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Nicolas Maury, ceux qui l'aiment prendront le train

Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.

Nicolas Maury, ceux qui l'aiment prendront le train

NR 2024
Die Fledermaus

Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.

Die Fledermaus

8.2 1984
Four Rational People

The Emerson String Quartet embarks on the final season of a fifty-year history that includes 9 GRAMMYs and thousands of concerts. Interweaving vivid memories with delicate observations of life on the road, the film explores the difficult decision to walk away from the things they cherish: the music they play and the friends they hold dear. At once a frank examination of the tyranny of aging and a cri de cœur to pass the torch to a new generation, the film culminates with one final performance, leaving all to ponder what happens to us after the final curtain.

Four Rational People

NR 2025
Elisabeth

The show opens in the "world of the dead", where Luigi Lucheni is being interrogated by a Judge as to why he has murdered the Empress Elisabeth. Lucheni claims that he did no more than what Elisabeth herself wanted, since all her life Elisabeth has been in love with Death himself – and vice versa. As his witnesses, Lucheni brings back the dead aristocracy of the bygone era and takes us to the past, where he serves as a sarcastic narrator of the events that lead to the transformation of the sweet and innocent Sisi to the revered and infamous Elisabeth, Empress of Austria and Queen of Hungary, and her decline through later years until her assassination.

Elisabeth

NR 1992
Swing

When Martin Luxford leaves jail, he decides to form a swing band, having been taught to play the saxophone by his cellmate Jack. Returning to his native Liverpool, Martin pulls together a backing band of misfits and loners, and recruits his ex-girlfriend Joan as a singer. Things are complicated somewhat by the fact that Joan is now married to the policeman who arrested Martin, and when the band's first gig - at a heavy metal pub - goes badly, it seems as though the road to musical success may be a rocky one.

Swing

5.8 1999
Interstella 5555: The 5tory of the 5ecret 5tar 5ystem

Four talented alien musicians are kidnapped by a record producer who disguises them as humans. Shep, a space pilot in love with bass player Stella, follows them to Earth. Reprogrammed to forget their real identities and renamed The Crescendolls, the group quickly becomes a huge success playing soulless corporate pop. At a concert, Shep manages to free all the musicians except Stella, and the band sets out to rediscover who they really are — and to rescue Stella.

Interstella 5555: The 5tory of the 5ecret 5tar 5ystem

7.8 2003
Filhos do Meio – South Side Hip Hop Stories

This film tells the story of rap music in Almada and Miratejo, one of the first major spots of this musical genre in Portugal. Guided by the protagonists who built and lived the movement intensively, we travel through their memories, stories, and inspirations to discover the great landmarks of this culture on the south banks of the Tagus River — built in a territory of demanding and politized working classes, with great cultural diversity in the post-Carnation Revolution.

Filhos do Meio – South Side Hip Hop Stories

NR 2025