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Pierrot Lunaire

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”

Pierrot Lunaire

5.3 2014
An Entirely MAD! Conversation With Rob Brydon & Sparks

In celebration of the release of Sparks’ 28th album, ‘MAD!’, Ron and Russell Mael will join actor, presenter and comedian Rob Brydon for an in-person evening that promises to be insightful and illuminating, containing fresh perspectives on a career that has spanned in excess of five decades. “I still have the cassette of Propaganda, a present on my ninth birthday. Since then Sparks have held a very special place in my heart. They are the epitome of creativity and musicality. I am so looking forward to meeting them and having a MAD! discussion.” - Rob Brydon. “As we’ve never had the honor of meeting British Royalty, we are extremely excited to be in discussion with Rob Brydon, MBE and, incidentally, one of the funniest people alive.” - Ron Mael and Russell Mael.

An Entirely MAD! Conversation With Rob Brydon & Sparks

NR 2025
Pank : Origins of Punk Music in Chile

In a time of curfew, no freedom of expression and an official culture that fostered simpleton and absurd pop, young people in various places in Chile caused a spontaneous cry of disgust to germinate. The protest music against the dictatorship was monopolized by the Canto Nuevo groups until punk broke out. With interviews with members of Fiskales ad-hok, Dadá, Pinochet Boys and Políticos Muertos, among others, Pank responds to the need to recreate an aspect of our recent history, whose precariousness and effervescence prevented it from being documented at the time.

Pank : Origins of Punk Music in Chile

NR 2010
Chasing a Rainbow: The Life of Josephine Baker

The story of Josephine Baker takes us on a fascinating tour of 20th-century race relations on both sides of the Atlantic, yet it leads to no conclusion, and black girls in search of a role-model tend to look elsewhere. Part of her appeal is her startlingly unique appearance. Simply nobody has ever looked or acted like her. She fits no black stereotype. Nor does she look like any recognizable strain of Afro-American. I'd always heard she was half-white, but it seems that her paternity is unknown, and her contradictory claims on the subject don't do much to enlighten us. (We are tempted to imagine quite an exotic mix.) Her origins in sharply-segregated St. Louis, where she is said to have witnessed a lynching, do not seem to have left her embittered. Perhaps she had too much to give. There is a special innocence about that smile, and when she performs her cross-eyed gag, we are lifted into a strange pixie-world, all its own.

Chasing a Rainbow: The Life of Josephine Baker

7.0 1987
Otis Rush & Friends - Live At Montreux 1986

With four incredible performances at the legendary Montreux Music Festival to his name to date, legendary bluesman Otis Rush offers a memorable look at just how it all began in this release of the 1986 performance that started it all. In addition to memorable appearances by Eric Clapton and Luther Allison, Rush and company offer thirteen rousing blues hits including "Gambler's Blues", "Lonely Man", "Mean Old World", and "Right Place, Wrong Time". Tracklist: Tops [6:22] I Wonder Why (Will My Man Be Home Tonight) [7:15] Lonely Man [4:48] Gambler's Blues [9:40] Natural Ball [5:33] Right Place, Wrong Time [6:35] Mean Old World [5:52] You Don't Love Me [3:52] Crosscut Saw [8:25] Double Trouble [5:32] All Your Love (I Miss Loving) [7:53] Every Day I Have the Blues [10:00] If I Had Any Sense, I'd Go Back Home [6:51] INFO: DVD 9 ENG PAL Region 0 4:3 Screen Format DTS + Dolby Surround 5.1 + PCM Stereo

Otis Rush & Friends - Live At Montreux 1986

5.2 2006
Héctor "El Father": Bad Boy - The Concert

Héctor "El Father" performs some of his best-loved songs for an enthusiastic audience in this 2007 concert filmed live in the José Miguel Agrelot Coliseum, Puerto Rico. A renowned reggaeton star, Héctor has also become one of the most successful producers in the Latin American music industry since rising to fame as a member of the duo Héctor y Tito. Songs include "Rumor de Guerra," "Maldades," "Noche de Travesuras," "Mayor Que Yo," "Hello Mama," "En Busca de Ti" and many more. Featurings: Wisin, Yandel, Jowell, Randy, Yomo, Polaco, among others.

Héctor "El Father": Bad Boy - The Concert

NR 2007
Record 957

Dulac’s three 1929 "abstract" films, Record 957, Αrabesques, and Themes and Variations, were the results of a long period of reflection by the filmmaker, who sought to create a "pure" or "integral" cinema that would capture the essence of the new medium and owe nothing to the other arts. Each of these three studies was designed to be played silent. The first one, Record 957, is conceived of as a "visual impression […] in listening to Frédéric Chopin's Preludes n. 5 and 6." Its title and its opening shot of lightplay on a spinning record not only announce the film's dominant cyclical motif, but also evoke one of the filmmaker’s major sources of inspiration in Loie Fuller's serpentine dances.

Record 957

7.1 1928