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This is a good video of "Figaro", but there are a couple of better ones available. The Bohm and the Pappano are better still due to the female members of the casts. The reason for buying this one is the "Figaro", Bryn Terfel. No one can top him today in that role. John Eliot Gardiner also stands out. Many of us have voiced their opinion that If the Metropolitan Opera would release it's 1998 version, that would be the one to get.

Klezmer derives from the Hebrew words "Kley Zemer", which refer to the musical instruments (generally, the violin and stringed instruments in general and the clarinet) used to play the traditional music of Eastern European Jews from the XVIth century on. Moni's StageOrchestra is inspired by that music, by its constant change of tones and by the spirit which pervades it, from the sorrowful, monochord which revives the spirit of a synagogue prayer to the explosive joy of songs and dance music created for happier occasions. It is not a faithful reprise of klezmer music or a philological revisitation we propose here, but rather a free use, which maintains the climate and the imprint of several centuries of musical practice, born and developed in close proximity with the Polish, Czech and Byelorussian civilizations and enriched by a fertile exchange with the musical culture of that other diasporic population of Europe, the Gypsy people.

This is an effective staging, though the set looks medieval and the costumes are modern. It’s well paced, well played, well sung. Jonas Kaufmann is an ideal Tito. His voice is not only beautiful and flexible, it’s also ample, retaining warmth and sweetness when he sings out. The character of Tito is too good to be true, but Kaufmann makes him intense, noble, and beliveable. Vesselina Kasarova is riviting as Sesto. Her voice is gorgeous and multi-colored, her technique exquisite, her immersion in the role complete.

A tragic tale in which love and filial sentiment battle in a political intrigue around the fascinating character of Simon, a privateer become doge: Simon Boccanegra is one of Verdi’s greatest operas, over which floats the shadow of his admiration for Shakespeare. For this captivating and moving score, the Dijon Bourgogne Orchestra has called upon one of the great Verdi specialists, Roberto Rizzi Brignoli, whose Traviata in 2011 demonstrated his intimate and precise knowledge of the Italian master’s style, and the German stage director Philipp Himmelmann, a regular at Unter den Linden in Berlin and the great European stages.

Mozart opera.

A documentary on the behind the scenes of the 2022 edition of the Sanremo Music Festival.

With its lively dances, ghost scenes and touching arias, Hamlet was Ambroise Thomas’s single great success of the Paris Opera, remaining in its repertoire for decades after the 1868 premiere. On the opening night, the title role was sung by a baritone, as has become the custom ever since. With the rediscovery of the original score in recent years, it transpires that Thomas originally scored the role of Hamlet for a tenor. In this new production of Teatro Regio Torino, the tenor John Osborn is the tormented prince, singing the celebrated monologue “To be or not to be” (“Être ou ne pas être”). Sara Blanch sings Ophélie, whose pyrotechnic aria in the mad scene is a pièce de résistance for a coloratura soprano. Under the musical direction of Jérémie Rhorer, the production is directed by Jacopo Spirei.

José Cura, Dmitri Hvorostovsky, Verónica Villarroel and Yvonne Naef lead the star cast of Verdi's blazingly passionate opera IL TROVATORE, in Elijah Moshinsky's new Royal Opera House production co-produced with Teatro Real Madrid, with sets by the noted film designer Dante Ferretti and costumes by Anne Tilby.

When Cleopatra starts filming in Rome, a producer starts a search for a "local' Cleopatra look-a-like. A young actress is chosen for the role but it complicates here entire life.

The opera Turandot by Giacomo Puccini from the Arena di Verona (2024), with desings by late Franco Zeffirelli. Turandot is sung by Ecaterina Semenchuk.

Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.

This documentary explores Life and Art of Queen bassist John Deacon.

In 2006 one of the most iconic mixtape sagas in the history of Italian rap made its appearance to teach Italy what rap was. 15 years later " Fastlife " returns to the scene, because it is necessary to remember that lesson with a new vigor.

The documentary focuses on the impressive event of the Italian youth world organized at Parco Lambro in Milan in 1976. The gathering, four days dedicated to counterculture and pop music, was attended by students, young people, workers, lumpenproletarians, feminists, gays and young people from extra-parliamentary groups. The memories and testimonies of those who organized, sang or simply participated will be a commentary on the splendid images of the time. For the first time, meaning is given to the exclusive and complete material shot by Alberto Grifi and six other operators at Parco Lambro in 1976.

Among the ruins of a magical place in the middle of the Tuscan countryside, as if arriving from another planet, two giant amplifiers, sixteen musicians, and their instruments touch down. Despite the Abbey’s lack of a roof, which would allow the sound an easy escape into the sky, Lucio Corsi and his companions manage to trap the music in an original and evocative film.

Olympian gods and nymphs are celebrating Aurora's birth in the Vale of Tempe, crossed by the river Peneo. They praise her features in verse and song, comparing them to rivers and flowers. The text is anonymous and hints at a regal birth, probably Maria Theresa of Austria's in 1717.

A 12-year-old boy tries everything to join a music lovers club.

Giuseppe Verdi’s Requiem Mass performed by soloists, choir and orchestra of the Teatro San Carlo in Naples. Conductor: Juraj Valcuha. Choirmaster: Gea Garatti Ansini.

In an imaginary space, a woman lets go of herself and overcomes fearing her own greatness. She discovers her body, she embraces her emotions and learns to own all the parts that make her HER.

Uto Ughi talks about W. A. Mozart, performing several of his pieces: Concerto in A major for violin and orchestra K 219, with I Filarmonici di Roma; Sonata in A minor for violin and piano K 304, with Marco Grisanti; Sinfonia concertante for violin, viola and orchestra in E-flat major K 364, with Dino Asciolla (2003).

With four incredible performances at the legendary Montreux Music Festival to his name to date, legendary bluesman Otis Rush offers a memorable look at just how it all began in this release of the 1986 performance that started it all. In addition to memorable appearances by Eric Clapton and Luther Allison, Rush and company offer thirteen rousing blues hits including "Gambler's Blues", "Lonely Man", "Mean Old World", and "Right Place, Wrong Time". Tracklist: Tops [6:22] I Wonder Why (Will My Man Be Home Tonight) [7:15] Lonely Man [4:48] Gambler's Blues [9:40] Natural Ball [5:33] Right Place, Wrong Time [6:35] Mean Old World [5:52] You Don't Love Me [3:52] Crosscut Saw [8:25] Double Trouble [5:32] All Your Love (I Miss Loving) [7:53] Every Day I Have the Blues [10:00] If I Had Any Sense, I'd Go Back Home [6:51] INFO: DVD 9 ENG PAL Region 0 4:3 Screen Format DTS + Dolby Surround 5.1 + PCM Stereo

Count Almaviva is in love with Rosina. However, she is currently staying with Dr. Bartolo – who desires to marry her. By using a series of disguises, Almaviva manages to pass letters to Rosina and serenade her with his beautiful voice. Dr. Bartolo does his best to stop Almaviva but is constantly thwarted. In the end, Count Almaviva marries Rosina and Dr. Bartolo comes to terms with his defeat.

The story of Don Pasquale revolves around a classic comedic premise: a young couple in love schemes to thwart the inappropriate plans of a pompous old man, who wants to marry the girl himself. What makes the opera notable within this familiar genre is its emphasis on genuine human emotion. Donizetti’s score is graceful and effervescent, as one would expect from this master of melody, but adds an additional level of sophistication to match the comic (yet insightful) proceedings. Recorded on February 28th 2015, at the Opéra de Vichy.

Written 30 years earlier, Lou Reed’s hymn celebrates five flamboyant characters, each one a fragile icon from Andy Warhol’s Factory: Holly Woodlawn, Candy Darling, Joe Dalessandro, Joe Campbell (aka Sugar Plum Fairy) and Jackie Curtis. Over five delicate tableaux Stéphane Sednaoui films these young people proudly displaying their sexuality and creativity, each one dreaming of becoming a star on the New York scene.