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Stop the World: I Want to Get Off

The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.

Stop the World: I Want to Get Off

5.0 1966
The Mysterious Heroine

Fok Tats scheme to raid a convoy of government reserve is intercepted by 'Ghost Knight'. Chau Ping, an accomplice of a corrupt official, declares wars on Fok whom he believes has ties with the mysterious raider. A meeting was convened by Ghost Knight to settle the dispute. Tat's son Sze-chuen learnt that his maid Ma Yuk-lan is the daughter of a general of the ousted Ming court who has donned the mask of a knight-errant to protect the son of the Ming minister Sze Ho-fat, Sze-chuen himself. Back in Deadly Valley, an impostor of Ghost Knight was caught. Slashing at the father, Sze-chuen is disheartened to learn that the faker, Ma's mother, has been transferred to the enemy camp in a feigned surrender orchestrated by Sze while an uprising is gathering momentum funded with money robbed from the corrupt official. Ma teams up with the father and son to storm the Chau Fortress and rescue Ma's mother. The couple champions the restoration of the old empire with Sze's seal.

The Mysterious Heroine

NR 1962
Sevgili Babam

The film is about a family that broke up years ago and reunites. Sedat goes to prison for murder. Because of this, he divorces his wife Nevin. Nevin raises their children Ayşe and Murat alone. She tells them that their father is dead. When the children grow up, Nevin begins to struggle financially. Despite still loving her husband, she decides to marry the famous industrialist Orhan, believing that this will allow her children to live more comfortably. Sedat, who spent years in prison working as a musician, is released. He befriends Ayşe, who aspires to become a singer. The growing closeness between Sedat and Ayşe will lead to the revelation of all the truths.

Sevgili Babam

10.0 1969
Guten Tag, lieber Tag

Engineer Strebel′s apprentices think of nothing else but music and dancing, although they should really concentrate on their marks. Consequently, Strebel is anything but delighted with his pupil. To top it all, a TV show becomes interested in a performance by Strebel′s apprentices. To calm down their teacher, Jutta Fröhlich, who has already cast an eye on Strebel, makes him an offer: When they better their marks, Strebel would permit them to make a performance on television.

Guten Tag, lieber Tag

8.0 1961
Flagermusen

Doctor Falke takes revenge on Gabriel von Eisenstein because, after a carnival, he left him lying in a park, disguised as a bat, so that he would be ridiculed by respectable citizens the next morning. Falke seizes the opportunity for revenge when Eisenstein gets himself into trouble by being sentenced to ten days in prison for disrespectfully mentioning a princely person. The wealthy Russian Prince Orloffsky has asked Doctor Falke to arrange the entertainment for his grand party – and in this lavish setting, Falke carries out his revenge.

Flagermusen

6.7 1966
Der Pastor mit der Jazztrompete

When the Lutheran pastor Roland retires, the young priest Roll shall replace him. He plays the trumpet, loves Jazz and his methods are unconventional: From the first day on he offends the village's notables, but he doesn't care so much since he especially targets the youths, wants them to get back to the church again. However the mayor agitates against him, manages to endanger Roll's success. The conflict leads to vandalism and open violence against Roll.

Der Pastor mit der Jazztrompete

5.9 1962
A Happening in Central Park

A Happening in Central Park was performed and taped by video cameras on Saturday, June 17, 1967. The concert, sponsored by Rheingold Beer, and free to the public, was held in the Sheep Meadow section of New York City's Central Park. Barbra's television sponsor, Monsanto, captured the event on videotape for airing on CBS at a later date. Barbra took a weekend off from the filming of Funny Girl to perform the concert. On Friday night, June 16th, Barbra and crew rehearsed until very late. Many photos of Barbra in which she wears a headband were taken the evening of the dress rehearsal. (The cover of Barbra's A Christmas Album is actually a photo from the Friday night dress rehearsal in Central Park.) On that evening she tried on different gowns and worked with hairdresser Fred Glaser on alternate hairstyles. Director Robert Scheerer also worked out some of his camera blocking at the Friday night rehearsal. He utilized seven color video cameras to capture the concert.

A Happening in Central Park

7.8 1968
From Nashville With Music

From Nashville With Music is another slim plot that gives an excuse for Nashville country stars to perform. The stars are Leo G. Carroll, Marilyn Maxwell, Jose Gonzalez-Gonzalez, Marty Robbins (singing "El Paso"), Buddy Allen, Bill Anderson, Don Gibson, Merle Haggard, George Jones, Cousin Jody, Buck Owens, Bonnie Owens, Charley Pride, Susan Raye, Carl Smith, Wynn Stewart and Tammy Wynette. (from http://archive.tennessean.com/article/20070511/SPECIAL0907/705110501/1969-Movie-From-Nashville-Music)

From Nashville With Music

9.0 1969
Um Mitternacht beginnt hier das Leben

When Jacques Offenbach's melodies are heard, the delighted audience usually asks very little about the man who inspired the great composer with his texts and fable sketches, namely the librettist Ludovic Halévy, who stood in the master's shadow. He and his friend Meilhac came up with the story of 'Belle Helena', for example, at the very moment when the scandalous stories about the Empress Eugénie were being whispered in the Parisian salons. 'Pariser Leben', 'Die Großherzogin von Gerolstein', 'La Périchole', 'Die Banditen' and 'Orpheus in der Unterwelt' are just a few of the works in which the French present of the Second Empire - around 100 years ago - was mocked with Offenbach-Halévy-like irreverence on the stage of the cheerful musical theater. And that's where we want to go now, among the wax figures of the Second Empire, which of course all, almost all, let's say around midnight, come to life.

Um Mitternacht beginnt hier das Leben

NR 1967
Almaz And Abdo El Hamouly

Almaz goes from a simple worker to one of the brightest singing stars during the reign of Khedive Ismail. The great singer Abdo Al-Hamuli encouraged him and introduced him to high-end circles. The Khedive wants to keep it for himself. Almaz agrees to give her his voice without his body, so the Khedive agrees to marry her. Abdo Al-Hamouli will prevent her from singing after the wedding. Problems arise between the palace and all the singers, which leads them to join the popular revolutionary movement which was beginning to gain strength at that time...

Almaz And Abdo El Hamouly

9.0 1962
Pickwick

Pickwick is a British television musical made by the BBC in 1969 and based on the 1963 stage musical Pickwick, which in turn was based on the 1837 novel The Pickwick Papers written by Charles Dickens. It stars Harry Secombe as Samuel Pickwick and Roy Castle as Sam Weller. This television production was based on the stage musical Pickwick which had been a commercial success. It was adapted for the screen by James Gilbert and Jimmy Grafton. The musical had premiered in the West End in 1963, again with Harry Secombe in the lead role. Running at 90 minutes and made in colour, the TV musical again had lyrics by Leslie Bricusse and a score by Cyril Ornadel. The book was by Wolf Mankowitz and it was directed by Terry Hughes. The programme was first transmitted on 11 June 1969 and again on 26 December 1969. One of the better known songs from the score is "If I Ruled the World". The cast of this production differed somewhat from that of the stage musical.

Pickwick

NR 1969
33 ⅓ Revolutions per Monkee

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

33 ⅓ Revolutions per Monkee

4.7 1969
Un novio para dos hermanas

Pili and uncle Angel travel to Mexico to see Mili dancing at her debut in a theater in the capital. When Mili finds out the bad economic situation of her uncle, she decides to seek work. Meanwhile, Pili works in a department store and meets Rodolfo, the grandson of Mrs. Caceres, owner of the store, which she takes for the chauffeur of the lady. In turn, Ms. Caceres hires Mili to dance at her party, where she meets and falls for Rodolfo. Rodolfo, who does not know of the existence of a twin sister, is convinced that the girl in the party is Pili. And the sisters do not know they are in love with the same man, which will lead to an unexpected conflict.

Un novio para dos hermanas

7.5 1967
Cilla at the Savoy

In April 1966, Cilla opened in a 3-week cabaret season at London’s Savoy Hotel. On her final Sunday, she starred in her own television special produced by her manager Brian Epstein’s film company, Subafilms. It was the first colour television show of its kind to be made by an independent producer in Britain. The show was broadcast in the UK in black & white but aired in colour in The Netherlands and the USA. ‘Cilla at the Savoy’ was one of the most watched television specials of the 1960s.

Cilla at the Savoy

NR 1966
Die heimliche Ehe

Staged by Sellner, conducted by Maazel with costumes by Sanjust and performed by the six soloists with consummate vocal elegance, Cimarosa's "Secret Marriage" offers unadulterated pleasure and triggers a kind of ecstasy with its combination of delicacy and opulence as well as its sophisticated humor. It brings Cimarosa's musical mastery to the fore - but also the visual impact of the opera. The stage is no longer a place of intellectual barrenness, but once again a playground, a sparkling showcase of wit and intellect.

Die heimliche Ehe

NR 1967
Aadmi

Rajesh, is very insecure and possessive almost to the point of an obsession. He introduces Meena to his close and best friend, Dr. Shekhar, and soon gets formally engaged to Meena. Thereafter, Rajesh and Meena have an automobile accident, in which Rajesh becomes paralyzed and must be confined in a wheelchair. It is then that Rajesh finds out that Shekhar and Meena are having an affair, and the old murderous and possessive hatred, that he had managed to conceal, surfaces again - and this time will it will be Shekhar's turn.

Aadmi

8.0 1968