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Chuck Berry: Hail! Hail! Rock 'n' Roll

St. Louis, 1986. For Chuck Berry's 60th, Keith Richards assembles a pickup band of Robert Cray, Joey Spampinato, Eric Clapton, himself and long-time Berry pianist, Johnnie Johnson. Joined on stage by Etta James, Linda Ronstadt and Julian Lennon, Berry performs his classic rock songs. His abilities as a composer, lyricist, singer, musician and entertainer are on display and, in behind-the-scenes interviews, are discussed by Bo Diddley, Little Richard, Jerry Lee Lewis, Bruce Springstein, the Everly Brothers, Roy Orbison and others. There's even a rarity for Berry—a rehearsal. Archival footage from the early 1950s and a duet with John Lennon round out this portrait of a master.

Chuck Berry: Hail! Hail! Rock 'n' Roll

7.3 1987
Kubota

A film featuring architect, sculptor, and musician Nobuo Kubota in a sound-sculpture performance. From within a cage-like structure filled with traditional musical instruments and sound-making devices fashioned from ordinary objects and toys, Kubota creates an aural/visual montage of musical notes and noises. Praised by music educators as a valuable tool for teaching creativity in sound exploration and musical innovation, the film reveals the infinite percussion possibilities of simple objects and presents a portrait of a versatile performer whose imagination has led him far beyond the confines of conventional music. Directed by Jonny Silver - 1982 | 20 min

Kubota

NR 1982
In the Shadow of the Sun

'The Shadow of the Sun' draws upon Derek Jarman’s interest with alchemical processes as a metaphor for reprocessing Super-8 film. Jarman once described film’s union of light and matter as “an alchemical conjunction” and experimented throughout his career with creating dream symbolism through the superimposition of image and action. Originally called English Apocalypse, the film’s final title is derived from a 17th Century alchemical text that used the phrase as a synonym for the philosopher’s stone – the highly sought substance that turns base metals into gold and silver. The film was intended as a step toward the idea of an ambient video, that like its musical counterpart, was designed to enhance an environment.

In the Shadow of the Sun

6.4 1981
Desperate Teenage Lovedolls

Two girls rediscover their love for playing rock, find a drummer and begin practicing. When one of their mothers intervenes, they run away from home and are forced to fend for themselves on the streets against gangs and rival bands. Soon they are discovered and taken under the wing of rock manager Johnny Tremaine (played by Steven McDonald) who uses them for sex and his own aspirations of wealth. The Love Dolls set out to get revenge on those who have wronged them, and rise to the top of the rock world.

Desperate Teenage Lovedolls

5.2 1984
The Treasurer's Wife

This television opera is based on Boris Asafiev's work "The Treasurer's Wife," which, in turn, is an opera adaptation of M.Y. Lermontov's poem "The Tambov Treasurer's Wife." The action takes place in the early 19th century in the provincial town of Tambov. The quiet, measured life of the town is disrupted by the arrival of a cavalry regiment. The old treasurer throws a ball, where he loses his entire fortune and his beautiful wife to the young cavalryman Garin in a card game.

The Treasurer's Wife

NR 1980
Good Morning, Mr. Orwell

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).

Good Morning, Mr. Orwell

8.1 1984
The Hit

Mr Jiš managed to give his first script at Barrandov. Already in the preparatory phase, he discovers with horror that the filmmakers have completely bypassed his intention - instead of a probe into the life of a contemporary village, they are preparing a spectacular musical show, which they are convinced will be a hit with the audience. The very first shots speak volumes. An elegiac arrives in the village of Lipovec and is greeted with singing and dancing by all the local officials and ordinary citizens, as this coveted expert is to help them increase their hectare yields with his progressive methods. The filming continues in a similar vein, and the newly minted screenwriter can't help but wonder...

The Hit

7.2 1981