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Vinyl Nation

The vinyl record renaissance over the past decade has brought new fans to a classic format and transformed our idea of a record collector: younger, both male and female, multicultural. This same revival has made buying music more expensive, benefited established bands over independent artists and muddled the question of whether vinyl actually sounds better than other formats. Vinyl Nation digs into the crates of the record resurgence in search of truths set in deep wax: Has the return of vinyl made music fandom more inclusive or divided? What does vinyl say about our past here in the present? How has the second life of vinyl changed how we hear music and how we listen to each other?

Vinyl Nation

7.5 2020
Delaney & Bonnie & Friends: Live In Denmark 1969

The band, which consisted of Bobby Whitlock on keys, Carl Radle on bass, Jim Gordon on drums, Jim Price on trumpet, Bobby Keys on saxophone, Rita Coolidge on backing vocals, and Billy Preston on keyboards, is on fire during this performance. Clapton’s presence most definitely brought excitement to this lineup and while George Harrison adds to the curiosity factor, he plays little more than support guitar in the background. Knowing now what this cast of players would go on to do, this makes for one very interesting watch.

Delaney & Bonnie & Friends: Live In Denmark 1969

NR 2014
Fire Music

Although the free jazz movement of the 1960s and '70s was much maligned in some jazz circles, its pioneers - brilliant talents like Ornette Coleman, Cecil Taylor, Sun Ra, Albert Ayler, and John Coltrane - are today acknowledged as central to the evolution of jazz as America's most innovative art form. FIRE MUSIC showcases the architects of a movement whose radical brand of improvisation pushed harmonic and rhythmic boundaries, and produced landmark albums like Coleman's Free Jazz: A Collective Inspiration and Coltrane's Ascension. A rich trove of archival footage conjures the 1960s jazz scene along with incisive reflections by critic Gary Giddins and a number of the movement's key players.

Fire Music

7.0 2021
Summer Holiday

1960s musical showcasing Cliff Richard. Four bus mechanics working for London Transport strike up a deal with the company: they do up a one of the company's legendary red double decker buses and take it to southern Europe as a mobile hotel. If it succeeds, they will be put in charge of a whole fleet. While on the road in France they pick up three young British ladies whose car breaks down and offer to take them to their next singing job in Athens. They also pick up a stowaway, who hides the fact that she's a famous American pop star on the run, chased by the media and her parents.

Summer Holiday

5.9 1963
Star Wars: A Musical Journey

Star Wars: In Concert, originally called Star Wars: A Musical Journey, was a worldwide series of concerts featuring specially edited footage from all six of the Star Wars films (on the world's largest LED screen) set to live performances of John Williams' Star Wars score. The first performance took place in the O2 Arena in London, England. It was attended by 20,000 fans. The North American concerts started in Anaheim, California on October 1, 2009. The concerts were narrated by Anthony Daniels and conducted by Dirk Brosse. The concert took the audience through the Star Wars story line starting with Star Wars: Episode I The Phantom Menace and ending with Star Wars: Episode VI Return of the Jedi. The concert toured throughout the world extensively in 2009 and 2010, with an announced two-date engagement (June 3 and 4, 2011) at the Hollywood Bowl in 2011.

Star Wars: A Musical Journey

7.1 2005
California Solo

Lachlan MacAldonich is a self-described “lazy Scotsman” and former guitar player for a once-popular 1990s rock band. No longer famous, he now lives a comfortably numb existence working on an organic farm outside Los Angeles. He drinks himself into a stupor every night and retires to his shabby apartment to record his podcast, recounting the tragic deaths of great musicians. After a particularly heavy night of drowning his sorrows at a local watering hole, he is arrested for driving under the influence. This snag, coupled with a long-ago conviction for a drug offense, means Lachlan faces possible deportation. His only hope of remaining stateside is proving that his absence would cause extreme hardship for a spouse or relative – forcing him to confront relationships he thought were buried forever.

California Solo

5.7 2012