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Die Fledermaus

Theater director Falke, dressed as a bat, ends up in prison after a merry carnival night. Director Frank only releases him after some time. Falke decides to take revenge on his friend Gabriel von Eisenstein, to whom he owes the whole affair. The annual masked ball at Prince Orlofsky's provides the opportunity. Falke stages a game of mistaken identity in which Eisenstein does not recognize his own wife and courts her, while maid Adele appears as the countess. Eisenstein is duped, Falke has taken his revenge.

Die Fledermaus

8.3 1946
Randy Newman: Live in London

While touring in support of his 2008 album «Harps and Angels», Randy Newman performed a special concert at London's intimate LSO St. Luke's, an 18th-century Anglican church that has been restored by the London Symphony Orchestra for use in its community and music education programs. He was accompanied by the BBC Concert Orchestra, conducted by Robert Ziegler, and the program was televised by the BBC. The 22-song London set features songs from throughout Newman's four-decade long career.

Randy Newman: Live in London

8.0 2010
Fairy: Ball of the Moulin Rouge

The theatre lights go down, the curtain opens, and the dancers appear on stage to perform a spectacular show with feathers, crystals and sequins, against dazzling scenery and with original French music. Through four lively and poetic scenes, the Moulin Rouge takes you on a journey into space and time: from the Garden of the Moulin Rouge back in 1889 to the wild regions of Indonesia, taking you through the joyful and colorful atmosphere of a circus, the Féerie "revue" is full of surprises. For these two hours of enchantment, you will be part of the effervescence of a Parisian fete, symbolized by the most iconic dance of the Moulin Rouge, the world-famous French Cancan. "Welcome to the Moulin Rouge!"

Fairy: Ball of the Moulin Rouge

NR 2007
Both Sides Solo

A total solo. In the center of a huge space, alone on a constantly shrinking stage, Jeanne Added engages in a hand-to-hand ballet with the camera. With Both Sides, Jeanne Added has invented a pure performance by sculpting her playing space into this huge white stage, suspended in the middle of nothing. Alone, without any pomp, the artist gives herself over completely to her vocals and dancing. An allegory of the dance floor, of a space that, by shrinking, opens itself up to immensity; or the struggle of a solitary figure, who fights while dancing, as the ground moves beneath her feet. The film of this live performance is unusual: a visual confrontation, a powerful musical battle, the pared-back presentation invites the spectator to share a unique experience. Exuding a singular and unique charm, this “living UFO” gives us an unprecedented perception of Jeanne’s intense music.

Both Sides Solo

NR 2021
And You Were Wonderful, On Stage

An immersive film installation by Cally Spooner. In this work, a musical for six continuously rolling cameras, a black box soundstage and its inhabitants, are recorded in a single take. The mechanics of the shoot (cameras, microphones, mixing boards, chromakey screens and crew) remain as present as the performers they capture. Cast and crew become a constant-motion human backdrop, pragmatically recomposing scene-changes through lighting cues, voice, body movement, or continuous shifts of filmic apparatus and props. The semblance of a post-production edit arrives through the organisation and orchestration of bodies on set. Delivered by a chorus line of women, the film gossips about various celebrities, athletes and politicians who have outsourced their performances to different technologies.

And You Were Wonderful, On Stage

NR 2015
Le rock alternatif (une brève période de médiatisation du punk français 1986-1989)

Following the release of Bérurier Noir's album "Concerto pour détraqués" on the Bondage label in 1985, the French punk scene began to organize itself and attract media attention. Following Bondage's example, François Hadji Lazaro founded the Boucherie Production label. The departure of bands to major companies, Bérurier Noir's lawsuit against its label Bondage, and above all the breakup of the band marked the end of an era.

Le rock alternatif (une brève période de médiatisation du punk français 1986-1989)

NR 2021
Wagner: Die Walküre

Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.

Wagner: Die Walküre

NR 2013