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Avi Avital and his Mandolin

"I didn't look for the mandolin: it found me." By chance, as a child, Avi Avital discovered a passion for this modest stringed instrument, traditionally associated with popular music and amateur performances. His first teacher, a violinist by profession, inspired him to defy the limits of genre and learn to play classical music. The Israeli musician has now become the mandolin's greatest ambassador, performing sensitive arrangements of baroque pieces the world over.

Avi Avital and his Mandolin

NR 2023
Kaiserschmarrn

Alex Gaul is convinced that he will soon make it big as an actor. Until then, he'll just have to continue playing the porn stud. His seriously ill grandmother's last wish to see him on television forces him to do something quickly. his resemblance to Zacharias Zucker, whom his grandmother adores, gives Alex a daring idea: he could swap places with the home movie star? but the bitchy Zucker can only be convinced by a skillful knockout blow. The problems for Alex are only just beginning. He has to protect his cover with increasingly absurd and daring actions and at the same time prevent the charming hotel employee Yve from mistaking him, Alex, for Zucker, making her unattainable for Alex. But soon even Alex no longer knows whether he is him or Zucker.

Kaiserschmarrn

NR 2013
Evil-E – Eva Ries and the Wu-Tang Clan

Eva Ries – alias Evil-E – was for many years the marketing manager of the Wu-Tang Clan. A woman from the Baden provinces who held her own in the male-dominated world of US hip-hop and became a key figure in a global cultural phenomenon. The documentary tells the story of an unusual career between metal, grunge, and rap, of family dynamics, chaos on tour, and cultural misunderstandings – but also of loyalty, empowerment, and the question of how a woman can claim her place in a world full of alpha males.

Evil-E – Eva Ries and the Wu-Tang Clan

7.0 2025
What Remains: Die Toten Hosen – The Last Album

In "What Remains: Die Toten Hosen – The Last Album", director Eric Friedler exclusively follows the iconic rock band over the course of two years as they create their final studio album. Never before has the band allowed themselves to be observed so intimately in the studio. The film crew also goes behind the scenes of a European tour that the band scheduled in between their studio sessions. The result is a moving tribute to a band that has written German music history and continues to inspire generations to this day.

What Remains: Die Toten Hosen – The Last Album

7.2 2026
Bob Mould Band: Rolling Stone Beach

Bob Mould, once frontman of Hüsker Dü and Sugar, has shaped guitar rock like no other. At Rolling Stone Beach 2025, he shows that energy and emotion complement each other perfectly – powerful, honest, timeless. Bob Mould is a legend of US indie rock. He already wrote music history with Hüsker Dü, later with Sugar and as a solo artist. His songs combine loud rock and sensitivity. At Rolling Stone Beach 2025, he shows that great emotions can also be transported through distorted guitars. Together with his band, Mould plays classics and new pieces with the same intensity that has distinguished him for decades.

Bob Mould Band: Rolling Stone Beach

NR 2025
Eddie Cochran at Town Hall Party

Town Hall Party was California's largest country music barn dance, and it ran from early 1952 until early 1961. The show was broadcast every Saturday night from a theater made up to look like an old barn, in the Compton suburb of Los Angeles. The guest list was a "who's who" of country, rockabilly, and rock 'n roll. Here's incredibly rare footage of Eddie Cochran filmed Feb. 7th, 1959. This DVD includes a rare interview with Cochran, and he performs C'mon Everybody, Have I Told You Lately That I Love You, Don't Blame It on Me, Summertime Blues, School Days, Be Honest with Me, Money Honey and others.

Eddie Cochran at Town Hall Party

NR 2019
Ur-Musig

This movie is about traditional swiss folkmusic has a lot more to offer than only folklore. "UR-Musig" is about the work and life of mountain peasants in the midst of archaic mountain landscapes. It is about traditional swiss architecture and interior decorations, about peoples and their garbs. There are not many dialogs and no narrator. The pictures speak for themselves. The Swiss Prealps are shown in all four seasons and in all thinkable weathers which make every landscape shot more breathtaking than the other.

Ur-Musig

10.0 1993
The Night in Venice

The marriage of the celebrated operetta diva Vilma and the chamber singer Peter has come to an end. Peter, however, is intent on winning back his now ex-wife. So he’s come up with the idea of a guest performance in Venice, where the two will both appear. Vilma, however, has already found a new man – Niki. He’s a salesman and she wants to marry him. With the help of Annemarie, a friend, who has won a trip to Venice, Peter succeeds in diverting Niki, for he falls in love with Annemarie. Now the way is free for Peter to win back the ex-wife, who couldn’t care if he lived in a hole six feet underground.

The Night in Venice

7.5 1942
Europakonzert 2016 from Røros

The Europakonzert has brought the Berliner Philharmoniker to almost every major European city. In 2016, the orchestra chose a somewhat more remote location: Røros - a small, but beautiful town in Mid-Norway that was named a UNESCO World Heritage Site in 1980. They played in the town‘s beautiful church. The orchestra and Sir Simon Rattle were joined by Norwegian violinist Vilde Frang - making for a truly Nordic concert. The program includes Grieg: Evening in the mountains, Mendelssohn: Violin Concert in E minor, Bjarne Brustad: Veslefrikk, and Beethoven: Symphony No. 3.

Europakonzert 2016 from Røros

NR 2016
what I wanted to sing you

Herman van Veen ist der absolute Inbegriff des Liedermachers. Bezaubernde, nachdenkliche, traurige, wahre und fantasievolle Geschichten erzählt der 56-jährige Musiker, Sänger, Songschreiber und Schauspieler aus Utrecht. Herman van Veen ist aber auch Poet und Clown -- und das macht aus jedem seiner Konzerte etwas Besonderes und ebenso aus jedem seiner Alben. Denn Herman van Veen singt nicht nur seine Lieder, er lebt und atmet sie. Was ich dir singen wollte handelt in erster Linie von der Liebe. Fazit: Ein Herman van Veen wie immer -- ein sensibler Poet, voller Menschlichkeit und Mitgefühl, eingebettet in ebenso einfühlsame, zarte aber durchaus auch lebensprühende Musik.

what I wanted to sing you

NR 2002
Kurzer Prozeß

District Inspector Pokorny was transferred some time ago from Vienna to the fictional Upper Austrian town of Mühlstadt after assaulting a suspect while on duty. There, as he says, he has to deal with "idiotic scoundrels who steal each other's chickens." Police officer Janisch was given a quick trial and sentenced to seven years in prison for robbing the post office in Litzelsdorf. His colleagues do not believe he is capable of such a crime and try to catch the real perpetrators. At the same time, they have to deal with a multitude of other cases.

Kurzer Prozeß

6.7 1967
John Adams: Nixon in China

Besides the landing on the moon by the Apollo 11 mission in 1969, Richard Nixon’s meeting with China’s leader Mao Zedong in February 1972 then represented one of the biggest media spectacles in history. Nixon himself established the reference between the two events: “We came in peace for all mankind” not only marked the lunar module Eagle’s landing spot – Nixon also spoke of it into the microphones just before his departure to China. It was not John Adam’s aim to create a superficial or even a caricaturing representation of Nixon’s visit when composing his opera. He attempted to create a “heroic opera” about the construction of modern myths by using archetypical characters and situations. Director Marco Štorman stages Adams’ minimal music opera as a deconstruction review about the power of images, the politics of staging and the staging of politics.

John Adams: Nixon in China

10.0 2019
Karajan: New Year's Eve Concert

Karajan had been appointed music director for life of the Berlin Philharmonic in 1955, and soon the orchestra mastered the entire palette of Karajan's subtly defined phrasings, moods and orchestral colors. At home in the majesty of Bruckner or the raw power of Beethoven, the orchestra was also able to "let go" with Suppé or a Lisztian Hungarian Rhapsody, as the recording illustrates. For the 1978 New Year's Eve concert with the Berlin Philharmonic, Karajan put together a program of exclusively popular classical works, pieces that would guarantee a bubbly good time. Following Verdi's Overture to "La forza del destino" are the two major works of the program, Bizet's Arlésienne Suite No. 2 and Liszt's Hungarian Rhapsody No. 2. The Hungarian March, or "Rákóczy March," from Berlioz's "La damnation de Faust" never fails to rouse listeners with its instrumentation. The program closes with the Intermezzo from Mascagni's "L'amico Fritz" and the popular Overture to "Leichte Kavallerie" by Suppé.

Karajan: New Year's Eve Concert

10.0 1978