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Die Fledermaus

Performances from Pamela Coburn, Brigitte Fassbaender, Janet Perry, Eberhard Wachter, the Choir und Ballet der Bayerischen Staatsoper, and the Bayerisches Staatsorchester. Rosalinde, wife of Eisenstein, is having an affair with Alfred. Eisenstein is due to begin a prison sentence the next morning, and the prison governor, Frank, is expected to collect him at any moment. However, Eisenstein allows himself to be talked into attending a fancy dress ball by Dr Falke, and when Frank arrives to find Alfred with Rosalinde, he assumes him to be Eisenstein and carts him off to prison.

Die Fledermaus

7.6 1986
Life on the Mississippi

Most mid-19th-century Mississippi River boys dreamed of occupying that pinnacle of power and glamour, the pilot house of a riverboat. In a riot of local color, this film tells how, unlike many, Sam's dream comes true. A callow teenager, he talks the tough but consummate Horace Bixby into making him his apprentice on the "Paul Jones," eventually following him to the much finer "Aleck Scott." Meanwhile, he is already spinning fantastic yarns to everyone from awe-struck lads ashore, to fellow "cub pilots", to young lady passengers who catch his eye. Things temporarily take a turn for the worse when Bixby must attend a meeting and leave Sam to work under Brown, a dour tyrant with a grudge against him.

Life on the Mississippi

9.0 1980
S. Kiyotaka & Omega Tribe: First Finale

The final concert of the goodbye tour of Kiyotaka Sugiyama & Omega Tribe's, "FIRST FINALE", recorded live on November 2, 1985 at Tokyo Kōsei Nenkin Kaikan. Songs performed: Opening, Route 134, Paddling To You, Nagisa No Sea-Dog, Futari No Natsu Monogatari, Scramble Cross, Mayonaka No Screen Board, Silence Ga Ippai, Alone Again, Trade Wind, Do It Again, Because, Garasu No Palm Tree, Misty Night Cruising, Eastern Rail Road, Midnight Down Town, Kimi No Heart Wa Marine Blue, The End Of The River, Asphalt Lady, Summer Suspicion, The End Of The River.

S. Kiyotaka & Omega Tribe: First Finale

NR 1986
Lou Reed Live at Capitol Theatre

Recorded Live in 1984 at Capitol Theatre, Passaic, New Jersey 0:00:00 – Sweet Jane 0:04:05 – I’m Waiting For My Man 0:08:15 – Martial Law 0:12:57 – Down At The Arcade 0:17:22 – Legendary Hearts 0:20:48 – There She Goes Again 0:24:48 – Turn Out the Light 0:29:58 – My Red Joystick 0:35:19 – Average Guy 0:38:50 – Street Hassle 0:44:24 – Sally Can’t Dance 0:50:10 – Walk On The Wild Side 0:56:09 – Satellite Of Love 1:03:21 – New Sensation 1:11:08 – A Gift 1:14:56 – Doin’ The Things That We Want To 1:19:12 – Waves Of Fear 1:22:27 – I Love You Suzanne 1:25:35 – White Light / White Heat 1:29:54 – Turn To Me 1:34:40 – Kill Your Sons 1:40:19 – Coney Island Baby 1:45:46 – Maybe – The Chantels 1:49:35 – He’s Gone 1:53:18 – People Who Died – Jim Carroll 1:58:47 – Rock ‘N’ Roll

Lou Reed Live at Capitol Theatre

NR 1984
D.R.I.: Live at the Ritz

Hardcore-metal pioneers D.R.I. let loose with a super-sized dose of their trademark sonic mayhem in this concert video, shot during a gig in New York City in 1987. D.R.I.: Live At The Ritz includes the band powering through "Five Year Plan", "Madman", "Argument Then War", "No Religion", "Commuter Man", "Couch Slouch", "Nursing Home Blues", and many more. Also included are five studio-shot promotional clips, including the tunes "Suit and Tie Guy", "Acid Rain", and "Syringes in the Sandbox"

D.R.I.: Live at the Ritz

NR 1987
Rush: Exit... Stage Left

Exit...Stage Left was filmed in Montreal Canada during Rush's 1981 World Tour that encompassed Canada, the United States and Europe and reached a total audience in excess of one million people. The footage incorporated the output of five separate 16mm cameras, both hand-held and stationary, which operated in front of the stage behind a barricade, and in various strategic onstage locations. During the performance at the Montreal forum, the audio was recorded by Le Mobile, with Terry Brown and Guy Charbonneau at the controls. The audio was then digitally mixed at Le Studio in Morin Heights, Quebec, where Moving Pictures, Permanent Waves, and Signals were recorded and mixed. The result, the Exit...Stage Left movie (a different performance than that found on the live Exit...Stage Left album), represents one hour of highlights from Rush's two hour stage show, visualizing material from their albums Moving Pictures, Permanent Waves, Hemispheres, and A Farewell to Kings.

Rush: Exit... Stage Left

8.2 1982
The Damnation of Faust

This live recording was made at the Royal Albert Hall during one of Londons famous Promenade Concert seasons. Sir Georg Solti conducts the Chicago Symphony Orchestra and Chorus in a magnificent performance of Berliozs concert cantata. This feast of Berlioz launched Soltis farewell tour with the orchestra he had directed for twenty years and was described by The Times as the unsurpassable culmination of two decades of music-making...one that summarised all that has been most admirable about Soltis long reign in Chicago. Like reading the book by flashes of lightning was how one writer described the relationship of Berlioz to Goethe in this Dramatic Legend, his way of shaping twenty scenes selected from the story into a narrative in four parts. Though it has sometimes been staged, the works drama is to be found within the music itself, which illuminates the incidents with what the conductor Sir Thomas Beecham once called a bunch of the loveliest tunes in existence.

The Damnation of Faust

NR 1989
Marillion: Live From Loreley

Recorded in St. Goarshausen, Freilichtbuhne, Loreley, Germany 18 July, 1987. The recording, made during the first leg of the 1987 Clutching at Straws tour, documents the band at the peak of their commercial success in the mid/late 1980s. The show was attended by an audience of 20,000; support acts were Magnum, The Cult (cancelled), and It Bites. Featuring Fish on vocals, it comprises songs from the four studio albums they released up to that point, i.e. Script for a Jester's Tear (1983), Fugazi (1984), Misplaced Childhood (1985), and Clutching at Straws (1987).

Marillion: Live From Loreley

6.9 1987
Bokra Ahla Men El-Naharda

Nemat (Lebleba) is a girl searching for her mother who has been away from her for fifteen years and has traveled to Casablanca. Nemat is upset with her father Afifi Bey (Ahmed Mazhar) who does not want to help her, so she decides to return to Egypt to get her mother's inheritance. She meets Ahmed (Hatem Zulfikar) who invites her to dinner. While they are eating, they meet Najaf (Safiya Al-Omari) and Khashaba (Abdel Moneim Madbouly), the show artists, who we discover are related to Ahmed and are a group of swindlers.

Bokra Ahla Men El-Naharda

NR 1986
Metallica: Cliff 'Em All

Originally released as "The $19.98 Home Vid: Cliff 'Em All," Metallica's first video is a tribute to late original bassist Cliff Burton. James Hetfield describes it as "a compilation of bootleg footage shot by sneaky Metallifux, stuff shot for TV that was never used, but we've held onto, home footage, personal fotos and us drunk. But most important, it's really a look back at the 3-1/2 years that Cliff was with us and includes his best bass solos and the home footage and pix that we feel best capture his unique personality and style." 1987.

Metallica: Cliff 'Em All

7.7 1987
Kids Sing Praise - Volume 2

A joyful collection of children’s worship performances, Kids Sing Praise: Volume 2 brings together young voices celebrating faith through classic praise songs and simple, heartfelt melodies. Recorded with an uplifting, homespun charm, this volume captures kids singing with enthusiasm and sincerity, creating an atmosphere that’s both nostalgic and spiritually warm. Perfect for families, churches, and anyone who loves timeless children’s gospel music, the video highlights the purity and energy of kids praising together in song.

Kids Sing Praise - Volume 2

NR 1989