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Shahid is betrayed by his wife who ran away from him at the 1st night of their wedding and after this he becomes a loner and alcoholic.

Laila and Lasse are two teenagers dreaming about careers as singers. Lasse's brother Rami dreams about motorbike racing and dates a pretty blond Anjukka. Her father works in the hot new field of TV advertising, which might be a good route to stardom for Laila and Lasse. But then Anjukka sets her eyes on Lasse and Rami sets his on Laila, and many a popular hit melody is sung in between.

This 1969 BBC production is about as close as we can get to a definitive version of Benjamin Britten's PETER GRIMES, one of the greatest 20th Century operas. The story of the individualistic fisherman hounded by his neighbors who believe he murdered his young apprentice packs tremendous emotional power. The compelling narrative is richly enhanced by its subtexts: the lone outsider versus the conformist mob; the dreamer of improbable dreams that lead to tragedy; the artist (dreamer) versus the Philistines, and the homosexual overtones of Grimes' abuse of his child apprentices. Britten is conductor of his work and tenor Peter Pears is Grimes, 25 years after he created the title role at the opera's premiere. As the widow Ellen Orford, soprano Heather Harper is magnificent. Best of all, the sea is an ever-present actor here. When we don't see it in the background it exerts its presence in the abundant visual references to nets, barrels, and other paraphernalia of a seaside fishing village.

A property owner dies from shock after his opponent tricks him into thinking his land was legally seized.

The troubled life of two idols of the Jovem Guarda amidst the pleasant rhythm of the contagious iê-iê-iê.

A delightful Christmas musical about a young Jamaican woman who flees her humdrum Liverpool lodgings in search of her glamorous London cousin. Broadcast live on 28 December 1964, this rare TV musical is one of few to have survived from the 1960s. A tale of Afro-Caribbean immigration, the show is unusual for its time in that it doesn't labour the issues around racial tensions in Britain, but simply celebrates Christmas and family.

A Swedish family musical by Beppe Wolgers.

Erol and Sadi are two close friends who work at the same nightclub. Sadi falls in love with Serap, a dancer at the large nightclub. Serap reciprocates his feelings, but disappears when she learns that Sadi has a long-term girlfriend.

Malik Ayaz, a general in the army of Sultan Mahmud of Ghazni: Ayaz (1960)was a landmark movie in 2 ways-its story was based on Muslim historical background, story of Mahmood Ghazanvi(971-1030A.D.)and his companion Ayaz (subject of this movie).Also this movie's film songs were super-hit due to the superb music of Khurshid Anwar.

During the inauguration of Brasília, Brazil's brand new capital city, singer and ballerina Gilda hides in a working-class night club to escape from an inconvenient millionaire who's trying to date her.

A film by Frank Zappa made for the Dilexi Foundation on KQED

Director Rolf Liebermann’s 1968 filmed-for-TV production of Carl Maria von Weber’s opera, with the Hamburg State Opera performing an adapted stage version. Soloists include Bernhard Minetti, Toni Blankenheim and Arlene Saunders. The conductor is Leopold Ludwig.

The young craftsman Gogia and the village girl Tasia fall in love with each other. Arriving in Tasia's village accompanied by a wedding procession, Gogia Can't find his bride anymore, Turns out by the order of Tasia's godmother, the duke's wife, she was taken to the duke's house as a servant. The elderly duke liked Tasia and decided to marry her. Gogia with the help of his friends, Karachokheli, tries to get his bride back.

On stage, Christa Ludwig's Leonore puts all others in the shade. In this role, she achieves something rare: a perfect unity of stage character and singer. Her male disguise is believable; this Fidelio is a slender, lanky young man with whom it is easy to imagine the silly Marzelline falling in love.

Homage to the Puerto Rican composer Rafael Hernández.

The Bonzo Dog Band freak out at the farm and strange sounds abound.

This documentary follows composer and conductor Igor Stavinsky at his home in California, in London, and in Hamburg where he conducts an orchestra rehearsal. Includes conversations with a variety of friends and musical collaborators. Includes footage of Stravinsky and Balanchine discussing the Variations (in memoriam Aldous Huxley) and rehearsing their ballet Apollo with Suzanne Farrell.

TV movie about dance rites in the Philippines

Part of George Moreno's 'The Merry Music Shop' series.

A musical comedy, shot on location in the Sussex village of Lurgashall, during August 1969.

Chaos erupts in a village after a series of burglaries take place, prompting Najma, the daughter of a guard, to think of a solution. She disguises herself as a man and becomes the village vigilante.

Commissioned by the San Francisco Mime Troupe as a short to be screened during intermission for its rather infamous 1965 Minstrel Show (Civil Rights from the Cracker Barrel), which assaulted racial stereotypes by wildly exaggerating them. Scored by Steve Reich. Preserved by the Academy Film Archive in 2007.

Exploding Plastic Inevitable was a series of multimedia events organised by Andy Warhol between 1966 and 1967, featuring musical performances by The Velvet Underground and Nico, screenings of Warhol's films, and dancing and performances by regulars of Warhol's Factory. It is also the title of a 18-minute film by Ronald Nameth filmed during one week of the show in Chicago, Illinois in 1966.

Teleplay on "The Debauchees, Or The Jesuit Caught" by Henry Fielding.

Sex, death, reptiles, charisma and a unique variant of the electric blues gave the Doors an aura of profundity that has survived the band's demise. In September, 1968, The Doors gave a history making performance at The Roundhouse in London's Chalk Farm. They gave powerful renditions of their best songs. Part of the Pioneer Artist Concert Film Series.

The daily life of the residents of one house, most of whose lives, in accordance with the customs of southern countries, take place in the courtyard, reflects the national character, the customs of the common people, their talent, and, most importantly, the new things that each new day brings to life in Cuba in the 1960s.

You name it this picture's got it thrilling action, hilarious comedy, suspenseful horror, musical entertainment, heartwarming romance.

Musical movie based on Aleksandr Kolker songs.

The hunter Atis and the priestess Camilla fall in love. However, Camilla is bound by a vow of chastity that she made to the goddess Diana.

A one-hour version of Tchaikovsky's classic ballet, with a somewhat revised storyline reminiscent of "The Wizard of Oz".

Shahr-e ghesse is perhaps the most popular of all Persian plays, was written in traditional rhythmic style that resulted in a kind of musical drama. Although it seems at first glance to have been written for children, its main audience, it is in fact a parable about contemporary socio political issues.

Musical comedy set in show-biz milieu.

Tired of the constant abuse he suffers in his household, a boy runs away from home and goes on a series of sad and dramatic adventures, in which he finds the opportunity to show the power of his own voice.

Musical and variety show.

The Harlem Cultural Festival of that year, which would come to be known as “Black Woodstock,” had, on its surface, little in common with the upstate hootenanny. Held in Harlem at Mount Morris (what is now Marcus Garvey) Park, it was a self-consciously urban affair, a concert series rather than a one-off, and already in its third year.

Gangaprasad Trivedi would like his son, Kiran Kumar, to get married and settle down. He even goes to the extent of selecting a bride, Sheela Chaturvedi. But Kiran has fallen in love with Jyoti, who is trapped by her Father. This intagled mess results in a hilarious musical dramedy.

TV short for the series Bouton Rouge.

The aviation company for which Ricardo works gives a secretary a trip to Peru.

An honest account from kids who enjoy a local coffee house. Church groups, social organizations, and just average teens used the coffee house as a means to get kids off the streets and into a place of mutual ideals and moral ethics.

The film deals with the relationship between a nomadic Gypsy community and the local people. The Gypsies are forced to stop and stay overnight when one of the women in their group goes into labor during their journey. However, no one allows them to stay because they are labeled as thieves. Ali, the owner of a farm, allows the Gypsies to stay. Ali is about to marry Gül, the owner of a neighboring farm, as per his father's will. Hüseyin, one of the town's leading figures, has his eye on Gül. Hüseyin plans to ruin Ali's business and wear him down in order to win Gül's heart. To this end, he will collaborate with Sabri, the brother of Hasan, the leader of the Gypsies.

A king Parthiban (Ramadas) gifts a rare anklet (salangai) to a dancer Aparajita (Kumari Madhuri). She begets the king's son, Amarendran and hands him over to a priest along with the anklet. Amarendran also happens to meet a beautiful singer Shantha (Savithri), who falls in love with her and this plot forms the rest of the story.

From 1967-71 Barry Spinello made films without camera or tape recorder by hand drawing both sound and picture directly onto clear 16mm leader. His interest and education (at Columbia) was in music, painting, and poetry. His effort was to merge these three: “to squeeze sound and picture out of the same tube – to weave a cloth with warp as sound, woof as picture, and meaning the fabric itself."

A musical portrait of the legendary Marta Kubišová, filmed just before the August 1968 invasion restricted her artistic activities.

Three of the top folksinger-composers - Tom Paxton, Phil Ochs, and Buffy Sainte-Marie - are featured here. These are the new "city" folksingers whose songs are strictly topical, commenting on the political and social issues of the day. Pete Seeger, an earlier singer in a similar tradition, talks about what the younger singer-composers are attempting to do and about their forerunners, such as Woody Guthrie and Aunt Molly Jackson.

Short Philippe Garrel portrait of a young woman, Handa, who loves that which is decadent, complicated, precious, cannot stand simplicity, and detests people who watch television.