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Standing Room Only: Diana Ross

If ever there’s a moment that brilliantly and perfectly illustrates the star-power possessed by Diana Ross, it is the opening of her 1978-1979 stage show, captured on tape for this Home Box Office television special. Beginning with the star’s face projected on a large screen, mouthing the words to her #1 hit “Ain’t No Mountain High Enough,” the scene cuts to Miss Ross (draped in furs and jewels, of course) sauntering down a white, almost surreal staircase. At the bottom of the stairs – during the joyous, climactic crescendo of the song – she suddenly bursts from the screen and onto the stage, greeted by the screams and cheers of an overwhelmed audience. Those lucky enough to be at these shows literally watched a superstar come to life before their eyes; incredibly, the impact is equally great when watched on a television screen decades later.

Standing Room Only: Diana Ross

10.0 1980
Fatherland

Persona Non Grata in his homeland, protest singer Klaus Drittemann must leave East Berlin, his wife and child and emigrate to West Berlin, where the representatives of an American record company are eagerly waiting for him. They plan to exploit his defection from communism both ideologically and financially. But Klaus, as ill-at-ease in the West as he was in the East, is reluctant to be used as an expendable commodity. Leaving his contract unsigned (or signed in his manner), he leaves for Cambridge to meet his father, a concert player, who - just like him - left East Berlin thirty years ago as Klaus was a little boy. He is accompanied by a young French journalist, Emma, who knows where his father has been living since he disappeared for more than a decade. The young lady is cooperative but might hide things from him...

Fatherland

6.3 1986
Prząśniczka

A miniature film set to classical music. A cart drives down a gray city street. Behind the houses, instead of the sun, a spinning wheel emerges, from which a broken thread falls into a nearby puddle. A little girl runs down the street. Suddenly, she stumbles and falls into the puddle. Tears from the animated houses fall into the puddle. The drops of tears "revive" the thread, which transforms into a fairy-tale skein and weaves a new dress for the girl. A spinner with a spinning wheel appears and weaves colorful strands around everything. Flowers bloom in the windows of the houses, and the gray walls are covered with vivid colors. The girl, carried by the skein, soars above the houses of what is now a colorful town.

Prząśniczka

NR 1989
Beethoven: Concerto for Violin and Orchestra, Op. 61

Premiered in 1806, Beethoven’s Violin Concerto in D Major paved the way for three great violin concertos of the 19th and 20th centuries: Brahms, Tchaikovsky, and Sibelius. Extremely expressive and astonishing in it emotional scope, the work nonetheless received an ambivalent response at its premiere. Renowned for his knowledge of Beethoven’s oeuvre, the conductor Herbert von Karajan and the Berliner Philharmoniker are joined by the virtuoso violinist Anne-Sophie Mutter for a masterful performance.

Beethoven: Concerto for Violin and Orchestra, Op. 61

NR 1984
Super Guitar Trio - Live At Montreux

Super Guitar Trio brings together three legends of jazz guitar: Larry Coryell, Al Di Meola & Biréli Lagrène. These three virtuoso musicians have collaborated at various times in their career, but this concert from 1989 comes from the only tour they have done together as a trio. They perform a mixture of tracks from each of their solo repertoire plus special arrangements of some of their favorite tracks by other artists. For jazz musicians, playing at Montreux is always a highlight and the three guitarists are clearly inspired by playing together in the unique Montreux atmosphere.

Super Guitar Trio - Live At Montreux

4.2 1989
Satria Bergitar

In a neverland, King Wasit Aron organises forces to reclaim his throne that was seized by Abu Garin. The greedy Abu Garin is not satisfied, as he still wants to marry Wasit's daughter, Tirza, and get Wasit’s sacred stone. The battle between their two forces continues to go on. Then, King Wasit meets Rhoma, a wanderer who is always carrying a guitar. After the wanderer shows his power in fighting and his skill in healing the wounds of the King's daughter, Tirzah, King Wasit and his followers are successfully persuaded by Rhoma to convert to Islam.

Satria Bergitar

9.0 1984
The Conductor

A violinist in a provincial Polish orchestra, whose husband is the director of the ensemble, on a visit to the US ties up with the world- renowned symphony conductor. As it turns out he was once in love with violinist's mother. The conductor, a slightly unstable hypochondriac, returns to Poland to lead the provincial orchestra. He also tries to revive old love affair using the violinist as a surrogate of her mother. Her husband is resentful of the conductor for both personal and professional reasons.

The Conductor

6.2 1980
The Peony Pavilion

A young aristocrat is seduced by a young man who appeared to her in a dream one spring afternoon. Captive of this impossible love, the young girl is dying of melancholy. But the constancy of her love is stronger than death; she wins the pity of the judge of the underworld, manages to find her lover and come back to life. The opera "The Peony Pavilion" was composed in 1598 by the poet Tang Xianzu (1550-1617), one of the greatest playwrights of the Ming period. Of all the forms of Chinese opera that have followed one another since the 12th century, the kunqu is the one that best preserves the image of a classical art highly appreciated in educated circles for its musical, literary and gestural refinement.

The Peony Pavilion

NR 1988