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Prodigy

Naruse Uta is a "unique" 13 year old child. She possessed the talent to read sheet music even before she could speak, but has now come to the point where she hates playing the piano. Her father was also a piano virtuoso, but mysteriously disappeared from her life at a young age. Because of her father's disappearance Uta's mother had to move out of their posh home and into a far modest working class neighborhood. In this working class neighborhood there is a local grocer. The grocer's son Kikuna Oto happens to be a budding musician, but lacks the drive to truly succeed. That is until Uta Naruse comes into his life...

Prodigy

7.4 2007
Bára Poláková koncert

Bára Poláková's Live Music Film will create a diverse mosaic of feelings, ideas, and experiences of the performer that inspired her songs. It will reflect on the time of isolation, when we lose track of the days of the week and our place in the world. Time that we have to ourselves. And above all, time for reunion and sharing. In a single space, we will give each song its own story – whether through different scenography, choreography, or narration. Let yourself be surprised by famous guests, the play with space, and new contexts for lesser-known and more familiar songs.

Bára Poláková koncert

NR 2020
About Canto

Dutch composer Simeon ten Holt achieved worldwide renown in 1979, when his work for four pianos Canto Ostinato was first performed. Although some music experts viewed it with disdain - it broke with prevailing notions of serialism and tonality - the piece was a huge hit in the contemporary classical music world. In the years since, numerous musicians have released their recordings of Canto, and it is still being performed around the world. Director Ramon Gieling interviewed a large number of people about the sometimes far-reaching impact this composition has had on their lives. One interviewee tells of how Canto was the soundtrack to the birth of her son; another has a section of the score tattooed on his arm. Gieling seeks to unravel the mystery of the universal power of music, and his blend of documentary footage, fiction, essays and archive material produces a multifaceted response to the question of just what it is about this piece that touches people so deeply.

About Canto

4.8 2011
Vergeet My Nie

We meet the hero of this musical drama, Dolf Preller, being released on parole after spending two and a half years in prison. Stipulations for his parole are to stay out of trouble with the law, continue his studies at university and to come into contact with the rector on arriving on campus . Soon after his arrival he runs into Jan van Vollenhoven - the brother of the man he killed, which caused his jail sentence. Van Vollenhoven promises to make life very difficult for him. He also attracts the unwanted attention of Briers and Schoeman, two students that have been trying to pass their third year without success and have earned bad reputations for fooling around rather than doing any studying. He meets the lovely daughter of the rector and a special relationship soon develops between them. The rector, however, makes it clear that Preller is an unacceptable partner for his daughter.

Vergeet My Nie

NR 1976
The Legend of the Red Lantern

The play concentrated on the exploits of the communist underground activities under Japanese occupation in 1939, though history traces back in the 1920s. When Li Yuhe, a railroad worker who was engaging in underground work, was taken away by special agents and Grandma Li has a premonition of being arrested, Grandma tells the protagonist, Li Tiemei the true story about her family. Grandma Li tells Li Tiemei how her parents have sacrificed their lives in the revolutionary struggle. Li Yuhe has taken up the unfulfilled task of the martyrs. After hearing the heroic story about her family, Li Tiemei is determined to follow the example of her father and carry the revolution through to the end.

The Legend of the Red Lantern

4.4 1970
Standing Room Only: Cher in Concert

The opening of Cher’s Take Me Home Tour, featured in this 1981 HBO special, perfectly captures her star power and wit. True to her love of spectacle and self-parody, the show began with a drag queen impersonating Cher in her iconic Take Me Home album outfit, lip-syncing the titular disco hit. Just as the audience embraced the illusion, the real Cher appeared—not as herself, but as Laverne, her brash housewife character from her '70s TV show. This unexpected, campy juxtaposition was pure Cher: audacious, hilarious, and clever. The “real” Cher emerged only after this self-referential intro, highlighting her playful awareness of her larger-than-life persona. The opening set the tone for a tour brimming with theatricality and charm. In one climactic moment, Cher soared above the stage, carried by dancers as the audience’s ecstatic cheers cemented her dominance as a live performer. Decades later, the footage retains its magic, a testament to Cher’s ability to captivate like no one else.

Standing Room Only: Cher in Concert

10.0 N/A