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None’s A Ton: A Turkuaz Live Concert Film

A live concert film from Brooklyn-based power-funk outfit Turkuaz showcasing their energetic splashes of funk, alternative, rock, R&B, and psychedelia. The none’s ignite an explosion of energy punctuated by neon hues, deft musicality, and show-stopping singalongs with male-female harmonies, strutting guitars, wild horn arrangements, and interminable grooves. Touring incessantly over the better part of the last decade, the group has organically animated a movement of devout followers and graced stages at legendary theaters and festivals across the country and abroad. None’s A Ton encapsulates an exciting era of the band as it evolves into the next decade.

None’s A Ton: A Turkuaz Live Concert Film

NR 2019
Freddie Mercury: Love Me Like There’s No Tomorrow

The love story of two anthropomorphised white blood cells, one of whom becomes infected with the AIDS virus. Animators Esteban Bravo and Beth David said of making this short film, “We wanted to tell a story that was relevant to Freddie's life, but not explicitly about him. The AIDS crisis of the 1980s is a huge part of LGBT+ history, and it's something that we knew needed to be handled with care. It's a fine line to walk between shedding light on a subject, and perpetuating a stigma, and we were cautious not to lean into tropes and stereotypes that might hurt the modern understanding of the AIDS virus, rather than help it."

Freddie Mercury: Love Me Like There’s No Tomorrow

NR 2019
Text Messages from the Universe

A film that immerses its audience in subjective states of consciousness they might experience when they die, imagining what they can see and think and hear in a seamless but fragmentary flow of poetic images, words and music. The viewer undertakes a journey into their own interior world of dreams and projections in which time and space, and cause and effect logic, are turned on their heads. Text Messages from the Universe is inspired by The Tibetan Book of the Dead, a text which guides souls on their journey of 49 days through the 'Bardo', or intermediate state, between dying and rebirth.

Text Messages from the Universe

6.0 2019
Anti-Nowhere League: We Are The League

Anti-Nowhere League: We Are The League tells the full uncensored story of how a biker, a skinhead, a grammar school boy and a Persian exile came together, with no musical talent or ambitions and even less respect for anything or anyone, to burst onto the UK charts with their debut single. Even when judged by the often confrontational standards of U.K. punk, the Anti-Nowhere League were a band committed to offending people. Looking less like a group of bohemian rebels than an especially unsavory biker gang eager to stomp someone, the Anti-Nowhere League made an immediate impact when they burst onto the British rock scene in 1980. They were heroes to hard-boiled U.K. punks, and to nearly everyone else they were an affront to all decency - which, of course, made the punks love them all the more.

Anti-Nowhere League: We Are The League

7.7 2019
The Australian Pink Floyd Show: The Essence

The music of Pink Floyd and the total work of art of this iconic group has been shaping our culture for six decades now. It is an indispensable part of our view of the world. For more than 30 years, The Australian Pink Floyd Show has ensured that this unparalleled cultural heritage appears as vividly as ever, and can renew itself time and again. With their very own, often humorous but always dedicated look at the oeuvre of great role models, they not only create the faithful audio-visual reproduction of Pink Floyd's best moments from all eras, they also rarely bring what they hear to life and thus create magnificent concert experiences.

The Australian Pink Floyd Show: The Essence

8.5 2019
Exhalación: Vida y muerte de De La Puríssima

The duo made up of musician and actress Julia de Castro and double bass player Miguel Rodrigáñez thus premieres their latest show, Exhalación: vida y muerte de De La Puríssima. With it, they intend to put an end to the ten-year revolution of EL CUPLÉ this scenic musical genre, which the singular tandem has merged with jazz, cumbia and electronics on stages around the world. Show nominated for the Premios Valle Inclán. As the duo explains, De La Puríssima was born in 2009 “as a transit project, in which music was the most direct and ritualistic medium from which to raise core issues such as sex, bullfighting, folklore or religion”. Now, a decade later, it is time to remove the peineta and celebrate the end of a stage in which the provocative lyrics by Julia de Castro have traveled through numerous audiences to bring up to date a genre that was in the forgetfulness of national folklore, the cuplé.

Exhalación: Vida y muerte de De La Puríssima

NR 2019
Anna Bolena

Around 1536, at Windsor Castle, King Henry VIII of England fell in love with the young queen's lady-in-waiting, Jane Seymour. In order to free himself from his marriage to Anne Boleyn, the monarch decided to recall Anne's former lover, Lord Percy, from exile, as he still loved the queen. Both were unjustly sentenced to be beheaded for alleged adultery. The outcast Anne Boleyn spends her last moments in the Tower of London, from where she is led directly to the execution site...

Anna Bolena

NR 2019
Killing Joke - Malicious Damage - Live At The Astoria

With a reputation forged in fire, brimstone and magic, plus a fierce collective intellect, Killing Joke have long been one of rock's most iconic, influential and contrary outfits. This album captures the passion and brutal violence of Killing Joke's performance, sadly one of the last recorded concerts to feature bass player Paul Raven before his untimely death in 2007. Malicious Damage was filmed and recorded live at the legendary Astoria venue in the heart of London's Soho on 12th October 2003. Includes bone-shaking versions of Total Invasion, Seeing Red, The Fall Of Because, The Death And Resurrection Show, Kings And Queens, Empire Song, The Wait, Whiteout, Frenzy and more...

Killing Joke - Malicious Damage - Live At The Astoria

9.0 2019
Tights Worship: Inside the Practices of The Rita

The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).

Tights Worship: Inside the Practices of The Rita

NR 2019
Santtu-Matias Rouvali and Alice Sara Ott

The London Telegraph described pianist Alice Sarah Ott as the “hottest new talent in classical music”. She now makes her debut with the Berliner Philharmoniker performing Ravel’s vibrant, jazz-influenced Piano Concerto in G major. Another artist making his debut is the Finnish conductor Santtu-Matias Rouvali, who shows the music of his homeland from its most passionate side: with Jean Sibelius’s Tchaikovsky-inspired First Symphony, and music by the internationally too little known Uuno Klami.

Santtu-Matias Rouvali and Alice Sara Ott

NR 2019