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Fatherland

Persona Non Grata in his homeland, protest singer Klaus Drittemann must leave East Berlin, his wife and child and emigrate to West Berlin, where the representatives of an American record company are eagerly waiting for him. They plan to exploit his defection from communism both ideologically and financially. But Klaus, as ill-at-ease in the West as he was in the East, is reluctant to be used as an expendable commodity. Leaving his contract unsigned (or signed in his manner), he leaves for Cambridge to meet his father, a concert player, who - just like him - left East Berlin thirty years ago as Klaus was a little boy. He is accompanied by a young French journalist, Emma, who knows where his father has been living since he disappeared for more than a decade. The young lady is cooperative but might hide things from him...

Fatherland

6.3 1986
Mamonas Forever

In less than ten months, the music band Mamonas Assassinas went from being completely unknown to becoming one of the biggest phenomena in Brazilian music. Irreverent, intelligent, sarcastic and creative, the band took over Brazil and sold two million albums in just six months. Never-before-seen footage and interviews from family, friends, producers, and musicians tell the band’s story, their challenges, their rise to fame, and the tragic aeroplane accident that killed all its members in 1996.

Mamonas Forever

7.5 2009
We Were Feared

We Were Feared chronicles the rise and fall of the Cuckoo's Nest punk rock club. Hailed as the birthplace of slam-dancing, the Nest famously shared a parking lot with a cowboy bar and the mayhem that would ensue when both clubs emptied was immortalized in the Vandals' songs “The Legend of Pat Brown” and “Urban Struggle.” Featuring interviews with the people who populated the scene, archival images of gigs, and live performances by Black Flag, the Circle Jerks, & T.S.O.L.

We Were Feared

NR 2010
In Heaven There Is No Beer

The story of the Los Angeles 'Kiss or Kill' music scene (2002-2007). Fed up with the wretched Sunset Strip pay-for-play policies, 'too cool for school' trendiness of the Silverlake scene and apathetic crowds, the bands that made up Kiss or Kill forged their own scene based on great music, cheap booze, low cover, and a mid-western sense of community and friendship. At it's peak, Kiss or Kill had more than 60 bands in its roster and over 1,000 local L.A. fans. But as Kiss or Kill grew and became more popular, it fell victim to the same 'venue-isms' of other L.A. clubs and eventually became the very thing it was fighting against.

In Heaven There Is No Beer

NR 2013
Jim Jones - A Day In The Fastlife

Jim Jones gives Dipset fans an intimate, all-access pass into his life as a C.E.O. of the Diplomats and into his controversial lifestyle. From his life in the streets of Harlem forming the powerhouse crew the Diplomats, to the wild parties in the clubs, behind the scenes in the studio, and also a look into his new gig as Director of A&R at the Warner Music Group - it's all here! Includes additional appearances from T.I., Busta Rhymes, Fat Joe, Young Jeezy and the Dipset Family.

Jim Jones - A Day In The Fastlife

NR 2006
Soundstage - Chris Isaak Christmas

Taped at the Soundstage studio this September, in Chicago, Chris and his long-time band perform some of his childhood favorites such as "Mele Kalikimaka" and "Rudolph the Red-Nosed Reindeer" in addition to classic holiday standards ranging from "White Christmas" to "Chestnuts." Isaak also includes some holiday originals such as "Washington Square" and "Hey Santa." Other songs performed are "Have Yourself a Merry Little Christmas," "Blue Christmas," "Let it Snow" and "I'll Be Home for Christmas" to name a few. Joining Chris on a number of duets will be Michael Buble, Brian McKnight, and Stevie Nicks.

Soundstage - Chris Isaak Christmas

NR 2004
The Best of the Blues Brothers

Writer Tom Davis hosts a Blues Brothers retrospective that tells the whole truth about the legendary band's early days and righteous ways. The Blues Brothers were an unforgettable part of Saturday Night Live's golden era, making their musical debut in bee costumes singing "I'm a King Bee," and becoming an overnight sensation. Switching to hats and shades inspired by John Lee Hooker, they combined classic Chicago Blues with Stax-Volt R&B to create a sound all their own. Their first album, Briefcase Full of Blues, went double-platinum and led quickly to their hit movie and milestone soundtrack album. The rest is history, and it's all here in a music-filled, memory-blasting account of a band that will always be on a mission from God.

The Best of the Blues Brothers

6.4 1993
Som, Amor e Curtição

Zezé is an eight-year-old boy who lives with his grandmother and suffers the drama of not having known his father. Amanda, Zezé's mother, is a beautiful but disillusioned young woman. She tells her son that his father is constantly traveling, trying to hide her own pain. Father's Day arrives and, at school, the teacher is preparing a party. Zezé, humiliated in front of his classmates, promises that he will bring his father on the day of the celebration. Zezé begs his grandmother to show him at least one photograph of his father. The old woman mistakenly gives him a photo of the singer Tony Marques, her daughter's former boyfriend. Zezé sets off to find her supposed father and ends up getting disastrously involved in the singer's life.

Som, Amor e Curtição

8.0 1972
Primorsky Boulevard

The events of the movie take place in the city of Odesa. A guy named Sasha sees a beautiful girl on the street and, following her, inadvertently causes a car crash. The driver of the car turns out to be none other than this girl's father, who is also a screenplay writer currently experiencing a writer's block. Instead of demanding money from Sasha for repairs to his vehicle, the writer makes Sasha tell him all the details of his new relationship with the girl he saw on the street, not knowing that this girl (Lena) is his own daughter. To make things more complex, Lena has a younger sister Dasha who begins to like Sasha.

Primorsky Boulevard

6.9 1988
Multishow ao Vivo: Ivete no Maracanã

This Ivete Sangalo concert at Rio de Janeiro's legendary Maracanã Stadium, and the subsequent DVD/CD releases, constituted the year's main event in Brazilian pop music. Sangalo rose to fame with the axé band Banda Eva, and since 1999 has embarked on an unstoppable solo career, making her the undisputed queen of pop in Brazil in terms of sales and popularity, as well as gathering countless industry and society awards. Accordingly, Sangalo put on a show at the Maracanã that should leave no one envious of the megaconcerts offered in Rio by Madonna, Michael Jackson, and the Rolling Stones. Alternating some of her many hits with new songs or new versions of old material, Sangalo burns through the set with her characteristic enthusiasm and infectious star magnetism, incessantly cheered on by an adoring audience of 55,000. The album has sold over 800,000 copies in Brazil (being certified Diamond), and features the single "Deixo". Recorded on December 16, 2006.

Multishow ao Vivo: Ivete no Maracanã

9.0 2007