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Namie Amuro Final Tour 2018 ~Finally~ at Fukuoka Yahuoku! Dome

Amuro Namie's last dome tour! Starting in February 2018, the diva went on her Final Tour 2018 ~Finally~, bidding farewell to fans through 17 shows nationwide and another six Asia tour stops. She attracted 800,000 people to her tour, the largest ever for a solo artist in Japan. Each limited edition release of the tour includes her final Tokyo Dome live, her outdoors 25th Anniversary Okinawa live in September 2017, and one other live, giving fans the most complete Amuro Namie experience. This edition includes the Fukuoka Yahuoku! Dome live.

Namie Amuro Final Tour 2018 ~Finally~ at Fukuoka Yahuoku! Dome

NR 2018
Sleepless: The Story of Future Classic

In 2004, Nathan McLay quit his day job to start Future Classic, a Sydney record label he hoped would put Australia's burgeoning dance music scene on the world map. It quickly became an incubator of local talent and launched the careers of genre-bending artists like Nick Murphy (formerly known as Chet Faker), Flight Facilities and Flume. This documentary traces the label's growth from a small DIY collective to an unstoppable force in contemporary music.

Sleepless: The Story of Future Classic

8.0 2018
We Out Here: A LDN Story

We Out Here: A LDN Story is a document of the people and places which have laid the foundations for London’s fertile jazz scene in 2018. It’s about the renaissance which jazz has experienced over the past few years. It’s also about friendship, community and the influences of the city that these musicians call home. The film tells the journey of these young, gifted players, many of whom have trained and come up together, and whose sounds are now becoming an integral part of London’s musical landscape – as well as representing the city around the UK and the rest of the world.

We Out Here: A LDN Story

NR 2018
Leah, Teddy & the Mandolin

Leah, Teddy & the Mandolin’ showcases the many highlights of the annual festival and features the people involved in this remarkable celebration of Yiddish song. From 4 soloists in 2001, the Annual Leah Todres Yiddish Song Festival featured 10 soloists and 120 voices singing in Yiddish on the stage of the Baxter Theatre in 2010. Originally conceived as a fund-raiser for the Cape Jewish Seniors Association, the festival took on a life of its own. The songs reached out and there was a fascinating re-engagement with both the language and the genre. Enjoy the wonderful songs and engage with the many people whose abundant talent and commitment made the festival possible

Leah, Teddy & the Mandolin

NR 2018
Unsung Heroines: Danielle de Niese on the Lost World of Female Composers

Danielle de Niese explores the lives and works of five female composers - from the Middle Ages to the late 20th century - who were famous in their lifetimes, but whose work was then forgotten. Western classical music has traditionally been seen as a procession of male geniuses, but the truth is that women have always composed. Hildegard of Bingen, Francesca Caccini, Clara Schumann, Florence Price and Elizabeth Maconchy - all these women battled to fulfill their ambitions and overcome the obstacles that society placed in their way. They then disappeared into obscurity, and only some have found recognition again.

Unsung Heroines: Danielle de Niese on the Lost World of Female Composers

NR 2018
Dream Catcher

Rapunzel eagerly awaits her prince from her tower top singing “Someday My Prince Will Come”. Her hair is extremely long and can reach far away outside of the tower. She starts to spin and rewind her locks in order to catch her unseen prince. As the spinning movement proceeds, Rapunzel becomes highly emotional. Eventually she loses sight of her initial aspiration and transforms into a mere yarn-ball-like, cocoon-like black mass. Meanwhile, the world outside of the tower is ruined by Rapunzel’s rampaging hair. The chaos created is as if some apocalyptic natural disaster has taken place.

Dream Catcher

NR 2018
Black Stone Cherry - Graspop Metal Meeting 2018

Formed in Kentucky by four friends at the dawn of the new millennium, Black Stone Cherry originally started playing music to escape the boredom of rural Edmonton, Kentucky. They were an instant sensation on the local rock scene and before long the hard rock quartet attracted the attention of the bigger labels. Their self-titled debut dropped in 2006 and they haven’t looked back since. BSC have been busy since their last appearance (GMM2015). Apart from ‘Black to Blues’, an EP that gives a number of blues classics a BSC makeover, there is also their 5th studio album ‘Kentucky’ (2016). Whereas Magic Mountain (2014) was somewhat heavier than its predecessors, ‘Kentucky’ is more versatile and showcases the full spectrum of Black Stone Cherry’s songwriting abilities. Their brand of hard rock is flavoured with southern rock. If you’re into no-holds-barred hard rock with heavy riffs and catchy choruses and you dig the occasional ballad, then Black Stone Cherry will do the trick.

Black Stone Cherry - Graspop Metal Meeting 2018

NR 2018