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The Orchestra, Choir, and Children's Choir of the Accademia Nazionale di Santa Cecilia, conducted by Riccardo Minasi, perform Bach's monumental St. Matthew Passion, BWV 244.

Tugan Sokhiev conducts the Orchestra and Chorus of the Accademia Nazionale di Santa Cecilia, featuring baritone Gary Magee. The program includes: Rachmaninoff’s cantata *Spring*; Borodin’s *Polovtsian Dances*; and Tchaikovsky’s Symphony No. 5.

Lionel Bringuier conducts the Orchestra and Choir of the Accademia Nazionale di Santa Cecilia, with Stefano Bollani and Hyung-ki Joo at the piano, and Piero Monti as choirmaster. The program features: Francis Poulenc, Concerto for Two Pianos; Maurice Ravel, Daphnis et Chloé, choreographic symphony.

Wayne Marshall conducts the Orchestra and Choir of the Accademia Nazionale di Santa Cecilia. Joining them are Fabrizio Bosso and Petra Magoni. The program includes Wynton Marsalis’s “Swing Symphony” and Duke Ellington’s “Sacred Concerts.”

The pianist Simone Soldati – who has devoted much of his attention over the years to the music of Luigi Boccherini – and the Quartetto della Scala (Francesco Manara and Daniele Pascoletti, violins; Simonide Braconi, viola; Massimo Polidori, cello) perform two of the Lucca-born composer’s quintets for piano and strings.

Piero Cappuccilli and Shirley Verrett lead Verdi’s sombre masterpiece, drawn from one of Shakespeare’s most celebrated tragedies. Filmed for television at Teatro alla Scala in 1979, Claudio Abbado conductes a night to remember.

After receiving the diagnosis of an incurable brain tumor, Claudia decides to undertake her last trip to Switzerland. There she can decide how and when to end her life thanks to the help of an assisted suicide association.

Live from Glyndebourne 1994. The first production to be filmed Live in Glyndebourne´s new opera house May 1994. The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single “day of madness” in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro’s bride to be, under the nose of the Countess.

Teresa is a young disabled singer, determined to become someone in the world of traditional Italian music, despite the difficulties related to her physical condition, the post-earthquake context and the unlikely helpers she surrounds herself with. A mockumentary shot entirely with local actors in a brand new neighborhood created around a container area, after the 2016 earthquake in central Italy.

An in-depth documentary into the life of renowned Italian composer Nino Rota, who wrote the score for 16 films directed by Federico Fellini, including “La Strada,” “8 1/2,” “Juliet of the Spirits” and “Amarcord,” besides “La Dolce Vita.” He also composed music for Franco Zeffirelli’s “Romeo and Juliet” and the Sicilian-inspired theme for “The Godfather,” whose “Part II” score won him his only Oscar. Rota’s 150 films also included collaborations with King Vidor (“War and Peace”) and Luchino Visconti (“The Leopard”). Rota died at 68 in 1979.

In a gray world, Henry created colors. He managed to trap them inside small glass balls to give to his sick wife, but he couldn't save her. From that day on, he began to produce colored balls non-stop, involving his four sons but refusing to share that incredible magic with the rest of the world and arguing with his youngest son, Stick, about it. Twenty years later, Stick returns home because his father is dying. The only hope seems to lie in a very expensive medical device, but only by freeing the color from the glass balls will Stick and Henry be able to reconcile and fill everyone's lives with beauty.

Carlo Mastelli, the young radio presenter of "New Voices" has run short of ideas and his program is likely to be suspended from the radio schedule if he does not find any new ones.

A staged concert featuring the music of Dmitri Shostakovich, with Roberto Prosseda at the piano. Seven male performers share a space and a moment in time with the pianist, amidst the constant, unstoppable flux of becoming.

The lives of two local professional dancers change suddenly as American soldiers stop in their town hoping to be entertained in accordance with the Broadway style. Effectively, they perform up to their expectations. However, as the army men have to march northward, their moment of glory finishes heartlessly.

Acclaimed Canadian choreographer Anna-Marie Holmes’s exhilarating production, seen at the American Ballet Theatre and English National Ballet, invades the stage at La Scala with new sets and costumes by Luisa Spinatelli. Filled with action, passion and romance, this swashbuckling comedy, based on 'The Corsair' by Lord Byron, follows a dashing pirate, Conrad (Timofej Andrijashenko), as he journeys across the high seas to save his beautiful harem girl Medora (Nicoletta Manni). An exotic, breathtaking spectacle, and an adventure not to be missed.

Live performance, part of Monteverdi cycle staged by Oper Zürich with Nikolaus Harnoncourt conducting the Zürich Opera House Monteverdi Ensemble. Staged and directed by Jean-Pierre Ponnelle

The classic opera about falling into and out of love, friendship, and loss. Mimi and the poet Rudolfo, the painter Marcello and Musetta are the lovers; the musician Schaunard and philosopher Colline round out the set of friends living life rather close to the edge in Paris' Left Bank.

Dutch conductor Ton Koopman, one of the leading experts in the early music repertoire, will lead the Choir and Orchestra of the Accademia Nazionale di Santa Cecilia in Mozart’s Mass in C minor, K. 427, and Symphony No. 41, K. 551, “Jupiter.” The soloists include sopranos Maria Grazia Schiavo and Roberta Mameli, tenor Tilman Lichdi, and bass Luca Tittoto.

From the Teatro Verdi in Trieste, the world premiere of ‘Amorosa presenza’, loosely based on the novel of the same name by Vincenzo Cerami, and the opera debut of Oscar-winning composer Nicola Piovani. Conducted by Maestro Piovani, with stage direction by Chiara Muti.

Part of Tutto Verdi series - Oberto (2007) Parma. Oberto was the first of Verdi’s operas to be staged and was heard for the first time at La Scala, Milan, in November 1839. As a young and unknown composer, Verdi was subject to the rules then governing the opera industry in Italy. Even so, there are already many scenes in this early work that reveal unmistakable signs of the composer’s individual style.

This is an Italian Romance starring Terence Hill

Inaugural concert of the new Auditorium of the MMF Theater, conducted by Zubin Mehta, MMF Choir and Orchestra. Program: Giacomo Puccini - Messa di Gloria for soloists, choir, and orchestra, Choir Master Lorenzo Fratini, Freddie De Tommaso tenor, Mattia Olivieri baritone; Ludwig van Beethoven - Symphony No. 7.

Musicfilm with unpublished images from the life of the most famous Italian trapper: Sfera Ebbasta. Between concerts, studio sessions and lifestyle, the movie retraces his entire artistic career from the beginning together with producer Charlie Charles, to international success. With testimonials from Marracash, Shablo, Steve Aoki and Rvssian.

In late 18th century Venice, in a convent school for girls, Teresa, a student with prophetic gifts, joins forces with some amazing music-makers. They create a new kind of pop, bright and bold, and challenge the ancient and rigid system.

A tale of the complicated Neapolitan lives and loves of Maria and Alberto; her smuggling father Don Gennaro and some espionage.

A teenager from a working-class neighborhood in Milan is passionate about motorbikes and dancing.

The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single "day of madness" in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro's bride to be, under the nose of the Countess.

1943, an estate north of Firenze. The weight of the world is on the shoulders of Penny, who's about 10. An orphan, she must watch over her little sister when they go to live with her aunt and uncle. Penny's a Catholic, and worries about her uncle's soul. He's Jewish, progressive and a free thinker, a fair boss, and devoted to his family. He can be stern, so Penny also worries that she'll never please him and that he won't love her. Then, after the Allied forces land in Sicily and the Germans begin their retreat, Penny must worry about her uncle's life. She tries logic and appeals to human decency. Can a child keep the sky from falling?

Set against the backdrop of 20th-century Sicily, the sicilian storyteller chronicles the tumultuous life of Rosa Balistreri, a legendary figure in Sicilian folk music.

1982 revival of 1974 John Copley production.

The origin story of one of Italy's greatest rock stars, Gianna Nannini, who chased her dream despite obstacles from her family and the music industry.

Approaching age 50, singer/songwriter Nico leads a solitary existence, far from her days as a Warhol superstar and celebrated vocalist for the Velvet Underground in the 1960s. Her life and career on the fringes, Nico's new manager convinces her to hit the road again and tour in Europe to promote her latest album. She longs to rebuild a relationship with her son, whose custody she lost long ago.

A great Party is given by the rich family of Improta. Every kind of intrigue gets around this party. The purpose of every plan is to find a husband or a wife with a quality: wealth.

Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.

In 1810, Mustafà, Bey of Algiers and thoroughly fed up with his wife, the docile Elvira, orders the captain of the corsairs to find him one of those feisty Italian women. It turns out to be Isabella, an Italian woman of unparalleled beauty searching for her fiancé Lindoro, whom Mustafà happens to be holding captive in his seraglio. The Bey intends to give Lindoro to his wife Elvira, hoping to get rid of him once and for all. Isabella, accompanied by her annoying suitor Taddeo—whom she passes off as her uncle to save him from the gallows—relies on her powers of seduction. “L’italiana in Algeri” (The Italian Girl in Algiers) is a two-act dramma giocoso (opera buffa) by Gioachino Rossini, with a libretto by Angelo Anelli. It premiered at the Teatro San Benedetto in Venice on May 22, 1813. Recorded in the studios of Radiotelevisione Italiana (RAI) in Milan on July 10, 1957.

From Venice's Teatro La Fenice, the traditional New Year's Concert conducted by Maestro Michele Mariotti, featuring arias, duets, and choral pieces performed by soloists Rosa Feola and Jonathan Tetelman. The event will be enhanced by dance performances by étoiles Eleonora Abbagnato and Friedemann Vogel.

Lucia Spinelli, orphaned by both parents, is taken as a housekeeper in the house of Mrs. Carla Parodi, when she reaches the age of majority, the young woman is almost forced to marry Mrs. Carla's brother. After the marriage and the birth of the first child, Parodi's intrusions on the life of the two spouses continue.

An opera in a prologue and two acts by John Adams, with a libretto by Alice Goodman, inspired by the 1985 hijacking of the cruise ship Achille Lauro. Conducted by Lawrence Renes, directed and designed by Luca Guadagnino. A new production by the Teatro del Maggio Musicale Fiorentino.

Russian pianist Aleksandr Dmitrievič Malofeev along with Ukrainian cellist Aleksey Shadrin, jazz musician Brad Mehldau from the United States, Gabriella Montero from Venezuela, Francesco Piemontesi from Switzerland, Beatrice Rana from Italy, and Nobuyuki Tsujii from Japan.

It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.

Jonathan Littell revived Monteverdi’s baroque and decadent opera L’incoronazione di Poppea in a modern and fantastic production. From allusions to the Roman era, to the Renaissance and modern age, Little twists shamelessly Monteverdi’s score to highlight the dialogues and create a background music. The Coronation shatters the film-opera’s cliché only to better put it back together, with patience and clockwork precision.

This was one of a series of concerts James Brown gave at the Apollo in Harlem in March 1968. This performance was broadcast on television as James Brown: Man To Man. In addition to 16 vintage color performances from the concert, this special also includes film of James Brown walking the streets of Harlem and Watts as he speaks to the state of Black America and describes the political and socioeconomic advances that need to be accomplished: “My flight is for Black American to become American.”—James Brown This concert is much a 1968 James Brown time capsule as it is a timeless representation of how music can change the world.

A famous singer abandons his wife and goes to live abroad with a woman he met in a nightclub. A car accident upsets his life - he loses his job and his new love but he regains his sons and peace of mind.

Based on Ruggero Leoncavallo's opera Pagliacci. The film recounts the tragedy of Canio, the lead clown (or pagliaccio in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. The only actor in the cast who also sang his role was the celebrated Italian baritone, Tito Gobbi, but the film is largely very faithful to its source material, presenting the opera nearly complete.

Claus Guth's exciting 2017 staging of Handel’s "Rodelinda" at Madrid’s Teatro Real, featuring Lucy Crowe and Bejun Mehta as Rodelinda and Bertarido, with conductor Ivor Bolton. After the successes of "Giulio Cesare" in 1723 and "Tamerlano" in 1724, Rodelinda completes the trilogy of Handel’s great opera seria masterpieces. The work was composed in 1725 using Nicola Francesco Haym’s libretto, a work inspired by Antonio Salvi’s earlier libretto which had been itself adapted from Pierre Corneille’s tragedy "Pertharite, roi des Lombards". Rodelinda thus brought one of the most glorious compositional periods in the Handel’s career to a close, about a decade after his arrival in the British capital. Mixing romantic storytelling and political intrigue, Handel produced one of his most beautiful scores, a true operatic tour de force.

La Traviata is not only one of Giuseppe Verdi's best known works but ranks among the most popular operas of all times. Based on the novel and play La Dame aux camélias by Alexander Dumas (fils), the tragic story of the terminally ill courtesan Violetta who falls in love with the young gentleman Alfredo Germont has moved audiences to tears for more than 150 years. Live from the Arena di Verona, 2011

An enterprising producer believes he has hit upon a winning concept: a program of original animated shorts set to classical music. Undeterred by warnings that this has already been done by an American named 'Prisney,' he rallies an orchestra of geriatric women, a bullish conductor, and an animator that he keeps locked in the dungeon. What could go wrong?