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Eric flies to Saint-Pierre, Martinique for a research symposium where he planned to meet Anna. Instead, Chilean student Alejandro welcomes him.

1907. Magnifica, young Costa Rican harpist, is preparing for her concert at the Royal Conservatory of Brussels where she studies with her fiancé. Inspired by the life of Pacifica Zelaya.

Inexpensive, expressive, nomadic, the guitar almost merges with the body of its musician to turn into a formidable weapon of protest. Brandished, swung, even burned, she carries the voice of the fight against oppression. From Woody Guthrie to Jimi Hendrix via Bob Dylan, the fascinating story of the musical rebellion is told here through the story of his sword. Blues, punk rock, rock'n'roll,... All genres are in the spotlight to tell the tumultuous epic, intimately linked to the history of American protest, of the most played instrument in the world. A poignant and moving documentary in the testimonies of its icons and most faithful servants: Wayne Kramer (MC5), Keziah Jones, Lee Ranaldo (Sonic Youth), Judy Collins and Clementine Creevy (Cherry Glazerr).

Parcels live show at We Love Green festival, France 2025

Never before has Hip Hop Symphonique offered such an extensive program: no less than 14 rappers and the musicians of the Orchestre Philharmonique de Radio France and 10 musicians from the live band The Ice Kream perform on the Auditorium stage in front of an audience of 1,200. This new edition features a unique artistic encounter between the beatbox group Berywam, the Orchestre Philharmonique de Radio France and The Ice Kream, the presence of dancers, a prima ballerina, a gospel choir and the exceptional participation of Jean-Pascal Zadi.

This spectacular opera film was taped in 1967 and is based on the 1966 Salzburg Festival production directed by Herbert von Karajan himself, who also conducts the fabulous Vienna Philharmonic Orchestra. The production features the three greatest exponents of their respective roles at the time: Grace Bumbry’s magnificently seductive-toned Carmen, Mirella Freni’s ineffably lovely, touching Micaëla and Jon Vickers’s thrillingly manic-depressive Don José. On its release the film was hailed by Die Presse, (Vienna) as a “unique artistic event”, while Le Monde felt that Karajan’s production brought “a whole new dimension” to the opera, “combined with a magisterial interpretation”. A classical and utterly dramatic approach to probably the world's most beloved opera – Karajan’s Carmen is as much a delicacy for opera fans as it is a perfect starter for newcomers.

After graduating from high school, Julien left his hometown to build a bigger life in the capital, leaving his memories behind. And then one day, he had to come back, and that day his memories jumped out at him from between two packets of Pépito cookies.

An experimental music ensemble is recording an album. They want a very specific sound: the sound of thick air. The sound engineer struggles to understand and to find that sound. A tale of sleepless nights and loud music, a noise-injected collage composed of diaristic footage, a found narrative (memories of a popular 60s band), original music and field recordings.

Dead city. Foggy night. A saxophone is playing. Lust is lurking.

Accompanied by his band and special guest Matthieu Chedid, alias -M-, Patrick Watson captivates La Gaîté Lyrique. A concert that combines the haunting, ethereal melodies of the Quebec folk singer with the incisive, rock “n” roll guitar of the Frenchman.

One of the most important figures in contemporary cinema, Pedro Costa's celebrated music documentary is a mesmerizing portrait of French actress-turned-singer Jeanne Balibar, a transfixing, cigarette-smoking chanteuse with an intense devotion to her craft. Photographed in shimmering black-and-white and featuring a soundtrack of jazz-inflected pop songs, the film is a luminous exploration of the creative process.

Since 2013, the Casual Gabberz collective has been storming dancefloors and the stages of the biggest festivals with its gabber surge, that hardcore techno sound born in Holland in the 90s. Until a virus causes the planet to go haywire. And triggered an existential crisis within the collective.

Perrault's fairy tale presented in claymation with choral voices. Bluebeard goes courting, all six of his wives having died. He arrives at the house of a widow with two daughters. He's greatly feared, but he overcomes objections with a generous dowry. One sister (Anne) refuses him; the other accepts. At his castle, the damsel delights in precious minutes away from Bluebeard in the rose garden. The Saracens declare war; Bluebeard goes off to fight them, leaving the keys to the castle in the damsel's hands. He warns her not to enter the forbidden room. As war rages, she discovers riches in the castle and then enters the forbidden room. Will Bluebeard discover her act? Can she escape death?

A couple dances a choreography by Angelin Preljocaj.

In this film we pay tribute to one of the most gripping rags to riches stories ever told. Whitney Elizabeth Houston first showed the vocal range and star quality that would soon make her a legend in music.

The leading coach the company of Jean Nohain make a program fails in a small village. The people immobilize the troops to force him to do the show there.

Two atypical characters, one red and one blue, try to communicate. Were it not for Alain's shyness and Rosalba uncontrollable body behaviour whenever she hears a song, a love story could happen. But between the ebbs and flows there is a tiny space. In this major work, Le Quellec entertains and moves us and we feel like saying: the secret is in the pin!

In the spring of 1789, France is devastated by famine. The French people begin to rise in unrest against the ruling French king Louis XVI. Ronan, a young peasant, leads a revolt marching to Paris, where he encounters Olympe, an assistant governess of the children of Marie Antoinette of Austria. The two fall in love during the tumultuous stirrings of the French Revolution, their romance playing out amid encounters with major Revolutionary figures such as Georges Jacques Danton, Maximilien de Robespierre and Camille Desmoulins. After they are separated, Ronan and Olympe find each other again on 14 July 1789 in the course of the assault on the Bastille prison— an encounter that seals their destiny even as a new era begins.

Raphaëlle, a young twenty-year-old pianist, is hired to take care of an isolated house for a summer. In the midst of a crisis of legitimacy and reflection on her life choices, she seizes this opportunity to escape. However, she is forced to share the premises with Arthur who, following an accident, cannot take care of the house alone during the absence of his brother Gus. He is a forty-year-old of few words who spends his days repainting the walls of the house and moving furniture in clumsy and senseless ways.

The father sets the tone, the son takes the solo. In Lausanne, two stars come together on stage who just happen to be from the same family. Jean-Jacques Kantorow, who conducts the Orchestre de Chambre de Lausanne, opens the evening with Camille Saint-Saëns's Symphony n° 2. Alexandre Kantorow then joins him to perform Johannes Brahms's Piano Concerto No. 2.

In front of a portico, a music teacher teaches music theory to a group of young women, including Julienne Mathieu. A piano stands on the right side. A staff is drawn at the top of the portico. The four singers have extendable necks, and their heads, as they elongate, form notes. Beneath the heads, thus detached from their bodies, and against a black background, white cut-out paper figures come to life. Then the heads return to the women's shoulders. From a white ball placed in the middle of the painting, eggs emerge and are placed on the staff. Then stick figures also emerge, forming the stems of the notes. Finally, stick figures come to life. This scene is repeated three times with different animations.

Alex, whose singing career can't manage to succeed, accepts a strange job : to make a pensionner choir sing nursery rhymes. She finds out a bunch of out of control old people who dream of singing rock and roll music ! Her mission will be more complicated than expected...

The guitar as virile attribute. Grab my neck and hold on tight.

Théodore, a strange and shy parisian man, discovers a song with supernatural power. An old jazz classic from the 1920s which will be make instantaneously make two people love each other. He has to find this song to seduce Amandine, the love of his life. His investigation leads him to New York City, where he meets a community of young jazzmen.

Written around Pomme’s album Saisons, this show is a sensitive journey, addressed to children and to adults who haven’t fully grown. Four dancers embody the four ages of a single character, moving through the seasons as one moves through life. Carried by a string quartet, the music becomes an inner landscape. The character transforms, searches, multiplies—as if trying to piece together fragments of themselves to rediscover a circle, a sense of wholeness, season after season.

Françoise Hardy is one of the rare artists who keeps an intact aura and arouses such a fascination throughout her career with all generations. Her androgynous figure, her exceptional photogeny and her hieratic allure have inspired photographers and fashion designers alike and seduced the greatest rock stars such as David Bowie and Mick Jagger. This documentary film, rich in archives, skillfully mixes songs and confidences. It takes us on a fascinating journey through time, from the yéyé period to today, and into the artist's feelings.

The Orchestre National de France with conductor Cristian Măcelaru and cellist Sol Gabetta perform a Franco-Russian programme at the Philharmonie de Paris concert hall. Programme: Gabriel Fauré – "Dolly" Suite op. 56 (orchestration Henri Rabaud) Camille Saint-Saëns – Cello Concerto n° 2 Camille Saint-Saëns – Cello Concerto n° 1 Alexander Scriabin – The Poem of Ecstasy

The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.

Deep in Hellfest, gigantic metal festival, music gradually takes possession of metalheads.

La Voix Humaine is a concerto for soprano and orchestra, centering on the break-up of a relationship by telephone. It represents one side of a conversation between a young woman (sung by American soprano, Julia Migenes) and her lover, who has jilted her. In a 1930s, Parisian apartment, a woman is seen making for the door. As she passes the telephone, it rings. From now on she sings, sitting, standing, on her knees, pacing up and down the room, pulling at the telephone cord, going through every emotion until ultimately, in despair, she takes her own life. Jean Cocteau wrote, it is not just that the telephone is sometimes more dangerous than the revolver but that its tangled cord drains us of our strength, while giving us nothing in return.

The story begins in the basement of a worn-out blues bar in Louisiana in the 1980s. A few regular customers are having a drink. A guitarist gets on stage and everybody comments on the newcomer. The guitarist draws the attention of the audience by tapping the microphone. He introduces himself. He will tell them the true story of Blind Boogie Jones.

Mamo, an old and legendary Kurdish musician living in Iran, plans to give one final concert in Iraqi Kurdistan. After seven months of trying to get a permit and rounding up his ten sons, he sets out for the long and troublesome journey in a derelict bus, denying a recurring vision of his own death at half moon. Halfway the party halts at a small village to pick up female singer Hesho, which will only add to the difficulty of the undertaking, as it is forbidden for Iranian women to sing in public, let alone in the company of men. But Mamo is determined to carry through, if not for the gullible antics of the bus driver.

"Viens voir le paysage" is based on the recording of a show during the tour of the Heptade in 1977. This unique film, of a rare intensity, is a living painting augmented with image treatments superimposed on the images of the time. This creation remains the only video recording of the group Harmonium on stage playing the integral of L'Heptade recently discovered and accompanied by a new audio mix in 5.1. You will also find on the DVD the unpublished song "C'est dans le noir". This piece, which had never been recorded in the studio, served as a presentation to the show of The Heptade on stage.

The recording of Antonio Vivaldi's first opera from Teatro La Fenice, conducted by Diego Fasolis

For the first time in 14 years, experience Daft Punk like never before! The first professionally recorded live show; revived meticulously by remastering and restoring the audio and video. The Alive 2007 show is considered a staple in live performances featuring the signature 'Pyramid' and groundbreaking visuals, which is now complemented by a fully remastered audio track which aims to maximize the experience. This video was subjected to an extensive restoration process. Initially it went through Topaz Video Enhance AI, afterwards it was extensively processed through Davinci Resolve. The total render time is estimated to be 65 hours. Presenting the ultimate authentic Daft Punk experience.

A musical fresco retracing the lives of singers of the 60s. Killi-Watch and Surprise-partie retrace the musical epic of the variety singers of the 60s. Music hall show with playback.

On the occasion of his 80th birthday, we look back in pictures at the unusual and flamboyant career of the prodigy from Liverpool.