481 Matches Found
Makulatura [which means both scrap paper and pulp fiction in Russian] is a duo of poets Evgeniy Alyokhin and Konstantin Speransky, who have been performing together since 2003. Blending classic literature references, mind-bending introspection, musings on modern love and an ironic attitude to their act, they create what faithful fans and listeners call “existential rap.” The film follows Makulatura on tour through several Russian cities.
The popular rapper comes on tour in St. Petersburg. His fans adore and wait, he is at the peak of fame, he is confident in himself. Together with the star, his manager, musicians and a girl come. Suddenly an attempt is made on a musician. He miraculously manages to escape death, but his manager decides to hire a security guard. It turns out that the guard is ... a girl. She is a professional in her field, but in the brutal world of rap, a woman has a difficult time.
New Year's musical based on the poems of Mikhail Gutseriev.
Saw and imagined in the children's fantasy the story of grandmother of Christ and the Apostles a little girl. Today few people remember that just a few decades ago in the village houses next to the icons you could still see the popular prints on religious themes. They finally disappeared from use only in the 60-ies of the last century. Of course, their creators were not professional painters or connoisseurs of theology. Drew, as best they could, she felt, not knowing neither rules nor laws. Simple uneducated people, nuggets, sought to glorify God with their creativity, that resonates in the hearts of those of peasants or artisans as they are.
The concept of the project is to show what a Kino performance can be like in the 21st century, with good modern sound and stage production. Most of the material will be performed as close to the original as possible, but there will also be improvisations and new interpretations. The basis of the program is the real voice of Viktor Tsoi, digitized from the original multi-channel recordings of Kino. The group includes two original bass players of the group from different years, Alexander Titov and Igor Tikhomirov, and the permanent guitarist Yuri Kasparyan.
A new adaptation of the beloved Arabian fairy tale about Aladdin. In this version of the story, Aladdin is a Russian guard Alyosha, who by chance ends up in a distant country, where he receives this name and, of course, finds his princess - the magnificent Budur. Genie is a woman in this story, and the flying carpet is the cabin of the plane.
The complete history of hip-hop in Russia, from its underground stage to hitting huge stadiums, is seen through the eyes of the brightest and most iconic representatives of the profession. This film looks behind the scenes of Russian rap, exposing all the conflicts and clashes, showing the genre’s true colors and answering the question of how it managed to capture this generation’s attention and become their anthem
Famous opera singer Dmitry Hvorostovsky performs live songs from his album 'Deja vu' by composer Igor Krutoy about life, love, music, fate and even death at the Kremlin Palace.
On New Year's Eve 2007-2008, young Masha and Nastya want to become show business stars. While watching TV, they magically find themselves in the looking glass of the Kingdom of Show Business. The Kingdom hosts the “Crooked Vision” competition, the main event of which is King Yagupop. The producer and director of the competition ask Queen Anidag and the kite Pilifa to send out invitations to the participating countries, but they ignore the request because they themselves want to participate in the competition. Masha and Nastya become witnesses to the deception, which is why they are forced to try to get into the competition themselves.
"Alla Pugacheva. That Very Concert" is a musical film based on the footage of Alla Pugacheva's jubilee concert "P.S." held in the State Kremlin Palace. "That Very Concert" became the highest grossing concert film in post-Soviet Russia: it was seen by more than 320,000 people.
Slava's Snowshow is a universal and timeless theatrical poetic spectacle which has unanimously enchanted and empowered the imagination of audiences and critics since 1993 in tens of countries, hundreds of cities with multiple thousands of performances resulting in millions of ecstatic spectators from all nationalities, gender, beliefs, types and ages, probably like no other show. It is a genre of it’s own and remains as spontaneous and magical as the first day, systematically catapulting all adults back in childhood
This delightful ballet tells the story of Dr Coppelius, an eccentric toymaker, who attempts to bring life to his beautiful doll Coppélia. He is foiled by the mischevious Swanilda, who masquerades as Coppélia and saves her love, Franz, from the Doctor's magic. Performed by the Kirov Ballet.
Home concert by Boris Grebenshchikov from London, where the musician was caught in quarantine. The audience will hear both time-tested favorite hits and new songs. Kvartirnik as a format of musical direction appeared in the period of the USSR, when musicians gathered in the apartments of friends and arranged improvised concerts, mainly in the rock style. Boris Grebenshchikov, one of the founders of the format, together with other then – beginning performers, and today – already legends of Russian rock-arranged apartment parties and sang his songs, which eventually became part of the "Golden Collection" of Russian music. Well! Again "Kvartirnik"– now on a different occasion, but with the same energy!
Two very good friends struggle with having to share the intimacy they crave from each other with their boyfriends. Music video.
LIve performance of Rachmaninoff's opera from the Opéra National de Lorraine, Nancy, 15 February 2015.
Musical comedy
Elektro Moskva is an essayistic documentary about the Soviet electronic age and its legacy. The story begins with the inventor of the world's first electronic instrument, Leon Theremin, unveiling the KGB's huge pile of fascinating devices, some of which were musical. They all came into existence as a by-product of a rampant defense industry. Nowadays, those aged and abandoned 'musical coffins', as solidly made as a Kalashnikov, are being recycled and reinterpreted by the post-Soviet generations of musicians, sound collectors and circuit benders. The story of the Soviet synthesizers as an allegory to the everyday life under the Soviet system: nothing works, but you have to make the best out of it. An electronic fairy tale about the inventive spirit of the free mind inside the iron curtain- and beyond.
Incredible phantasmagoria of merry-go-round people, who are usually called the dregs of society . The clip of the band "Holy Hares" ("Inflatable pistol"). Vocalist Slava Martov.
Two lovers take polaroid photos of each other while speeding down a highway. The photos are found by a gay man, who attends a concert where the two women and their female driver are performing. Realizing that the band are also queer, he removes his coat and begins to dance, having found a safe place.
TV musical based on popular Russian fairy tale with many famous artists. The evil cabaret owner Karabas-Barabas has deviously enslaved a trio of dolls with an enchanted contract. But Buratino has fallen in love with one of them and searches for the Golden Key, which will free them all by making them human.
"The Queen of Spades" is considered Tchaikovsky's best creation by the world-famous conductor, People's Artist of the USSR Vladimir Ivanovich Fedoseev. He took over the leadership of the musical process of recreating the production at Helikon Opera. The original reading, modern stage language, love for Tchaikovsky's music, which became the hallmarks of Helikon's "Queen of Spades," are preserved in the new version. To this were added the thoughtful gaze of maestro Fedoseev, the stunning stage capabilities of the new hall and the artistic talent of the Helikon troupe.
If it were necessary to describe the history of independent rock music in Russia in one word, then this word would be Gorbushka. It is a password that has not needed explanation for more than 30 years. This is the Feelee music company, a celebration of the open-air free industry and a true portal to world music, ranging from Nick Cave and Coil to Sonic Youth and Rage Against the Machine. The film, based on archival footage and eyewitness accounts, tells how Feelee has come a long way, changing with the country and changing the country, and as a result has taken its special place in Russian culture.
A dazzling film version of three favourite ballets from the Diaghilev Ballets Russes seasons in Paris.
Conducted by Daniel Barenboim, the Staatskapelle Berlin performs THE GAMBLER, Prokofiev's moody, roiling opera based on a story by Fyodor Dostoyevsky.
Once upon a time in Russia, communism fell and Rock 'n' Roll rose to power. One band reigned supreme and toured far and wide across the eastern earth, but never even left Russia - until now. They only have once chance, to not only rule Russia -but to become the best band in the West. The strategy is simple - get on the boat, create an album - and make new friends. All with hopes of finally becoming a household name in the United States. But sometimes fame is harder than just toppling a government.
Russia's most skilled streetball players unleash a whole arsenal of unique tricks, incredible dunks, and defenders-destroying dribbling moves. Spotlighting the burgeoning streetball culture of the largest country in the World, documents first streetball challenges and tournaments including performances from the biggest names in hip-hop industry.
Gubaidulina is one of the most prominent and profound composers of the second half of the 20th century. According to many, she is the most outstanding female composer of our time. Her work reflects a desire to organically unite the qualities of Western and Eastern art, influenced by spiritual and religious concepts. Through faith, she also finds meaning in her creative work. Along with Alfred Schnittke and Edison Denisov, Gubaidulina is part of the so-called "trio" of Moscow composers associated with the avant-garde movement.
A musical number based on Schubert's music.
The film tells about the birth of a new wave in the USSR under a strict political regime and about the era of "perestroika", when musicians received freedom of expression.
On New Year's Eve, along with traditional guests and family members, very strange people appear in companies celebrating the onset of midnight. They are just as happy about the holiday as the rest, but they are completely different.
A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.
A musical Christmas story, told by little five-year-old girl and her fellows. This magnificent musical film is based on old Russian Christmas fairy tales, nativity scenes and authentic melodies that have accompanied this holiday for many centuries.
Celebrities remember Mikhail Zhvanetsky, with some of the unique footage from rehearsals and his home also featured. This is more than just a tribute: it is a concert film where Sergey Makovetsky, Yuri Stoyanov, Igor Zolotovitsky, Ilya Sobolev, Kristina Babushkina, Pavel Derevyanko, Sergey Zhilin, Stanislav Duzhnikov, Vladimir Vdovichenkov, Nastasya Samburskaya, Lyudmila Artemyeva, Nikolay Valuev, Sergey Zhilin, and Gleb Kalyuzhny breathe new life into the iconic author’s best monologues.
The film is based on the events of the 4th International Orthodox Music Festival held in Moscow in February, 1992. The Festival featured not only such famous works as Rakhmaninov's "The All Night Service" and "Liturgy" but also the first performance of the latest interpretations of ancient Russian songs and the sensational first performance of Sviridov's cycle of "spiritual songs".
A short animation with the participation of the cabaret duo "Academy."
An old fairy tale with a new twist! Young Cinderella suffers from the attacks of her evil stepmother and her narcissistic daughters, who, in the hope of getting a prince, go to the royal ball.
"Time, forward!" - two orchestral suites by George Sviridov, published for the first time in 1968 (first suite) and in 1977 (second suite). The suites were created on the basis of music for the film "Time, Forward!" By Mikhail Schweitzer (based on the novel of the same name by Valentin Kataev, shot in 1965, released in 1966), dedicated to the construction of the Magnitogorsk Metallurgical Combine. From the first suite, the most famous part is "Time, forward!". Subsequently, it was used in a number of films, in television and radio programs, documentary films about the first five-year plans, industrialization, and post-war reconstruction. Sergei Oskolkov composed his suite: "Time, back!" The film is dedicated to the 100th anniversary of the revolution in Russia.
A provincial socio-psychological drama.
The story unfolds in an alternate reality. Chee-Ke works for the "dance police". By the will of fate, he has to quit. For three years there is no news about the hero. But suddenly the singer Kunnei is kidnapped by the villain Bachata, and Chee-Ke is forced to go on the warpath. The policeman and his assistant must defeat the kidnappers in dance battles.
The day before his wedding, handsome and merry Figaro learns of the bride Susanna, but he has a rival - voluptuous Count Almaviva. Count intends to use the old right of the first night in his possessions and to steal from the lovers their happiness. The case becomes more complicated as another lover - Marceline claims her love for Figaro as well, requiring a considerable amount of money to return and marry her.
A group of ballet boys are being bullied by a group of boxing boys in their local sports gym. The ballet boys start to plot a way to stand up for themselves and end the bullying once and for all.
The documentary biopic gives an insight into the life and music of Anatoliy Krupnov, one of the brightest rock stars of the late- and post-Soviet era. This is the story of the talented musician who created the cult rock group Cherny Obelisk (The Black Obelisk), the portrait of an artist and at the same time an accurate depiction of the era and its generation, the music and the ideas that guided minds and rock music at the turn of the century.
The whole life of the recent provincials, and now Muscovite Katie - one continuous selfie with a series of celebrities. Any intrigues for the sake of likes, any exploits in the name of “star instagram” status. But, the number of subscribers is still not enough and for the sake of the cherished goal, she goes to St. Petersburg to take a selfie with a mysterious artist who hides her identity, and thereby blow up the Internet. And at this time at the airport, a respectable stranger asks Katya to hand over the usual envelope to an unknown recipient ...
The artists of the front acting brigade are so easy to take. On their side is a creative approach, courage, beauty, dexterity and ... a cello case full of explosives. They are ready for anything to help the front, even sacrifice themselves. The only thing the young playwright Leonid Kruchinin is not ready to give up is his love for the unearthly Lara Vishnevskaya, the star of the Soviet screen. To save her life, he is ready to rewrite his best novel over and over again. A novel about love, war, a front-line acting brigade, and sabotage inconceivable by the audacity of sabotage.