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Frank Zappa

Produced for Dutch television and directed by Roelof Kiers, this documentary offers an observational portrait of musician and composer Frank Zappa in the early 1970s. Filmed at Zappa’s home and during rehearsals and performances with the Mothers of Invention, the program combines interviews, backstage scenes, and concert footage recorded at the Fillmore West featuring Mark Volman and Howard Kaylan. Alongside performances and informal conversations, Zappa reflects on his musical influences, creative methods, and views on American culture and politics while working on projects such as 200 Motels.

Frank Zappa

NR 1971
Songs for Lines/Songs for Waves

This performance consists of ten songs in which music, language and images are equally important. In most of these songs, Anderson plays the violin, accompanied by her own singing and an audiotape (with spoken text, more singing or more violin music). Her songs are often combined with a film projection: she is framed by the light from the projection, and is playing with the shadows cast by her body and her violin. Anderson makes experimental music, and she often find solutions in technological inventions, as with the song 'a man, a woman, a house and a tree'. The music for this piece is created with the help of a ‘slow-scan’ machine, which registers visual information and transforms this into sound. These experiments are not only about music, but also abou language: anagrams, play on words and poetic stories. The introductory anecdotes that Anderson tells are just as important as the song itself.

Songs for Lines/Songs for Waves

NR 1977
Soul City

Punk rock group FLESHTONES perform the song "Soul City," as tiny black & white cut-out figures, (with hand-tinted flesh tones), against a flickering background of brilliant color. In the film, Jones 'recycled' the same basic movements of his subjects by reconstructing totally new motions from the same severely limited amount of footage. This was done through alteration of perspective, and reversal of selected movements at varying intervals. The number of movements a subject can make, artificially created from a few basics, becomes almost limitless once an understanding of what motivates activity in that subject from the beginning is achieved.

Soul City

4.0 1979
Black Sabbath: California Jam

It was this now legendary appearance at California Jam I that would expose Black Sabbath to many mainstream American television viewers via ABC-TV. The band appeared alongside such acts as Deep Purple, Emerson Lake & Palmer, Rare Earth, Seals & Crofts and The Eagles It was originally broadcast on ABC’s ‘Wide World in Concert’ series, which aired three songs from Sabbath on May 24th, 1974 – and later rebroadcast this segment in November ’74. This footage has never been commercially available, aside from one clip of “Children of The Grave”. The entire show was recorded as a soundboard audio, but apparently only these four songs were captured on video. Track Listing: Intro-Footage of the band arriving, Children of the Grave, Post-show interview with Ozzy, War Pigs, Paranoid, Killing Yourself to Live. (Order may differ based on source.)

Black Sabbath: California Jam

NR 1974
Once Upon a Mattress

The second television adaptation of Once Upon a Mattress was broadcast on December 12, 1972, on CBS. This production, videotaped in color, included original Broadway cast members Burnett, Gilford and White, and also featured Bernadette Peters as Lady Larken, Ken Berry as Prince Dauntless, Ron Husmann as Harry, and Wally Cox as The Jester. It was directed by Ron Field and Dave Powers. Again, several songs were eliminated and characters were combined or altered. Since the parts of the Minstrel and the Wizard were cut from this adaptation, a new prologue was written with Burnett singing "Many Moons Ago" as a bedtime story.

Once Upon a Mattress

7.8 1972
Cinta Segi Tiga

Rhoma is a successful musician, while his elder brother, Dendy, is a successful engineer. Then Rhoma starts a relationship with Rika, the daughter of Alwi, who is the best friend of Rhoma’s father, Hadi. One day, Hadi comes to ask Alwi for Rika’s hand in marriage. Rika mistakenly thinks that proposal comes from Rhoma, but it is Dendy who is proposing. Rhoma, who is currently having a show out of town, is very happy to hear about his brother’s engagement. He decides to rush home, even when his contract with the show has not yet completed. But Rhoma gets into an accident and loses his sight. So when he meets Rika, who has changed her name to Mira, he does not recognise her, not even from her voice. When Rhoma is recovering at the end of his treatment, Rika runs away. When she crosses the street, she is hit by a car and dies. Rhoma is there to witness it all.

Cinta Segi Tiga

NR 1979
No Cheating, Darling

For some time now, the residents of the placid little village of Sonnenthal talk only about one topic: Football! The ambitious mayor wants to promote the Sonnenthal team to the district league at any price because this success would also boost his own popularity. But he did not expect the resistance of the new head of school, Barbara, who is heavily annoyed by the one-sided focus. To bring Sonnenthal′s men and the mayor in particular to their senses, Barbara sets up a women′s football team that soon turns out to be a serious competition for the men′s team.

No Cheating, Darling

5.5 1973
Making It

Those who grew up in Hong Kong in the 1970s definitely remember the Wynners, a band formed by Alan Tam, Kenny Bee, Bennett Pang, Danny Yip, and Anthony Chan. They first dabbled into the film industry with Let's Rock in 1975, and in 1978 Taiwanese director Chen Yao Chi created another Wynners movie Making It. With a script tailored for the Wynners, youth film Making It is an updated Chinese version of The Prince and the Pauper. Five up-and-coming young music lovers, played by none other but the Wynners, overcome a lot of difficulties before they have a chance to perform at a restaurant. However, one of the band members, Alan (Alan Tam), suddenly feels ill and is hospitalized. His four friends fortunately come across the rich Sylvester (also Alan Tam) who looks exactly like Alan, and the four desperate band members ask him to take Alan's place for the performance. Meanwhile, Sylvester's parents, busily fetching Sylvester to fulfill an arranged marriage, mistake Alan as Sylvester...

Making It

7.5 1978
Celebration at Big Sur

Star-studded show recorded at the Big Sur Folk Festival, Big Sur, California, September 13th and 14th, 1969. Joan Baez, Crosby, Stills, Nash & Young, Joni Mitchell, John Sebastian, and others. This film captures a remarkable moment in folk, rock, and pop history - the famous folk festival that brought traditional acts like Dorothy Morrison & The Combs Sisters and Carol Ann Cisneros together with the psychedelic rockers of the day who were most deeply rooted in the folk revival. Older songs like ‘Oh Happy Day,’ ‘Rise And Shine,’ ‘All God’s Children,’ and ‘Swing Down, Sweet Chariot’ meet Joni Mitchell’s ‘Woodstock,’ Joan Baez’s ‘Sweet Sir Galahad,’ ‘Bob Dylan’s ‘I Shall Be Released,’ CSNY’s ‘Down By The River,’ and many more of the now-classic songs of what was then called the ‘new rock.’ The scene is notably intimate and - aside from one fan’s dustup with Stephen Stills - mellow, with many rare, close-up moments with the stars.

Celebration at Big Sur

3.7 1971
The Procol Harum Special

Procol Harum, best known for their world-wide smash hit of 1967, A Whiter Shade of Pale, are the stars of a 55-minute special program. In 1967 a new pop group emerged with the hit song, A Whiter Shade of Pale. They were The Procol Harum. We meet the members of the group and see them perform their hit along with other numbers, including Captain Clack, Whisky Train, and Your Overcoat Is Too Long. The group's leader, Gary Brooker, comments throughout. Shown on the ABC and in the UK on BBC. Tracklist : A Whiter Shade Of Pale Good Captain Clack Whiskey Train Homburg Piggy Pig Pig In Held Twas In I Pilgrims Progress Dead Man's Dream Nothing That I Didn't Know

The Procol Harum Special

NR 1971
One Song a Day Takes Mischief Away

Set in pre-World War II Zagreb, the story is seen through the eyes of 6-year-old Perica Šafranek (played by Tomislav Žganec). A dandy from Zagreb, Mr Fulir (played by Relja Bašić), starts flirting with Perica's mother during a family picnic. At first, Perica's father doesn't notice anything, but wants to marry off Perica's aunt, so he invites the man to their residence. After multiple rendezvous, Perica's father becomes aware of Fulir's attempts to seduce his wife.

One Song a Day Takes Mischief Away

6.4 1970