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The Opening of the Wells

The Opening of the Wells with music by the Czech composer, Bohuslav Martinu was supposed to be part of Laterna Magika II.: Tour programme in 1960. However, it was banned by the communist committee tasked with judging the performance from “a politically correct” point of view. The committee claimed that Radok’s manners and morals were behind the times, and that the director did not show the ultra-modern techniques of Czechoslovakian agriculture. The premiere was postponed and Radok was fired from the Laterna Magika Theatre. His young colleagues (including Milos Forman) were officially asked to finish the rehearsals without the controversial part, and to make other minor changes in other scenes (these changes were made). Alfred Radok considered this to an unforgivable betrayal, as he expected them to leave the theatre to support him.

The Opening of the Wells

7.0 1966
Revue pro banjo

Songs about eternal love, American vagabonds, cowboys and desperadoes, with the romance of railways and trains speeding into the distance are recorded as film songs, and so, for example, in the well-known standard Franck and Johnny you will see M. Kopecký, J. Jirásková, J. Lír and others singing. In Chajda drnový, W. Matuška and K. Štědrý, K. Gott rides a horse or sails on a boat and R. Cortéz cries (off-screen) over the death of the famous robber Jesse James...

Revue pro banjo

2.0 1964
Journey to Jerusalem

This color documentary chronicles the musical concert on Mount Scopus in Israel a mere three weeks after the Six Day War. Leonard Bernstein and Isaac Stern join the Yoi Yisrael Philharmonic Orchestra, the Israel Philharmonic, and the Tel Aviv Philharmonic Choir for stirring classical renditions by Mahler and Mendelssohn. The concert was recorded by Columbia records for release at a later date and accurately captured the live music in all its classic splendor. Prime Minister David Ben-Gurion sits proudly in the front row as the symphonies play to a capacity crowd. Scenes of the war, the Wailing Wall, schools and hospitals are also included as Bernstein and Stern tour the country and meet the people of Israel.

Journey to Jerusalem

8.0 1968
Big Ben: Ben Webster in Europe

In the late sixties, the American saxophone player and living jazz legend Ben Webster lived in Amsterdam for a year. Webster, who was born in Kansas City in 1909, was a unique personality in the world of jazz and blues. In the thirties, he played with all the great names. During his Amsterdam period, he stayed with an elderly landlady, Mrs Hardloper, with whom he appeared on a national talk show. In conversations with Van der Keuken, he muses on the past; on the fantastic experience of playing in the renowned Duke Ellington band; or on one of his best friends, who was so deft at eating with a knife and fork. Short, fragmented remarks, which Van der Keuken has edited in a loose, improvised editing style.

Big Ben: Ben Webster in Europe

5.5 1967
You See What I’m Trying To Say?

In this short film from 1967, filmmaker Henry English attempts to place a context around saxophonist and composer Marion Brown’s flurries of notes and expression. Juxtaposed against performance footage and scenes from Brown’s environment are the musician’s spoken observations in which he, in a gentle Georgia accent, explains some of who he is and how his chosen form of expression (wild, free lines of spontaneous sound) may not be as alien as it must have seemed in 1967. (Austin Film Society)

You See What I’m Trying To Say?

NR 1967
Antic Meet

Performed like a series of vaudeville scenes that overlap, Antic Meet consists of ten playful and comedic numbers. The curtains opened with Cunningham moving among the other dancers as a clown-like figure "who falls in love with a society whose rules he doesn't know," and concludes much in the same way, as he attempts to keep up with the dancers, each with their own movements, as they dance diagonally across the stage. Cage provided the musical accompaniment, using a version of Concert for Piano and Orchestra, and Rauschenberg designed the costumes, which included fur coats and parachute dresses over black leotards.

Antic Meet

NR 1964
Duke Ellington: Love You Madly / A Concert of Sacred Music at Grace Cathedral

Described as "the best film about Duke Ellington ever made" by the jazz legend himself, "Love You Madly" combines a behind-the-scenes profile with performance footage from Basin St. West Jazz Club, the 1965 Monterey Jazz Festival and the "Concert of Sacred Music" at Grace Cathedral. A second Emmy-nominated program captures the full magic of Ellington's 1965 "Concert of Sacred Music," a mix of classical, spirituals, gospel, blues and jazz.

Duke Ellington: Love You Madly / A Concert of Sacred Music at Grace Cathedral

NR 1965