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Powderfinger One Night Lonely

Powderfinger Regroups For 'One Night Lonely' 7.00PM AEST, Saturday 23 May 2020. After a decade long hiatus, iconic Australian band #Powderfinger is tuning up and preparing to bring a little happiness to fans during these challenging days. The title signifies the one off nature of this event and points towards the very important charities the band are supporting, Beyond Blue and Support Act. With millions of album sales in Australia alone, Powderfinger continue to captivate millions of listeners every month across streaming services and radio. In April 2010 Powderfinger announced they were calling it a day. The band embarked on their Sunsets Farewell Tour, playing to over 300 000 people along the way, and on 13 November 2010 they played their last gig, until now… One Night Lonely is presented by Secret Sounds, Universal Music Australia, YouTube and supports Beyond Blue and Support Act.

Powderfinger One Night Lonely

NR 2020
Le Postillon de Lonjumeau

Adolphe Adam’s Le Postillon de Lonjumeau was a great success at its premiere in 1836, and, along with the ballet Giselle, has remained one of the composer’s most popular works. Following the great French tradition, this opéra-comique has it all: 18th-century Rococo Parisian glamour and a perilous love story involving the dashing and flirtatious Chapelou and his opposite, the powerful and clever Madeleine. This lavish and spectacular production from the Opéra Comique in Paris received widespread critical acclaim and also features costumes by the iconic French fashion designer Christian Lacroix.

Le Postillon de Lonjumeau

NR 2020
Don't Rush

Three young men, two brothers and their cousin, meet on a dense summer night to feel the "high" of a dozen "Hasiklidika" songs, Rebetiko songs from the beginning of the 20th century which celebrate the effects of Hashish. But beyond the pleasures of drugs, it is here question of love, joy and sadness, search for freedom and political commitment - Little by little yesterday's counter-culture, made out of poverty and violence, and built on the pains of exile, reverberates the one of today.

Don't Rush

NR 2020
The Black Dahlia Murder: Yule em All!

Detroit's Kings of the Underworld, The Black Dahlia Murder, present their "Yule 'Em All: A Holiday Variety Extravaganza" program hosted by Neil Hamburger (Comedian, Actor). This feel-good metal holiday special contains live performances of 16 beloved tracks from the band's extensive catalog, original comedy skits featuring band members, and a special appearance by George "Corpsegrinder" Fisher (Cannibal Corpse)! Raise your glass of eggnog and prepare to toast to the season's finest offering of Yuletide joy and laughter.

The Black Dahlia Murder: Yule em All!

NR 2020
Travis Scott - Franchise (The IMAX Experience)

Following his work with Christopher Nolan on the IMAX release of Tenet and his featured song “The Plan,” Travis Scott and IMAX have teamed up to deliver fans a new way to experience his music. Optimized for IMAX theatres, fans will experience “Franchise” with powerful precision sound and the highest quality crystal-clear imagery on the biggest screens. Only IMAX’s unique theatre geometry will immerse audiences into Travis Scott’s vision with an audio-visual experience unlike any other. Witness “Franchise” first, only in IMAX.

Travis Scott - Franchise (The IMAX Experience)

NR 2020
Makina!

In the North East of England there is a strange and hyper localised genre you have in all likelihood never heard of. It’s called Makina. Emerging in the late nineties it fused European hard dance genres and became the instrumental backing to a generation of MCs who used it to talk about the intimate details of their lives, whilst hyping crowds at 180bpm. It's the sound that builds community and exorcises demons. The sound that embraces difference and channels sensitivity. It's the sound of loss, deprivation and joy. It's tradition, identity, folksong; it's the sound of the North East.

Makina!

NR 2020
Richard Wagner: Lohengrin

What are heroes made of and why do our societies need them so badly? At the Staatsoper Stuttgart, stage director Árpád Schilling tries to answer this mythological, political and existential question, lying at the core of Richard Wagners Lohengrin. A wonder! A miracle!, the men and women of Brabant agreed when, against all expectations, someone stood up for Elsa and invalidated the allegations made by the plaintiff Telramund. And yet he does the most normal thing in the world: to help a person in distress. So why is there a need for this savior, surrounded by the aura of mystery, whose name and origin even his new wife Elsa cannot ask? Why does the collective body abdicates its moral and political responsibilities and surrenders them to a single individual? And when does the providential man stops being a savior and becomes a threat?

Richard Wagner: Lohengrin

NR 2020
Tennis - Live: In The Void

Best Quarantine Performances of 2020 from Vulture — "Live from the Void: Colorado indie band Tennis. The four-piece fully entered the digisphere with their quarantine livestream shows, launched in October. A shift from their usual dreamy ‘70s aesthetic, the band jumped forward to the ‘90s, performing against a changing background reminiscent of screensavers on old PCs and Y2K text. Alaina Moore, playing alongside husband Patrick Riley, shimmies and sways as they dig into their vast discography, including many tracks from their latest album Swimmer, released in February right before quarantine. But they don’t just rely on aesthetics. They also delivered a top-notch performance of single “How to Forgive,” showcasing the control and capacity of Moore’s voice. The group also pulled fans into the void with them by creating an immersive Instagram filter that included the colorful changing background seen in their set." - Gabrielle Sanchez, Vulture

Tennis - Live: In The Void

NR 2020
Beethoven: Piano Concerto No. 4 & Bruckner: Symphony No. 7 - Emanuel Ax, Wiener Philharmoniker, Bernard Haitink

After 65 years at the rostrum, Bernard Haitink is making his departure from the concert stage at the age of 90. In his farewell concert at the Salzburg Festival, featuring the Vienna Philharmonic and pianist Emanuel Ax, the maestro conducts two tragical-lyrical works that mark the zenith of the respective composers’ creative powers - Beethoven’s Piano Concerto No. 4 and Anton Bruckner’s Symphony No. 7. The Dutch conductor was to enchant his audience, orchestra and apparently also himself in his final performance of the work.

Beethoven: Piano Concerto No. 4 & Bruckner: Symphony No. 7 - Emanuel Ax, Wiener Philharmoniker, Bernard Haitink

NR 2020
Sol Posto

Composed of unpublished versions of the band's repertoire, Sol Posto integrates three performances recorded live and exclusively for the film. The performances take place at three different times of the day: twilight, night and dawn. As in recent daily life, the film faces the idea of a period of reflection instead of action, and suspension instead of completion. The hours of Sol Posto are the stage of rest, seclusion, dreams and plans, darkness, waiting and the unknown. If, on the one hand, it wants to evoke the most credible aspects of a concert experience, it also becomes an opportunity to break the physical barrier of the traditional stage/audience, bringing the spectacle closer to the spectator, bringing it into the stage and placing it at a distance of complicity with the musicians. The sound and image were recorded live, during a week in September 2020, in Melides.

Sol Posto

NR 2020