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The Afternoon of a Faun

At the Nureyev Festival at the London Coliseum in July 1983, Rudolf Nureyev danced the faun as part of a Homage to Diaghilev in a mixed bill of ballets. Then, in the late 1980s, dance notation specialists Ann Hutchinson Guest and Claudia Jeschke reconstructed the ballet from Nijinsky's own notebooks, his dance notation, and the photographs of the dancers that Baron Adolph de Meyer produced shortly after the original performance of the ballet. This reconstructed version is often presented alongside Nijinsky's other works or repertoire from the Ballets Russes.

The Afternoon of a Faun

NR 1981
Career Girl

Joan Terry, from Kansas City, comes to New York to get a job on the stage. But until she finds an opportunity, she stays at a boarding house where other talent is also waiting. To get a better chance, the people there decide to build a talent pool, where the person with the most chances for a job gets the full support, trying to get jobs for the others there too - and Joan is chosen to do that. But this is not so easy when her fiance is trying to keep her away from the stage...

Career Girl

5.0 1944
San Antonio Rose

San Antonio Rose is an amiably wacky mini-musical evenly divided between its "official" stars, The Merry Macs, and a strong cast of supporting clowns. Robert Paige plays roadhouse operator Con Conway, whose establishment is in danger of being squeezed out by its competition. Stranded entertainers Hope Holloway (Jane Frazee) and Gabby Trent (Eve Arden) decide to revivify Conway's establishment by staging an energetic floor show built around the talented Merry Macs. A rival club owner dispatches his two top hooligans Jigsaw Kennedy (Lon Chaney Jr.) and Benny the Bounce (Shemp Howard) to wreck Conway's club by posing as waiters, but the two stupes are easily cowed into submission--by the leading ladies!

San Antonio Rose

7.0 1941
Grateful Dead Meet-Up At The Movies 2023

A year after Brent Mydland's passing, the Grateful Dead returned to the summer stadium circuit, playing Chicago's Soldier Field for the first time, with two keyboard players filling the seat Brent left vacant. Bruce Hornsby and Vince Welnick’s presence and musical contributions reinvigorated and revitalized the Grateful Dead, and the inspiration of the Dead's playing was palpable. On a Saturday night in front of 60,000 fans, the Dead played what is often considered one of the greatest shows of the Bruce-Vince era, up there with the second Giants Stadium show from a few days earlier. The Soldier field show was filled with favorites, including “Shakedown Street,”“Brown-Eyed Women,” “Playing In The Band,” “Terrapin Station,” and “Dark Star.” From the original six-camera video feed that appeared on the stadium's big screens and the pristine soundboard audio, Chicago 6/22/91 is an incredible performance start-to-finish.

Grateful Dead Meet-Up At The Movies 2023

6.0 2023
Rollermania: Britain's Biggest Boy Band

In 1975, The Bay City Rollers were on the brink of global superstardom. The most successful chart act in the UK with a unique look and sound were about to become the biggest thing since the Beatles. Featuring interviews with Les McKeown and other members of the classic Bay City Roller line-up, and using previously unseen footage shot by members of the band and its entourage, this is the tale of five lads from Edinburgh who became the world's first international teen idols and turned the whole world tartan.

Rollermania: Britain's Biggest Boy Band

NR 2015
Half Serious, Half Kidding

Marc with a C is the stage name of Orlando indie/DIY singer-songwriter Marc Sirdoreus and was formally a persona enacted on stage for over 20 years. This documentary covers their career using only filmed stage performances, interviews, and other video and audio releases published online by Marc or their audience. Made from a myriad of videos with view counts ranging from 15 to 30k, it chronicles their attempts to use music and lyrics to connect to and understand others, as well as their relationship to attention and performance as social media swallows up small artists to turn art into content.

Half Serious, Half Kidding

NR 2023
Steve Hackett: Live Legends

Steve Hackett's reputation was founded on his outstanding guitar playing with Genesis covering much of the 1970s and encompassing Nursery Cryme through to Seconds Out. Having left the band in 1977, Steve built on the success of his earlier solo outing Voyage Of The Acolyte with a series of critically acclaimed albums that spawned a large worldwide following. Here we present Steve live in concert in Nottingham filmed in 1990 performing a selection of his best known solo work. FEATURING • Camino Royale • Please Don't Touch • Everyday • In That Quiet Earth • Depth Charge •In The Heart Of The City • Horizons • Theatre Of Sleep • Jazz Jam • Clocks

Steve Hackett: Live Legends

NR 2004
Dancing Feet

Peyton Wells (Ben Lyon) rescues Judy Jones (Joan Marsh) from a very dull young man, at a sedate party given for her by her multi-millionaire grandfather Silas P. Jones (Purnell Pratt.) Judy refuses to accompany Peyton on a slumming trip to a cheap dance hall, and Peyton dances with several of the dowagers and tells them that Silas is practically dying of scarlet fever. The guests hastily depart and Joan joins Peyton at the Dreamland Dance Hall. She is mistaken by Jimmy Cassidy (Edward J. Nugent) as one of the hostesses and decides to dance with him as a lark. One thing follows another and Judy gets disinherited and takes a job at the dance hall through Jimmy and his friend Mabel(Isabel Jewell.) Jimmy confides to Judy his ambition to become a dance instructor over the radio and Judy decides to help him but can't get the needed financial backing. She gets Peyton to front the money, promising him she will reconsider his offer of marriage if Jimmy's plan fails.

Dancing Feet

6.0 1936
Fillmore

Legendary rock impresario Bill Graham closed the Fillmore West in early summer 1971 with five nights of all-star concerts, the last curtain going down on July 4. The storied San Francisco venue had become an institution, an integral part of the West Coast music scene of the '60s and, now, an essential element of the mythology of rock 'n' roll. Always the showman, Graham made sure the Fillmore West was sent off in a blaze of glory, spotlighting bands - including the Grateful Dead and Santana-that rose to fame at the hall. The madness leading up to the shows and the concerts themselves were filmed for FILLMORE: THE LAST DAYS, a gritty, behind-the-scenes look at a fascinating moment in rock history and a showcase for great performances by iconic artists who epitomized 'the San Francisco Sound.' Originally released in 1972 and long out-of-print, the documentary film makes its DVD debut with Rhino's landmark reissue.

Fillmore

7.0 1972