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To celebrate 50 years of French radio station FIP, Sting gives a special performance in the monumental surroundings of the Pantheon in Paris.

With Renaissance, Shani Diluka embarks on a musical exploration of the era of the same name, which laid the foundation for Western thought and sensibility. She focuses primarily on two key centers of influence: humanist Italy and Elizabethan England. Program: I. Renaissance music, emergence and dissemination of the first scores thanks to Gutenberg (Eccles, Dowland, Byrd, etc.) II. Renaissance and early humanists: music of the spheres becomes music of the humanities (Palestrina, Monteverdi, Frescobaldi, etc.) III. The Renaissance and the Golden Ratio: proportion and beauty (Purcell, Handel, etc.) IV. The Renaissance, a decisive legacy in the history of music thanks to polyphony, harmony, and the development of the relationship between text and music (Scarlatti, Bach, etc.)

While the rest of the Hebrews bewail their fate, Samson alone trusts in God's promise of liberty. Abimelech, the Philistine satrap of Gaza, enters to mock the Hebrews' God, proclaiming the superiority of Dagon, and the Hebrews are afraid of him. But calls them to show some defiance, so Abimelech attacks Samson with his sword. Samson seizes the sword and strikes him dead. The Hebrews scatter and the High Priest of Dagon appears, cursing the Hebrews. When a messenger reports that the Hebrews are ravaging the harvest, the High Priest forms a plan to use Delilah to overcome Samson's strength. Delilah's beauty is such that Samson can't resist her for long. She begs to know the secret of his supernatural strength, but he refuses, though he says he loves her. Delilah betrays Samson by having some Philistine soldiers seize him and throw him into a prison in Gaza, where his hair is cut off.

Billy Talent live at Frankfurt Festhalle in Germany

Concert of Renaud at Zenith 86

When we’re moving, walking, watching, driving, how do we breathe? European Summer road diary. Back-and-forth with friends, music, Super8, video, poems. It’s an inner travelling hard to finish and give, because that kind of ‘catches’ doesn’t stop itself. As life is unrecordable, I play and replay reflections at many fps (frames per second - or second frames).

Venice. March 1735. The carnival is in full swing Everybody's happy mood and the lively streets are filled with musicians, mimes, clowns and acrobats of pickpockets who practice their craft each, displaying a colorful rainbow and sounds. At every corner, there is something going on that should not be missed - especially if it's something forbidden. However, some people are concerned about something else. One is Carlo Goldoni young lawyer of 27 years, he dreams only theater and he thinks only the part that wants to ride. Alas, the money was also hard to find at that time than now. His two friends, Antonio Vivaldi and Gian Battista Tiepolo are better known than him but they are also looking for this rare bird: a patron, who was not on ONLY the desire but also the means to sponsor a work of art.

“Everyone steals according to one’s position in society.” A social critique, a credo to live by, and a recipe for the hilarious satire of Jacques Offenbach’s Les Brigands! The Opéra Comique’s rollicking 2011 production took full advantage of the talents of stage directors Macha Makeïeff and Jérôme Deschamps (members of the wildly successful French comedy troupe Les Deschiens) and the accomplished music director François-Xavier Roth.

A study of loneliness set in a dance hall of suburban Paris.

The artistic journey of Dahmane El Harrachi, born in 1925 in Algiers, bears the mark of his experience. An attentive and vigilant observer of the environment of immigrant workers, Dahmane has always avoided falling into the ambient miserabilism. From the Algerian Chaâbi, he has kept certain melodic lines and a clear propensity for sayings drawn from the oral poetic tradition. El Harrachi uses simple language, understandable by all popular sectors of the Maghreb, which partly explains its wide success. In 1949, he went to France and it was in cafes, springboard places where people come to breathe the air of the country, that he performed regularly. Elegant, with his beautiful atmosphere, the “bluesman” of the suburbs seduces, upsets and stirs consciences. Discovered late by the new generation, the creator of Ya Rayah met a tragic end, on August 31, 1980, in a car accident, on the Algiers coast which he sublimated above all else.

Depeche Mode - Live at Wembley Arena, London, 17 April 1986 (Black Celebration Tour) 01. Black Celebration 02. A Question Of Time 03. Fly On The Windscreen 04. Shake The Disease 05. Leave In Silence 06. It's Called A Heart 07. Everything Counts 08. It Doesn't Matter Two 09. A Question Of Lust 10. Blasphemous Rumours 11. New Dress 12. Stripped 13. Something To Do 14. Master And Servant 15. Photographic 16. People Are People 17. Boys Say Go! 18. Just Can't Get Enough 19. More Than A Party

Music can change the lives of those who listen to it. This was the case for author Noël Balen, who was inspired to write a collection of poems, accompanied by a record, as a tribute to legendary double bassist Charles Mingus. A genuine work of art, this documentary filmed in black and white hooks us into the bewitching world of jazz. Artists and singers give voice to Balen’s poems, accompanied by the immortal music of Mingus. A dazzling musical voyage, as bold as it is inventive.

Semi-documentary concert film on Stromae's latest tour, abruptly interrupted for health issues.

Farmer appears in the movie in two roles: as a woman of high society, and as a street prostitute. The partner of the singer in the video is an American TV actor Giancarlo Esposito, who also played two roles: a businessman and a pimp. Prostitutes, appearing in the video are not actresses, but real representatives of their profession. Mylène admitted that she fell in love with this role. Abel Ferrara recalled that Farmer later thanked him for his professional work.

Conducted by French violinist Renaud Capuçon, the Orchestre de Chambre de Lausanne performs music from the inter-war period. This evening is dedicated, among others, to Maurice Ravel (1875-1937), whose 150th birthday is being celebrated on 7 March 2025. With ‘Le Tombeau de Couperin’, the composer glorified the Grand Siècle while honouring the memory of his comrades who had fallen at the front.

Les Berceaux is about the dedicated sailors who venture out into the deepest ocean, and the wives who must await their return. The woman sits in her living room, gently rocking her infant’s cradle as she sings, the movement mimicking the rolling motion of the ocean waves. Many men will lose their lives to the ocean’s vast waters, but the juxtaposition of death and life (in the cradle) suggests an endless and noble cycle. Kirsanoff imaginatively places a rear-projection screen outside the woman’s window, through which, as she sings, we can watch the ocean waves lapping up against the shore, or the ship charging majestically over the water. Also worth noting is that the film was photographed by Boris Kaufman, who later also shot On the Waterfront (1954) and 12 Angry Men (1957). —Shortcutcinema.blogspot.pt

Master of creamy, synthetic pop Trentemøller will be presenting his new album Memoria on this edition of Echoes with Jehnny Beth.

Massenet's opera centres on its charming but contrary heroine, the vivacious young Manon who longs for luxury and excitement. We first encounter her en route to a convent, where her family are sending her to be educated. Along the way, she falls in love with the young student Des Grieux, and, impetuously, runs off with him. She soon leaves him, however, to become the mistress of a rich nobleman. Thus begins her descent into criminality and depravity, all too soon dragging the besotted Des Grieux with her, until she is imprisoned. Despite its tragic story, the opera is full of French charm and vitality – typified by the ambiguous Manon herself. Her plight is touching because of the subtle play of innocence and calculation in her character. The score contains many sparkling arias and ensembles, moving rapidly from moods of exuberance to tenderness, with perfect dramatic timing. Recorded live at the Staatsoper Unter den Linden, Berlin, April/May 2007.

Recorded at the Théâtre Antique in Vaison-la-Romaine, France on 28th May 2001

In the kingdom of music, different families of instruments live apart. One day, the string family heard about the saxophone family and they invited them over for a visit. The two families then decide to embark on a search of other instrument families. During their journey, other families start joining them and toghether they form a large orchestra.

A live performance by Pink Floyd at the Pop Deux Festival de Musique in St. Tropez, France, August 8 1970: including the following songs: "Atom Heart Mother" – 13:46 "Embryo" – 11:23 "Green is the Colour" / "Careful with That Axe, Eugene" – 12:21 "Set the Controls for the Heart of the Sun" – 12:07