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Lullaby of Broadway

Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise her mother whom she thinks is a successful Broadway star with a mansion in Manhattan. She doesn't know that her mother is actually a burnt-out cabaret singer with a love for whiskey. When she arrives at the mansion, she is taken in by the two servants who are friends of her mother's. The house actually belongs to Adolph Hubbell, a kind-hearted Broadway producer who also gets drawn into the charade. Hubbell takes a shine to Melinda and agrees to star her in his next show. Melinda also finds romance with a handsome hoofer who's also in the show. All is going well for Melinda except that she wants to see her mother who keeps putting off their reunion.

Lullaby of Broadway

6.0 1951
The Champion

Eikichi Yamashiro, who is a former contender for the boxing title, works as a manager at a Club Champion owned by his fiancé Natsuko’s father. He lost a title match five years ago as he was besotted by Natsuko, but Eikichi actually cannot give up the dream of the championship. One day, he meets Shuntaro Fuma, who is a punk kid but a promising boxer, and realizes the dream that he himself could never fulfill. Then, they together start to train with the aim of the title. Mari Shiraki is an up-and-coming ballerina under the patronage of Eikichi as well. Eikichi forbids Shuntaro and Mari to be romantically involved with someone during their training, however, they start to go on a date.

The Champion

6.4 1957
Man of Music

The young composer Mikhail Glinka performs his new work at a soiree at earl Vielgorsky's house. However, the public is accustomed to Western music, and reacts coldly to the creation of the composer. This makes him very sad, but soon he decides to go learn the art of music in Italy. After returning from Italy, he is full of desire to write national Russian opera. Vasily Zhukovsky proposes a subject: a feat of Ivan Susanin. Tsar Nicholas I change the name of the opera to A Life for the Tsar and assigns a librettist - Baron Rosen. Acquaintance with the future co-author shocked Glinka: Rosen speaks Russian with a noticeable German accent. The premiere was successful, but Glinka was still not entirely happy with the libretto: "False words were written by Rosen". When Nicholas I learned that Ruslan and Lyudmila was written on Pushkin's subject, he sees it as sedition. The bitter experience of the composer brighten his supporters.

Man of Music

4.7 1952
I Love Melvin

Melvin Hoover, a budding photographer for Look magazine, accidentally bumps into a young actress named Judy LeRoy in the park. They start to talk, and Melvin soon offers to do a photo spread of her. His boss, however, has no intention of using the photos. Melvin wants to marry Judy, but her father would rather she marry dull and dependable Harry Black. As a last resort, Melvin promises to get Judy's photo on the cover of the next issue of Look, a task easier said than done.

I Love Melvin

6.2 1953
Love in Jamaica

Manuel, a landowner in Jamaica, arrives in Paris on vacation. There he meets Olivia, a Spanish popular singer and falls in love. Olivia leaves Paris to play in a casino of the Riviera and Manuel follows her there. Maxime lives in Cannes, uncle of Olivia, a trickster who poses as a magician and has great influence on Annie, an eccentric billionaire. At the same time, Simeon, Annie's secretary tries to bribe the magician to influence Annie to accept to marry him, but as Maxime also wants to marry her, Simeon uses the services of a private detective. Manuel receives a telegram asking him to return to Jamaica. So, Annie proposes them a cruise aboard his yacht and invites Olivia.

Love in Jamaica

5.0 1957
Rossini: L'italiana in Algeri

In 1810, Mustafà, Bey of Algiers and thoroughly fed up with his wife, the docile Elvira, orders the captain of the corsairs to find him one of those feisty Italian women. It turns out to be Isabella, an Italian woman of unparalleled beauty searching for her fiancé Lindoro, whom Mustafà happens to be holding captive in his seraglio. The Bey intends to give Lindoro to his wife Elvira, hoping to get rid of him once and for all. Isabella, accompanied by her annoying suitor Taddeo—whom she passes off as her uncle to save him from the gallows—relies on her powers of seduction. “L’italiana in Algeri” (The Italian Girl in Algiers) is a two-act dramma giocoso (opera buffa) by Gioachino Rossini, with a libretto by Angelo Anelli. It premiered at the Teatro San Benedetto in Venice on May 22, 1813. Recorded in the studios of Radiotelevisione Italiana (RAI) in Milan on July 10, 1957.

Rossini: L'italiana in Algeri

NR 1957
This Age Without Pity

Léon, André, Christiane and Monique, who all study drama, decide to go camping together. Unfortunately - although unsurprisingly - their old jalopy breaks down on the road. Chance has it that in the village where they are stranded a historical movie is being shot by famed director Médéric, starring sexpot Barbara Glamour and Latin heartthrob Edouardo Tocato. Two of the young people start flirting with the two film stars until their friends make them see reason : they love each other. The four of them end up being hired as extras and all is well that ends well.

This Age Without Pity

8.0 1952
Hey Boy! Hey Girl!

Meant primarily as TV fare, this standard, song-filled romantic drama stars Louis Prima as himself, and his real-life wife Keely Smith as Dorothy Spencer, a devout woman with a good singing voice. Dorothy is active in her local parish which like all parishes, is constantly thinking of ways to raise funds. One of the needy projects is a boys' camp, so when Dorothy is approached by Louis Prima to sing with his band she agrees only on one condition -- that he perform a concert benefit for the parish church and boys' camp. The interactions between Dorothy and Prima lead toward romance and a happy ending, as well as a popular album with the same title song featured in this film. ~ Eleanor Mannikka, Rovi (NY Times Review).

Hey Boy! Hey Girl!

10.0 1959