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There's No Business...

There's No Business... is a 1994 British partially improvised comedy film directed by Kevin Molony and produced by Claudia Lloyd for Prospect Pictures. It stars Raw Sex (Simon Brint and Rowland Rivron) as Ken Bishop and his stepson Duane, and Lee Cornes as their musical agent Dickie Valentino, in their attempt to remake a track by Ken's old band, 'The Nice Twelve' for a TV advert for 'Pinkies', a brand of kitchen gloves made by Mort Clayton (Mac McDonald). Alexander Armstrong (Tim) and Sam Graham (Fergus) work for the fictional advertising agency Sprote and Sprote. The film takes its name from the 1954 film There's No Business Like Show Business which itself borrowed the 1946 song of the same name by Irving Berlin, written for the musical Annie Get Your Gun.

There's No Business...

9.0 1994
A Girl is a Girl

Trevor (Andrew McIntyre) has never had any particular difficulty in meeting beautiful women to spend time with, but his failure to find the perfect female has left him stymied. Shifting from sorority girls to sex fiends and models, Trevor remains uncomfortable with the idea of settling for just any girl. But after hitting it off with spirited punk rocker Janice (Marnie Robinson), he debates setting aside his quest for physical perfection in order to have a meaningful relationship.

A Girl is a Girl

3.7 1999
Guns N' Roses:  Live in Indiana

Setlist: 01. Everybody Knows (Intro) 02. Right Next Door To Hell 03. Mr. Brownstone 04. Bad Obsession 05. Dust N' Bones 06. Double Talkin' Jive 07. I Was Only Joking, Patience 08. Civil War 09. 14 Years 10. Live And Let Die 11. It's So Easy 12. Band Introductions, Solos 13. Godfather Theme 14. Rocket Queen 15. November Rain 16. Only Women Bleed (Intro) 17. Knockin' On Heaven's Door 18. Perfect Crime 19. Estranged 20. Bad Time, Sweet Child O'Mine 21. Welcome To The Jungle 22. Paradise City

Guns N' Roses: Live in Indiana

NR 1991
The Will Rogers Follies: A Life In Revue

The Will Rogers Follies is a musical with a book by Peter Stone, lyrics by Betty Comden and Adolph Green, and music by Cy Coleman. It focuses on the life and career of famed humorist and performer Will Rogers, using as a backdrop the Ziegfeld Follies, which he often headlined, and describes every episode in his life in the form of a big production number. The Rogers character also performs rope tricks in between scenes. The revue contains snippets of Rogers' famous homespun style of wisdom and common sense and tries to convey the personality of this quintessentially American figure whose most famous quote was "I never met a man I didn't like."

The Will Rogers Follies: A Life In Revue

NR 1993
Riverdance: The New Show

Riverdance Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, there is the sound-alike choral group Anuna, who casts a similarly New Age-style vocal spell. Also thrown into the mix are such disparate folk traditions as American gospel and Spanish flamenco. Though it's only 70 minutes long, Riverdance is repetitive by half. But judging from the ecstatic audience ovations and the continued foot-stomping during and after the curtain calls, too much is still not enough.

Riverdance: The New Show

7.1 1996
The Turtles: Happy Together

Proving that the Turtles were as vital to '60s pop as many better-known bands, this delightful 1991 documentary is blessed by the lively personalities of Turtles vocalists Mark Volman and Howard Kaylan (a.k.a. "Flo & Eddie"), whose anecdotes (including memorable encounters with Bob Dylan and the Beatles) are as entertaining as the group's enduring music. Interviews with bandmates reveal that the Turtles were genuinely "Happy Together," enjoying their popularity without the ego hassles that plague so many bands. It wasn't all fun and games, but even the "Lawsuits" chapter provides a hilarious primer on the hazards of rock & roll. Best of all, the Turtles' hits (including "She's My Girl," "Elenore," and many more) are seamlessly combined with rare concert footage, TV appearances, and promotional films.

The Turtles: Happy Together

NR 1991
Handel: Messiah the 250th Anniversary Performance

Sir Neville Marriner conducts this 250th Anniversary performance. Soloists include Sylvia McNair, Anne Sofie Van Otter. The performance is supported by an informative background film "For Ever and Ever", explaining the circumstances behind the composition and the work's early impact, featuring contributions from the popular Handel scholar Professor H.C. Robbins Land and from Sir Neville Marriner himself. Recorded in 1992, this performance of Handel's awesome "Messiah" took place on the 250th anniversary of the initial rendition of the piece. Recorded at the Point Theatre in Dublin, Ireland, this is an especially poignant rendition as it takes place in the city where it was originally performed in 1742.

Handel: Messiah the 250th Anniversary Performance

NR 1992
The Rocker: A Portrait of Phil Lynott

When Thin Lizzy frontman Phil Lynott died on 4 January 1986, he was 36 years old. His early death from a drug-related illness placed him in the same rock 'n' roll league as his idols Elvis and Jimi Hendrix. This documentary looks behind the image to reveal the strains of life in the fast lane. It also focuses on Lynott as family man, writer, and black Irishman with a Brazilian father. Includes contributions from Bono, Van Morrison, Mark Knopfler, Scott Gorham, and Lynott's wife Caroline Crowther, who speaks publicly for the first time. (Radio Times)

The Rocker: A Portrait of Phil Lynott

NR 1996
Medusa: Dare to Be Truthful

In this made for Showtime television spoof of Madonna's "Truth or Dare" documentary, comedienne Julie Brown portrays Medusa, an egocentric, hyper-sexual (and not particularly talented) pop star on an international five-day world tour, "The Blonde Leading the Blonde" show. Brown painstakingly duplicates costumes, sets and hairstyles while spoofing Madonna's seeming self-obsession. Madonna visits the cemetery where her mother is buried; Medusa visits the pet cemetery where her dog Buster is laid to rest. (Or is it "Boomer"?) Madonna performs fellatio on a bottle, at the dare of a friend; Medusa does it on a watermelon. And so on...

Medusa: Dare to Be Truthful

7.4 1991
Just Friends

Jack has a tenor saxophone and he plays jazz. In the 1950s, in the Belgian harbor town Antwerp, there is not a lot off future for a jazz musician. Jack and his band try to earn a living by playing at weddings and the odd tea party, usually resulting in mixed emotions and hilarious scenes. Most of the time, he earns a living by unloading bananas in the Antwerp docks. Jack is convinced that New York is the place to be for a jazz musician, but where will he get the money for the big trip? And what is more important: a woman or a saxophone?

Just Friends

4.5 1994