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Hans Müller finds himself on a trip in Thüringen, accompanied by his loving female friend, Moritz. Hans doesn't understand much about trust, which constantly leads to problems between the two of them. During one of their fights, Lady Venus intervenes and sends the young man back to the Middle Ages - so he can learn the true meaning of love. Disguised as Tannhäuser, he has to stand his ground against a horde of minstrels. At a singing competition, he blunders, without the support of Moritz, who had also been thrown back into the 13th century. And with the help of Frau Venus, his adventure will surely turn out even worse...

In the music show, Germany's most successful composer and producer reveals the craziest and funniest secrets of his music career and reminisces with companions about times gone by. He made music history with Modern Talking - worldwide! The duo was the only German act to reach number 1 in the singles charts with five songs in a row.

Based on a free interpretation of Gustav Mahler´s Song Cycle by the same name and a fairy tale by Hans Christian Andersen, this multiple award winning film is a striking example of Titus Leber´s approach to visualise classical music. Using his so called “multi-layer-method” to superimpose several image layers the author takes us in a dream-like lamentation-quest of a mother's winter-journey searching for her child who has been carried off by the Angel of Death.

Simultaneously made French version of "Ihre Hoheit Befiehlt": An officer, posing as a deli clerk, and a princess, posing as a manicurist, meet at a ball. The court especially the prime minister oppose a marriage, for political reasons.

Twee-pop melodies and acerbic lyrics about the difficult passage to adulthood: It can only be Glasgow's own Belle & Sebastian. A classic indie band who have been blending arty inclinations with spry guitar pop since the 1990s.

With the brand-new songs "My Life Is Magic", "Skin I'm In" and "Man In The Moon" - each with video clips from the cinema film "Daniel, the Magician" - Daniel Küblböck presents current new releases on DVD for the first time.

Blues, gospel, jazz: Jon Batiste has been immersed in music since childhood. He played in his family's band, studied piano and went on to become a Master of Jazz at the Julliard School in New York. In Basel, he performed a piano and vocal repertoire: a resolutely contemporary return to his roots that has earned him seven Grammy Awards and an Oscar.

José James, the jazz artist of the hip-hop generation, plays an hour of mellow, calming tunes at the Mojo Club, a cult venue for Hamburg nightlife.

In this concert from his great European tour Duke gives a big band concert to be remembered in Brussel’s Marni Theatre. Featuring star soloists Money Johnson on trumpet, Paul Gonsalves on saxophone, and Joe Benjamin on bass, and even a surprise appearance from singer Anita Moore, this recording is another gem in the Duke’s discography and a must-have for fans.

A brand new production of ‘’Tannhäuser’’ at the Staatsoper Berlin conducted by Daniel Barenboim, staged and choreographed by Sasha Waltz, who has already staged Purcell and Berlioz, Dusapin, Rihm and Hosokawa. Now Sasha Waltz brings to the stage a grand romantic Wagner’s opera with a star cast of some of today best Wagnerian singers: Peter Seiffert in the title role, Réne Pape as Landgraf and Peter Mattei as Wolfram, Ann Petersen sings Elisabeth and Marina Prudenskaya is Venus.

Based on the operetta of the same name by Carl Milöcker. The residents of an Austrian town decide to teach their eccentric mayor a lesson. A young fisherman dresses up as the famous bandit Gaspare and goes to see the mayor. The mayor, terrified, flees from "Gaspare" and commits a series of ridiculous acts, becoming the laughing stock of the whole town.

Golden Years begins with a farewell that is not a farewell. No goodbye is forever, is it? Tocotronic are concerned with the self-contradictions of our existence in an ever more refined way. For the 75th edition of the Berlinale, Tocotronic celebrates the start of its fourth decade as a band at the Columbia Theater.

In the spring of 2024, the Berliner Philharmoniker, under the direction of their chief conductor Kirill Petrenko, presented a staged production of Richard Strauss’s thrilling and dark opera Elektra – the highlight of the Baden-Baden Easter Festival. The title role was sung by the acclaimed soprano Nina Stemme. Philipp Stölzl, who has caused a sensation with his spectacular productions on the lake stage at the Bregenz Festival, was the director and set designer.

Alexander Schonath is an exceptionally gifted musician who plays first violin in a philharmonic orchestra. But when the orchestra runs into financial difficulties, Alexander is the first to leave and join a dance band – the other musicians, especially his father, see him as a "deserter." In Alexander's absence, his younger, perpetually sickly brother Hans makes a career in the philharmonic and becomes engaged to Maria, the daughter of the orchestra's chairman, Herbert Hartwig.

One of the best concert halls in the world is to be built. The development process of the Elbphilharmonie. Over a period of eleven and a half years, the largest construction site in Hamburg is documented by all its ups and downs.

While on tour somewhere in Italy, a famous German pop singer loses his voice. All tickets for the concerts have long been sold out. Someone from the "Star's" entourage finds a young local guy who used to walk around the city singing in a very similar voice. From then on, the pop star stood on stage in front of the microphone, only opening his mouth, while the unknown street singer sang for him, standing in front of the microphone behind the scenes. At the end of the film, the star's voice returns, and he begins to sing solo and in a duet with the young singer.

1. Sandra - Maria Magdalena (1991) 2. Sandra - Sandra Profile (1991) 3. Sandra - In The Heat Of The Night (1991) 4. Sandra - Little Girl - Opening (1991) 5. Sandra - Little Girl (1991) 6. Sandra - Innocent Love - Opening (1991) 7. Sandra - Innocent Love (1991) 8. Sandra - Don't Cry - Opening (1991) 9. Sandra - Don't Cry (1991) 10. Sandra - Hi! Hi! Hi! (1991) 11. Sandra - Loren - Opening (1991) 12. Sandra - Loren (1991) 13. Sandra - Midnight Man - Opening (1991) 14. Sandra - Midnight Man (1991) 15. Sandra - Stop For A Minute - Opening (1991) 16. Sandra - Stop For A Minute (1991) 17. Sandra - Everlasting Love - Opening (1991) 18. Sandra - Everlasting Love (1991) 19. Sandra - Sandra Credit List (1991) 20. Sandra - Sandra Slideshow (1991)

A biopic of the singer and film actor Joseph Schmidt. The title is a reference to his best-known song and a 1933 film of the same title in which he starred.

From the first steps of an emerging singer to the final bow of a celebrated soprano, 'PRIMADONNA OR NOTHING' follows three relentless women who sacrifice everything to be an opera star.

An adaptation of the operetta The Flower of Hawaii by Paul Abraham. It is based on the life of the last Queen of Hawaii Liliuokalani.

Flashy shows, synthetic pastel worlds and androgynous faces: so-called K-pop, a form of Korean pop music, is taking the charts and stock markets by storm all over the world. But where does this fascination with this music come from? The documentary explores the social context behind this phenomenon.

In the 1970s, music critics and military personnel meet in a recording studio at NATO's European Command to discuss a final music program for Central Europe.

Beethoven: Fidelio Overture Paganini: Violin Concerto No. 1 Blacher: Variations on a Theme by Paganini Stravinsky: Petrushka Dvorak: Slavonic Dance No. 8

Several young music enthusiasts find a helpful supporter of their passion—singing and making music—in the endearing, friendly elderly gentleman Mr. Herzlieb, who works as a night watchman at a pawnshop specializing in musical instruments. Using a shortwave transmitter, they are even able to broadcast their pop songs all the way to Brazil, after which the music lovers are offered a gig. A German "Schlager-Film" (a musical comedy with popular songs).

Viennese Waltz or Johann Strauss, Royal and Imperial Court Musician is a 1932 German historical musical film directed by Conrad Wiene and starring Michael Bohnen, Lee Parry and Paul Hörbiger.

The year is 1817. Minon, a five-year-old girl, leaves her aunt Therese of Brunswick, who has raised her like a mother since her birth, to go and live with her parents, the Count and Countess von Stakelberg. One day, Gabrielle, her housekeeper, who is no longer in her right mind, reveals that her real father is the composer Ludwig van Beethoven. Twenty years later, still intrigued by this confession, Minon decides to unravel the mystery of her origins. She returns to the place of her early childhood, hoping to find the truth with her aunt, who was for years the faithful friend of the great composer.

A study of a man's physical and mental limitations. In the 24 quite harsh and grueling fragments of the unfinished drama, a body and a mind are tested as far as they can be pushed before their owner goes over the edge. Is there just one thing that proves to be too much for Franz Woyzeck, or is it an accumulation of miseries and torments of a wretched existence? Woyzeck is perhaps not so much a bleak account of how miserable life can be as how much strength is required to deal with the daily vicissitudes of life and how delicate and fragile a balance the human psyche rests on.

The owner of a travel agencies decides to took a holiday with his family. He combines business with pleasure and undertakes a tour of inspection of some of his enterprises. Incognito he arrives with his family at the Castle Hotel on the Wörthersee. But the hotel manager has been warned of the impending visit and means to give the important guest the red carpet treatment. Unfortunately he does not know him personally and so takes the wrong man for the incognito inspector. Neither of the two men enjoy the mix-up and the poor hotel director has to live through some uncomfortable hours before he manages to pour oil on the troubled water.

On the occasion of Bruckner's anniversary, the Vienna Philharmonic under the direction of Christian Thielemann recorded a complete Bruckner cycle for the first time. In addition to the well-known canon of nine symphonies, the two earliest Bruckner symphonies in F minor and D minor were also recorded for the first time in the history of the orchestra, which represent a world premiere on DVD and Blu-ray. This unique complete edition from the Musikverein and Salzburg Festival with 11 symphonies also contains detailed conversations with Christian Thielemann about each symphony and insights into his rehearsal work.

Imagine waking up tomorrow and all music has disappeared. Just like that. What will remain when it is all gone: CDs, iPods, instruments?

1838: Fritz Jüterbog and Ottilie von Henkeshofen love each other, but the difference in status is too great for Ottilie's parents to give their consent to a marriage. And so, Fritz sets off for America and returns from there 20 years later as a made man to ask for Ottilie's hand in marriage again. In the meantime, however, Ottilie - believing that Fritz had long since forgotten her - is married in a manner befitting her status, but very unhappily. Fritz, who is highly successful as an entrepreneur, is elevated to hereditary nobility because of his great services to the fatherland. It is too late for a union with Ottilie, but despite the years that pass, the two cannot forget their love. 75 years later, Fritz and Ottilie have died in the meantime, their grandchildren Fred and Tilla meet and fall in love.

They come from Romanian villages and the slums of Skopje: legendary Roma orchestras from Eastern Europe, singers and brass bands from the Balkans.

An avant-garde documentary film on English guitarist, composer and improviser Fred Frith.

In his last and only long-form film, Hans-Jakob Siber tells the tale of a hunting accident in the Alps, involving two old shepherds. Accompanied by psychedelic music of pop group The Mandrake Memorial and purely visually narrated, Siber's Xeudi is a hypnotic trip to the inner world of the old men and the mountains in which they have made their home.

Hollywood film music has its roots in Europe. Three composers who fled war and National Socialism to the USA created the sound that still shapes film music today: Erich Wolfgang Korngold, Max Steiner and Franz Waxman. In the early 20th century, these classically trained composers transformed the methods acquired in Vienna and Berlin into a new American art form: film music. They balanced the relationship between image and sound and developed techniques and dramaturgical tricks to achieve the greatest possible effect on the viewer. Their influence is visible in the work of contemporary US composers such as John Williams and Jerry Goldsmith. Today, Oscar winner Hans Zimmer, Ramin Djawadi and Harold Faltermeyer continue this tradition. Their melodies are part of humanity's collective memory and reflect the combined traditions of European and American musical history. The documentary accompanies composers in their work and explores the European roots of Hollywood.

Classical music for Pierre Boulez recording of Ravel's Bolero. CGI and motion capture.

Founded in 2012 out of the Tomorrow's Warriors programme, London quintet the Ezra Collective are now key players on the British music scene. Blending jazz, hip-hop, dub and reggae, the music of this British band is filled with eclecticism and innovation.

The Bavarian trio "Die Biermösl Blosn" travels to Africa with child, cones and instruments to compare themselves with the music world there.

Back in 2017, at the Jazzopen Stuttgart Festival, the great Quincy Jones put on a show that elicited many rapturous standing ovations from the capacity crowd. To kick things off, the seventy musicians of the Stuttgart Chamber Orchestra and the SWR Big Band step out onto the stage. It is a warm summer’s evening and they play a grand opening medley in the fading light that seamlessly blends classic jazz with Michael Jackson numbers like “Wanna Be Startin Somethin.”

German silent film operetta (Filmoperette)