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Ohne Krimi geht die Mimi nie ins Bett

Consul Keyser, a factory owner, is vacationing with his daughter Marion on a Mediterranean island, hoping to bring her together with his assistant Dr. Thomas Steffen. On this island, however, the passionate fisherman Michael Lutz and his somewhat neglected admirer Barbara Holstein already spend their vacations.Michael asks the singer Bob Stuart, together with his band in their ghost costumes to drive away the annoying newcomers again. However, it no longer comes to this, because on behalf of Gina, the wife of the local police chief, real gangsters appear with the tourists and finally flee with their dinghy. So now the vacationers have to rely on each other willy-nilly, and the couples finally find each other.

Ohne Krimi geht die Mimi nie ins Bett

5.8 1962
The Lovers of Teruel

This puzzling experimental film is written and directed by Raymond Rouleau, who uses effects like changing color tones and masks to put across a drama within a dance drama. The set is a sound stage and the actors in this film are dancers on the stage, performing a mime-ballet derived from one particular legend. Both the enacted legend and the actual events affecting the dancers are parallel. The lead dancer Isa (Ludmila Tcherina) is still nursing her wounds after her first love left her to stand alone at the altar. Now one of the dancers wants to expand his relationship with Isa -- and soon after, the cad who jilted her suddenly shows up again. Tragedy follows closely behind.

The Lovers of Teruel

5.8 1962
Festival in Rhythm

After a series of successful concerts at the Araneta Coliseum in May 1960, American pop singer Neil Sedaka was contracted by LVN Pictures to appear in a musical featurette called “Festival in Rhythm.” The film was shown as an added attraction to “Dahlia” which was released in July. “Festival in Rhythm,” originally shot in color, was a compilation of musical numbers featuring LVN stars and singing and dancing talents leading up to Neil Sedaka. The only surviving print is a black and white workprint from the color original. Since black-and-white positive film stock was not full-color sensitive, warm colors (like skin tones) print dark, hence the dark complexion of the actors in the film.

Festival in Rhythm

NR 1960
Světáci

Two families live in a weaver's cottage - the Menecs and the Hroms. The women are pretty from the start. Musicians come, inviting fellow weavers who play in Menec's band to the May Day festival. Wanderers wander through the region, encountering a procession on their way. The police disperse it, so the men, who have various professions, join the wanderers. They wander around the world until they reach a tavern, where they get food and a bed. An old spinning wheeler composes a song at the request of one wanderer, inviting everyone to a "wanderer's convention". And so they get together and play together...

Světáci

6.0 1963
Gruppo di Improvvisazione Nuova Consonanza

A 47-minute black-and-white film by Theo Gallehr and depicts Il Gruppo in various candid stages - in interviews, setting up, recording, working with eachother, and performing onstage. The players showcased here include Bertoncini, Branchi, Evangelisti, Heineman, Kayn, Morricone, Vandor and Frederic Rzewski. It's interesting to watch the composers interact and perform spontaneously as it is to see them preparing the piano by tying horsehair around the strings and rubbing the interior with empty plastic bottles and vaccuum cleaner attachments.

Gruppo di Improvvisazione Nuova Consonanza

NR 1967
The Doctor and the Prima Donna

Famous dancer and film actress Fong Nan (Mao Mei) desires both a career and a family after marrying an eminent doctor (Guan Shan), who, however, wants her to be a stay-at-home wife. They are on the brink of divorce when he finds out she secretly rehearses for her dance and movie…Taking inspirations from Hollywood musical films, the movie is beautifully directed and meticulously produced by Yuen Yang-an and his Sun Sun Film Enterprises. While most films at the time usually depict how grassroots people rise above adversity, this one tells the story of a famed actress who thrives for success and never gives up on her artistic ambition. This reflects that women's liberation and employment was a dominating theme in left-wing movies. The finale was shot in Eastman colour negative film, which was rare before mid-60s given the limited technical resources in Hong Kong film industry, and thus a valuable record in the city's cinematic history.

The Doctor and the Prima Donna

NR 1960