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Gorillaz | Flow Festival 2022

The virtual British band Gorillaz will bring their comic characters to life at Flow Festival 2022. As part of their Gorillaz European tour, they will be stopping off at Flow Festival in Helsinki. An event that matches the band's stature. Founded by Britpop legend Damon Albarn and illustrator Jamie Hewlett, the internationally acclaimed band Gorillaz has turned singer 2D, bassist Murdoc Niccals, guitarist Noodle, and drummer Russel Hobbs into international superstars. Since their debut album Gorillaz in 2001, the band has developed a unique universe in which visual art and visionary pop form the perfect chemistry, resulting in a continuous and relevant creation that audiences have been unable to get enough of since their formation in 1998. The Grammy and Brit Award-winning band has been named the world's most popular virtual band by The Guinness World Records.

Gorillaz | Flow Festival 2022

NR 2022
Explicit!

Violence, sex, and buttocks: a brief history of controversial pop music videos. With its explosion in popularity in the 1980s, the music video became an expression of a desire for emancipation, and producers were quick to recognize its commercial potential. MTV became the vehicle for this music video culture—and relayed its scandals. From Michael Jackson's "Thriller" to Madonna's "Justify My Love" and N.W.A's "Fuck The Police," right up to the recent escapades of Rihanna, Nicki Minaj, and Rammstein... : peppered with more or less subtle references to sex or violence, music videos have borne witness to the gradual shifting of the boundaries of good taste. Through a kaleidoscope of the most controversial videos, we look back at the strokes of genius and brilliance of three decades of music.

Explicit!

5.0 2016
Die Austernlilli

The Parisian restaurant "At the Oyster King's" is looking for a new waitress, whose job would be to crack open oysters with a newfangled oyster cracker (how exciting!). But who would have thought that this newfound invention would lead to so much turmoil (they're French, aren't they?)?! Through a mix-up, Lilli Dupont gets the job. But Lilli is no waitress, but rather a talented singer, waiting in vain for an engagement. She takes the job and soon every male visitor is laying at her feet. So that Lilli doesn't constantly have to fight off all the horny men, the cashier Aristide spreads the rumor that Lilli is actually the daughter of the millionaire van Muhlen, to whom the "Oyster King" belongs (daughter of a millionaire?!? Oh yes, of course: that will dissuade potential suitors!).

Die Austernlilli

7.0 1937
The Complaint of an Empress

This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations. The futility of human activity and the search for love make up the film's central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989.

The Complaint of an Empress

5.0 1990
Händel / Mozart: Der Messias

Known as a creator of astonishing images, stage director and visual artist Robert Wilson delivers a magnificent production of Mozart’s adaption of Handel’s Messias. Mozart was commissioned by Gottfried van Swieten to modernise the score fifty years after Handel’s popular composition (1742), mainly by arranging the wind parts and partially re-composing them. With Marc Minkowski a conductor has been engaged who understands perfectly how to combine baroque style with the tonal possibilities of an orchestra of the classical period like the Musiciens du Louvre. The excellent soloist quartet with Elena Tsallagova, Wiebke Lehmkuhl, Richard Croft and José Coca Loza merges perfectly into Wilson’s enormous flood of images.

Händel / Mozart: Der Messias

NR 2020
Erich Wolfgang Korngold - Die Tote Stadt

In 1920s Germany, Erich Korngold's work was considered “degenerate” and banned. Eventually, in 1934, he left for Hollywood. There, he made a name for himself as a film composer and only rarely wrote great works for the stage. Many of his quite successful operas, composed between 1913 and 1927, stopped being performed after World War II. Among these was his perhaps most significant work, Die tote Stadt (“The Dead City”), which was performed again for the first time after a long hiatus in 1955 in Munich. Further productions followed. Nevertheless, Götz Friedrich's version of 1983 for the Deutsche Oper Berlin was only the fifth new production of the opera after 1945.

Erich Wolfgang Korngold - Die Tote Stadt

NR 2012
Giulio Cesare in Egitto

Triumphantly premiered in 1724 at the King's Theatre in London, George Frideric Handel's Giulio Cesare in Egitto masterfully combines human emotions: Triumph with sorrow, despair with happiness and love with profound melancholy in the face of the transience of all earthly life. Star director Keith Warner creates a production that imaginatively blends silent film and baroque opera, delightfully echoing Mankiewicz's legendary Cleopatra with Elizabeth Taylor, Rex Harrison and Richard Burton. An excellent cast of singers is led by two of the world's leading countertenors: Bejun Mehta and Christophe Dumaux. Louise Alder shines as the seductive Cleopatra. Patricia Bardon, Simon Bailey and Jake Arditti are further highlights in this extraordinary group of singers, while Ivor Bolton provides the appropriate soundtrack on the podium of the Concentus Musicus Wien.

Giulio Cesare in Egitto

NR 2022
Jonas Kaufmann: Dolce Vita

JK's is definitely in love with Italy; not only is he fluent in Italian but he sings here traditional songs some of which are in the Napolitanean dialect and he is good at it. There are wonderful views of the Italian coastline with Jonas driving an iconic Alfa. There are bits of black and white film from his childhood spending holidays in Italyas a boy. The audience adores him and his voice soars easily as such songs are easy on someone used to much heavier Verdi or Wagner roles. A delight to the ear.

Jonas Kaufmann: Dolce Vita

8.0 2016
The Flying Dutchman - MANNHEIM

A captain is cursed to sail the seas of the world forever, only allowed to make landfall once every seven years. Will he find the love of a faithful woman to break the curse? Richard Wagner came across the legend of The Flying Dutchman in 1838 through Heinrich Heine’s From the Memoirs of Herr von Schnabelewopski. After a stormy voyage from Riga to London – Wagner was again on the run from creditors – he chose the material for his next opera and began to compose it, with the unpredictable power of the sea still fresh on his face. Against the backdrop of this wild nature, Wagner exposes in Holländer his utopia of a love that transcends, offered as an antidote to the 19th century zeitgeist of pounding industrialisation and economic growth. Roger Vontobel’s new production from Mannheim is streamed live on the opening night and audiences around the world can share in some of the most rousing music written in opera.

The Flying Dutchman - MANNHEIM

NR 2022
Fuoco Sacro - A Search for the Sacred Fire of Song

Opera confronts us with extremes of emotion, sometimes delivering unforgettable, life-changing experiences. Fuoro sacro (‘Sacred Fire’) seeks out singers who have the power to pierce our hearts, presenting three of them at work in the most intimate details of their rehearsals and preparations. Ermonela Jaho, Barbara Hannigan and Asmik Grigorian are watched closely as some of their secrets are revealed: how they inhabit their roles and transform words and notation on a page into that intangible but powerful magic being communicated to audiences from the opera stage. Over 90 minutes of extras are included featuring vocal warm-ups and live performances accompanied by pianists Evgenia Rubinova, Reinbert de Leeuw and Francesco Piemontesi.

Fuoco Sacro - A Search for the Sacred Fire of Song

8.0 2022
The Land of Smiles

Lehar's The Land of Smiles touches the heart as it provides unforgetable melodies from start to finish. There are no weak links in the cast. Too often, we think of operetta as musical fluff, tired cliches, and obligatory dance scenes when things start slowing down. Not so in this classic operetta. We feel the pain of loss suffered by the two main characters, who make their roles natural and believable. There is more to this work than "Yours Is My Heart Alone." There is dramatic consistency and people you find yourself caring about as much as the music, the costumes, and the colorful sets.

The Land of Smiles

7.0 1974
Im Herzen des Lichts – Die Nacht der Primadonnen

In 2001, twelve singing divas from all over the world gathered in Taormina, in the world-famous Greek amphitheater. Under the direction of André Heller, they let their unique voices ring out in the magically illuminated venue. This "festival of the last prima donnas" included, among others, the American star soprano Jessye Norman, the "Voice of Africa" ​​Ami Koita, the jazz singer Dee Dee Bridgewater, hailed as the "new Ella Fitzgerald," as well as the highly successful Israeli pop singer Noa and her Arab-Palestinian counterpart Amal Murkus, the "Piaf of the Gypsies" Esma Redzepova, and the reincarnation of Naples music, Lina Sastri.

Im Herzen des Lichts – Die Nacht der Primadonnen

NR 2002
Lady Macbeth of Mtsensk

Katerina Ismailova is wealthily married and lonely, her husband impotent and her father-in-law a tyrant. She is trapped in a world where merciless brutality, despotism and cruelty reign. The woman with a lust for life and love gives way to her raw longing for freedom when a new labourer Sergei starts working for the Ismailov family. She throws herself into a passionate affair with him and poisons her father-in-law's food. But the increasing radicalism of her desire for self-determination will claim further victims...

Lady Macbeth of Mtsensk

NR 2025