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Peter Grimes

This 1969 BBC production is about as close as we can get to a definitive version of Benjamin Britten's PETER GRIMES, one of the greatest 20th Century operas. The story of the individualistic fisherman hounded by his neighbors who believe he murdered his young apprentice packs tremendous emotional power. The compelling narrative is richly enhanced by its subtexts: the lone outsider versus the conformist mob; the dreamer of improbable dreams that lead to tragedy; the artist (dreamer) versus the Philistines, and the homosexual overtones of Grimes' abuse of his child apprentices. Britten is conductor of his work and tenor Peter Pears is Grimes, 25 years after he created the title role at the opera's premiere. As the widow Ellen Orford, soprano Heather Harper is magnificent. Best of all, the sea is an ever-present actor here. When we don't see it in the background it exerts its presence in the abundant visual references to nets, barrels, and other paraphernalia of a seaside fishing village.

Peter Grimes

NR 1969
The Oil Vendor

Young Qin Chong fled his home, and was later adopted by the Zhu family, who own an oil shop, but his stepmother frames him and casts him out, forcing him to sell oil on the streets. A chance encounter with courtesan Yao Qin sparks instant attraction. When the Zhu family faces hardship, Qin Chong returns, vowing to achieve success in the imperial examinations, while Wu Ba kidnaps Yao Qin but meets his death in his own mansion, leaving her holding the murder weapon.This adaptation broke from tradition, replacing the usual gongs and drums with a Chinese orchestra for its score, adopting a folk-song style.

The Oil Vendor

NR 1969
...Visen er slutt, fengselet er der vi bor – Karel Kryl 1969

A performance by Karel Kryl was recorded in 1969 and released from the archives of the public television and radio company NRK almost fifty years later. The recording, which is more than 22 minutes long, was made in Oslo, Norway, at the end of June and beginning of July during Kryl's three-week stay in Scandinavia, where he was invited by the Norwegian Student Union at the instigation of Czechoslovak exiles. Karel Kryl then returned to Czechoslovakia, but at the time of the Norwegian premiere of the program on October 28, 1969, the anniversary of the founding of Czechoslovakia, he was already living in exile in Munich. The then 25-year-old singer and exceptional poet accompanied his five songs, Salome, Jeřabiny, Bratříčku, zavírej vrátka, Marat ve vaně and Rakovina, with illustrations he drew with chalk on a blackboard in the studio.

...Visen er slutt, fengselet er der vi bor – Karel Kryl 1969

6.0 1969
Ateşli Kan

The film deals with the relationship between a nomadic Gypsy community and the local people. The Gypsies are forced to stop and stay overnight when one of the women in their group goes into labor during their journey. However, no one allows them to stay because they are labeled as thieves. Ali, the owner of a farm, allows the Gypsies to stay. Ali is about to marry Gül, the owner of a neighboring farm, as per his father's will. Hüseyin, one of the town's leading figures, has his eye on Gül. Hüseyin plans to ruin Ali's business and wear him down in order to win Gül's heart. To this end, he will collaborate with Sabri, the brother of Hasan, the leader of the Gypsies.

Ateşli Kan

6.5 1962
Liverpool A Go-Go

Bob Wooler, Cavern Club DJ and compere, takes us on a tour of Liverpool to see popular beat groups and local sights. Merseybeat groups perform aboard the Royal Isis, on a double-decker bus, at the Cavern Club, the courtyard of the Town Hall in Castle Street, on the grounds of the Liverpool Cathedral, a pub named Gregsons Well and across the Mersey on the beaches of New Brighton. Performances from The Fourmost, The Hideaways, The Clayton Squares, The Hoboes, The Mersey Monsters, The Richmond Group, The Spinners, and Tiffany.

Liverpool A Go-Go

9.0 1965