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Rote Lippen soll man küssen

Evelyn, the daughter of American travel agent John P. Hoover and great-grandniece of the famous Viennese dancer Fanny Elßler, is herself a professional dancer. However, unbeknownst to her, her wealthy father is bribing critics and audiences—some with free tickets, others with money. When Evelyn overhears a conversation about her supposedly mediocre talent, she discovers her father's manipulation. She then escapes to Vienna with a tour group organized by her father's company. She hopes to pursue a career as a dancer there—like her famous relative once did.

Rote Lippen soll man küssen

5.3 1964
Night Journey

Night Journey, the dance, had its premiere only two and a half years after Appalachian Spring, and it is a close cousin. It too has a stream-of-consciousness narration: Jocasta, as she is about to kill herself, remembering what has happened to her. It too contains soul-delving solos, broken up by ensemble dances. Here, however, the ensemble is a darker element. As the story was taken from Greek tragedy, so the corps is the equivalent of Greek tragedy’s chorus. They tell us how to feel: afraid mostly. In this piece Graham pushed her habitual economy to its limits.

Night Journey

5.9 1960
Ella Fitzgerald Live in Australia

Ella Fitzgerald visited Australia back in 1960. Gracefully stepping up to the microphone for the celebrated television event 'The BP Super Show', hosted by musician and entertainer Horrie Dargie, Fitzgerald delivered a mellifluous set of legendary songs in an intimate concert setting at The Embers Nightclub in Toorak Road, South Yarra Victoria. This rarely seen B&W television treat is considered to be one of the earliest audio-visual recordings of the 'First Lady of Song', backed by the smooth sounds of the Lou Levy Quartet. Beside Fitzgerald's performance of 14 memorable Jazz and Blues classics, the program also contains original BP musical interludes and jingles from the Horrie Dargie Quartet.

Ella Fitzgerald Live in Australia

NR 1960
Flagermusen

Adultery and a taste for the sweet life are the themes of the operetta Die Fledermaus. The wealthy rentier von Eisenstein sneaks off to a ball hosted by Russian Prince Orlofsky in the vain hope that his libertine manners will bring him closer to the beautiful women in attendance. His wife Rosalinde is similarly on shaky ground. She is having a secret affair with the singing teacher Alfred, who is mistaken for the cuckold and taken away to serve von Eisenstein's prison sentence.

Flagermusen

7.5 1968
Katerina Izmailova

Katerina Izmailova is a filmization of Dmitry Shostakovich's long-suppressed 1936 opera. Galina Vishnevskaya stars as Katerina, a bored 19th century farm wife. At the behest of her grungy lover, Katerina murders her husband and her father-in-law. She and her new beau are both sent to Siberia, where the lover almost immediately takes up with a younger woman. Banned by Stalin for its bleak portrait of Soviet life, Katerina Izmailova was not given a Russian staging for over 40 years; its Metropolitan Opera debut did not occur until 1994.

Katerina Izmailova

4.6 1966