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Rauschende Melodien

A close film adaptation of Johann Strauss' "Fledermaus". Notary Falke uses Prince Orlofsky's ball, at which the distinguished gentlemen of Viennese society enjoy themselves with the opera's ballet girls, to take revenge on Dr. Eisenstein, who once embarrassed him after a drinking bout. Falke also invites Eisenstein's wife Rosalinde. During the lavish party, Eisenstein courts his own wife, who is disguised as a Hungarian countess. In the morning, he hurries to prison to serve a short sentence. His indignation is great when a Dr. Eisenstein is already sitting there. He had been taken from his wife's arms the night before. He makes a scene for Rosalinde, but she convicts him of infidelity with the Hungarian countess.

Rauschende Melodien

8.0 1955
Tell No One

The film's events revolve around the singer Farid, who is in love with one of the dancers, who decides to travel on an artistic tour. He proposes to her to marry her after she returns from the travel, but he falls under psychological pressure that forces him to marry another girl who also works as a singer. After the dancer returns from the travel, she discovers something... Her lover's marriage, so she leaves him, but later she discovers that things are not as they seem, and that the singer's uncle loves the dancer and wants to marry her.

Tell No One

8.0 1952
The Leech

A rural mother sells her only cow in order to enroll her son, an imam (Shukri Sarhan) at Dar al-Uloom College. When an imam arrives in Cairo, he rents a room in the Citadel area from a domineering woman named Shafa'at (Tahiya Karioka) who is fascinated by his youth and vitality and lures him into practicing vice with her. As a result, he stumbles in his studies and health. At this time, a girl whom she and her father knew from a young age helps him to get rid of all the corruption in which he lives, and her father advises him to stay away from intercessions, but the intercessions plots against him in an attempt to stay with her.

The Leech

7.3 1956
Each in turn

Robert Montfort, happily married to Solange, is his parents-in-law's pet aversion though. To them he is a punk, a good for nothing, a small-time, untalented poet! Robert, who is more gifted than what they think, manages, following a workmate's recommendation, to debut as an entertainer in a nightclub and -even better- to please the audience. Not daring tell the truth to Solange he starts leading a double life, being Robert Montfort in the daytime and Jean Rigobert at night. Of course his wife wonders what is going on and worries about his regular night outings. Only too happy, her parents incite her to have a divorce. Fortunately, all comes right in the end.

Each in turn

7.0 1951