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Beethoven: Piano Concerto No. 4 & Bruckner: Symphony No. 7 - Emanuel Ax, Wiener Philharmoniker, Bernard Haitink

After 65 years at the rostrum, Bernard Haitink is making his departure from the concert stage at the age of 90. In his farewell concert at the Salzburg Festival, featuring the Vienna Philharmonic and pianist Emanuel Ax, the maestro conducts two tragical-lyrical works that mark the zenith of the respective composers’ creative powers - Beethoven’s Piano Concerto No. 4 and Anton Bruckner’s Symphony No. 7. The Dutch conductor was to enchant his audience, orchestra and apparently also himself in his final performance of the work.

Beethoven: Piano Concerto No. 4 & Bruckner: Symphony No. 7 - Emanuel Ax, Wiener Philharmoniker, Bernard Haitink

NR 2020
Scandal! Alice Sara Ott and Francesco Tristano

Alice Sara Ott and Francesco Tristano join forces for this energetic and joyful collaboration on the stage of the international Heidelberger Frühling (Heidelberg Spring) festival, held annually since 1997 in March and April in the romantic German city. The program, entirely designed by good friends Ott and Tristano, is entitled "Scandal" in reference to the public outcry provoked by Stravinsky's Rite of Spring—indignantly called a "massacre" upon its 1913 premiere at Paris's Théâtre des Champs Élysées.

Scandal! Alice Sara Ott and Francesco Tristano

NR 2015
The Threepenny Opera

The Threepenny Opera proclaims itself "an opera for beggars," and it was in fact an attempt both to satirize traditional opera and operetta and to create a new kind of musical theater based on the theories of two young German artists, composer Kurt Weill and poet-playwright Bert Brecht. The show opens with a mock-Baroque overture, a nod to Threepenny's source, The Beggar's Opera, a brilliantly successful parody of Handel's operas written by John Gay in 1728. In a brief prologue following the overture, a shabby figure comes onstage with a barrel organ and launches into a song chronicling the crimes of the notorious bandit and womanizer Macheath, "Mack the Knife." The setting is a fair in Soho (London), just before Queen Victoria's coronation. In this production, Weill champion HK Gruber led the Ensemble Modern in a performance of Weill's complete original score, the first time it had been heard in Germany in many years. This production was broadcast on German television (3sat).

The Threepenny Opera

9.0 1995
Tangerine Dream - Loreley

On July 18th, 2008 Tangerine Dream performed an open air concert as part of the "Night Of The Prog Festival" at the Loreley Rock at the river Rhine in Germany. On this occasion, they released the 'mini cupdisc' Das Romantische Opfer. As most of TD's concerts of recent years, the gig was filmed and finally released at the end of 2008 as Loreley on DVD. The single DVD comes with a four page insert featuring photos of the line-up, credits and the track listing. The animated menu provides the options to play the complete concert as well as to start from individual tracks, to view the credits or a "Behind The Scenes" bonus feature, and to do the audio setup (Stereo 2.0 or Dolby Surround 5.1).

Tangerine Dream - Loreley

4.2 2008
Eine Nacht in Venedig

Eine Nacht in Venedig (A Night in Venice) is an operetta in three acts by Johann Strauss II. Its libretto was by F. Zell and Richard Genée based on Le Château Trompette by Eugène Cormon and Richard Genée. The farcical, romantic story involves several cases of mistaken identity. The piece premiered in 1883 in Berlin and then Vienna. It became one of Strauss's three most famous stage works and has been seen in New York, London and elsewhere, and has been adapted for film.

Eine Nacht in Venedig

8.0 1974
Roger Cicero Live at Montreux

The night of July 12th 2010 was a memorable evening in the history of the Montreux Jazz Festival. The theme of the night was "Singin' and Swingin'" and it starred Roger Cicero and his fantastic Big Band under the guidance of Lutz Krajenski. Cicero and Hs Band gave an electrifying performance with a mixture of swing ballads, seventies' soul and danceable grooves featuring classics like "Zieh die Schuh aus", "Nicht artgerecht" and "Wenn sie dich fragt" and the English adaptations of his hits "Murphys Gesetz" ("Murphy's Law") and "Ich had das Gefühl für dich verlor'n" ("That You And I Feeling"). Roger Cicero enchanted the crowd and his musicians thrilled this discerning audience. What a show!

Roger Cicero Live at Montreux

NR 2010
Steve Hackett - Genesis Revisited: Live at the Royal Albert Hall

Show recorded at the famous Royal Albert Hall on October 24th, 2013 in London spanning all the old Genesis classics. Special guests include Ray Wilson (ex Stiltskin, ex Genesis), John Wetton (formerly of King Crimson, Uriah Heep, Wishbone Ask, Asia) and Roine Stolt (The Flower Kings, Transatlantic, The Tangent). 18 songs and nearly 2 ½ hours of music across, plus a full bonus disc of backstage and “album by album” footage.

Steve Hackett - Genesis Revisited: Live at the Royal Albert Hall

7.2 2014
A Girl You Don't Forget

A GIRL YOU DON'T FORGET can be thought of as a backstage musical that treats the whole world as backstage. Melodies seem to be buzzing through the air, available to anyone in the right state of mind. Willi Forst always is, and he is also an actor who can transform any space into a stage. Fritz Kortner, one of the defining personalities of the German theatre scene of the 1920s, makes the most of his star’s talent in an intricately constructed romantic comedy that believes in the truth of artifice. Forst plays Paul Hartwig, a wannabe actor who is reduced to selling books in the cold streets of Berlin. While pursuing his big break, he meets Lisa Brandes (Dolly Haas), another victim of the global financial crisis who has just learned a new trick: cheating horny old men out of their money by selling promises she does not intend to keep. Dedicated theatre man Paul decides to win her over by putting on an act, but a misplaced slap leads to unintended consequences. - Lukas Foerster

A Girl You Don't Forget

10.0 1932
Die Fledermaus

Theater director Falke, dressed as a bat, ends up in prison after a merry carnival night. Director Frank only releases him after some time. Falke decides to take revenge on his friend Gabriel von Eisenstein, to whom he owes the whole affair. The annual masked ball at Prince Orlofsky's provides the opportunity. Falke stages a game of mistaken identity in which Eisenstein does not recognize his own wife and courts her, while maid Adele appears as the countess. Eisenstein is duped, Falke has taken his revenge.

Die Fledermaus

8.3 1946