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Le grand concert de la SuperFrancoFête

Many French-speaking artists from different countries pay tribute in song to the women and men who share and support the French language around the world. Four great ambassadors of music will guide the audience throughout the evening: Roch Voisine, Cœur de Pirate, Gims, and Mentissa. They are joined by a large number of artists, including Pierre de Maere, Ycare, Claudio Capéo, Axelle Red, Diane Dufresne, Cephaz, Khaled, Marie-José Lord, Sarahmée, Josianne, Radio Radio, Teety, Bilal Hassani, Emilie-Claire Barlow, and Olivier Dion. From the Agora in Quebec City's Old Port, in front of 8,000 people, this small world celebrates Francophonie in unison.

Le grand concert de la SuperFrancoFête

NR 2024
Paname, Le Grand Paris du Rap

And what if rap had been the first and true manifestation of the Grand Paris? Paname, le Grand Paris du rap tells the story of an extraordinary decade, the 2010s, during which the Île-de-France region established itself as one of the main centers of rap music worldwide. From the Sexion d'Assaut to PNL, via l'Entourage, Kaaris, MHD and Fianso, we delve into the roots of this scene, drawing on its diversity, and navigating both sides of the ring road: a look back at ten years that have changed music... or that music has changed.

Paname, Le Grand Paris du Rap

10.0 2023
Royal Opera House: Carmen

This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.

Royal Opera House: Carmen

8.0 2018
Hors-Chant

Early 20th century. Singer Marie Toulinguet has lost her voice. Deeply affected by this personal tragedy, she is haunted by frightening memories of her childhood in Newfoundland (Canada). She remembers an Indian doll, a gift from her mother. It was made by a maid named Shanawdithit, the last survivor of the Beothuk Indians. As Marie relives her loss of voice, a bond is reestablished between her and the Indian woman who is dead. Through this enigmatic relationship, Marie can reconcile herself with her past and perhaps invent a future.

Hors-Chant

NR 2010
Verdi: Messa da Requiem

Guiseppe Verdi’s Requiem is still heard mainly in theatre and concert halls. However, the author himself intended this composition to be performed in church, and on special occasions. Conducted by Teodor Currentzis and performed by soloists and musicAeterna choir and orchestra, Verdi’s famous funeral mass returns from the concert stage to Milan’s Church of San Marco, the same place where it was premiered in 1874. The seven parts of the Requiem become steps on the way to comprehending the sacrament of death, the operatic character of orchestral and vocal writing acquires the strictness of the Catholic tradition, and musical images of rage, despair, and rebellion against the inevitable end are crowned with appeasement.

Verdi: Messa da Requiem

9.0 2019