around the German concept of ‘heimat’ - the area in which someone was born or had their early formative experiences. Considering the artists’ far-flung locations it was decided that the gallery’s locale should provide them with a ‘temporary heimat’. The Mindelsee lake situated just a few hundred yards away from the gallery became the natural focus of the installation. During their stay, Sabine and Rutger recorded the video and audio footage that became the foundation which Steve Roden responded to with material inspired by his surroundings in the US. It resulted in an immersive four-channel audio-visual presentation, in a gallery space also showing additional visual works by each of the artists, and the floor covered with dried leaves.

Lichtung

NR 2010