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Great Tenor Performances

Great Tenor Performances outbids the famous Three Tenors by putting a dozen tenors (including the big three--Jose Carreras, Placido Domingo, and Luciano Pavarotti) in one compilation. One or two numbers fall short of greatness, but within the limits of what was available to them, the producers live up to the ambitious title. Domingo is particularly well represented with three arias, and Carreras has two. Only one Pavarotti performance is shown, but it's a good one: a youthful Celeste Aida from San Francisco. But the real meat is in the work of the other nine tenors. The muscular Samson of Jon Vickers contrasts with the bel canto delicacy of Mark Ainsley and Max-Rene Cosotti. Vladimir Atlantov as Otello, Giacomo Aragall as Cavaradossi, and Neil Shicoff as Rodolfo in La Bohème show that Domingo is not the sole proprietor of these roles. A pleasing rarity is Roberto Alagna in two excerpts from Verdi's original version of Don Carlos, with a French text.

Great Tenor Performances

8.0 1999
Les Contes d'Hoffmann

The “superb, sinister” Tales of Hoffmann at the Dutch National Opera with “excellent soloists, the impressive John Osborn” (Theaterkrant) and “Christine Rice, a vocally and physically voluptuous Giulietta” (bachtrack.com), “mezzosoprano Irene Roberts, who plays and sings brilliantly” (Groene Amsterdammer) and “Erwin Schrott, singing the four villains for the first time, made it look like a blast.” (bachtrack.com) “Les Contes d'Hoffmann is a parade of golden voices”. (Volkskrant) Maestro Rizzi conducted with elegance and momentum the chorus and the “excellent playing Rotterdam Philharmonic Orchestra”. (Volkskrant) “Spectacular” (Trouw) “This production effortlessly fascinates from start to finish.” (Theaterkrant)

Les Contes d'Hoffmann

NR 2018
Something for the Boys

The oddly-assorted Hart cousins: revue singer Blossom, con man Harry, and machinist Chiquita (who gets radio through her teeth!), inherit southern plantation Magnolia Manor, which alas proves to be a "termite trap" and tax liability. Fortunately, Sgt. Rocky Fulton from a nearby army camp appears with a plan to convert the place to a hotel for army wives; but to pay bills until then, they decide to put on a show. Of course, romantic and military complications intervene...

Something for the Boys

6.5 1944
Music Land

Musical instruments are the stars of a romantic fable set in the Land of Symphony and the Isle of Jazz, two islands separated by the Sea of Discord. The violin princess and the saxophone prince fall in love, but must meet secretly in order to avoid the wrath of their parents, the Symphony queen and the Jazz king. The queen finds the boy saxophone on her island, attempting to woo her daughter. She has him locked in the metronome, but the young lover manages to send a note - in fact, several musical notes on sheet music - that conveys the message that he has been imprisoned. The Isle of Jazz declares war by blasting musical notes across the sea. The only thing that can bring peace and harmony to the Sea of Discord is love.

Music Land

6.9 1935
The Dirty Three

The Dirty Three are the rough and ready jewels in the crown of Australian rock and roll history. Born from the need to put food on the table and spawned from the intensely collaborative local Australian music scene in the 80's and early 90's, the Dirty Three pioneered the instrumental rock and roll music scene in Australia with their cathartic, sometimes violent and always spellbinding brand of music. Within a few short years, they achieved local and international success and left Australian shores to take their Music to the world. To this day the band continues to tour the world and serve the music that they see as a real, living and breathing thing that chooses the Dirty Three's custodianship.

The Dirty Three

7.0 2007
Strange Parallel

Strange Parallel is a documentary/short film revolving around the American singer/songwriter Elliott Smith. The film features interviews with Elliott himself as well as fans, friends and other acquaintances of his (including Gus Van Sant, Larry Crane, and the members of Quasi). The film also includes snippets of Elliott Smith performing as well as footage of him recording an unreleased song, "Brand New Game". The film sometimes moves out of reality, with acted-out, metaphorical sequences that involve Elliott considering purchasing a mechanical hand (a "robot hand" ) to improve his music.

Strange Parallel

6.4 1998
Bach Cello Suite #2: The Sound of the Carceri

THE SOUND OF THE CARCERI explores the deep relationship between music and architecture through a high-tech 'virtual confrontation' between Bach and his contemporary, the architect Giovanni Battista Piranesi. Using a striking visual style, director Francois Girard ('The Red Violin' and 'Thirty-Two Short Films about Glenn Gould') places Yo-Yo Ma within a series of computer-generated, three-dimensional recreations of Piranesi's well-known prison etchings. Through Yo-Yo Ma's and music producer Steven Epstein's struggle to recreate and interact with the imaginary space that Ma performs in, the film examines the complexity of illusion, of representation and reality.

Bach Cello Suite #2: The Sound of the Carceri

8.0 1997
Bom Mesmo É Carnaval

Colonel Polidoro is the political chief of the small town of Passaroca. Near the city hall elections, he decides to help his candidate by setting up an adult literacy course. For this, he needs to find a competent teacher and decides to go to Rio de Janeiro with this function. False moralist that is, ends up falling in the revelry, meets a beautiful dancer and invites the girl to spend the carnival on his farm. Drunk, he confuses the addresses and causes his driver to take the dancer in place of the teacher to Passaroca, which will cause a lot of confusion.

Bom Mesmo É Carnaval

6.5 1962
Serge Lama, la vie à la folie

Serge Lama is the author of huge popular successes for more than 60 years: "Je suis malade", "Femme, femme, femme" or "Les Ballons rouges" have gone through the fashion. In this documentary, Serge Lama reveals himself to Mireille Dumas as he had never done before. The artist comes back on the important moments of his life. He talks about love, about the women he has sung to throughout his career, about his possessive and tyrannical mother, about his father, an operetta singer who became a beer merchant out of necessity, and who he would like to avenge at all costs by shining on the stage of the Olympia. He also tells of the pain of having lost his first love in a terrible accident.

Serge Lama, la vie à la folie

7.0 2023
The Vigilantes Return

Marshal Johnnie Taggart, posing as an outlaw named "Ace" Braddock, comes to Bannack, Montana to restore law and order. But he is recognized by Kitty, co-owner with Clay Curtwright of the infamous Bull Whip saloon. But "bad-girl" Kitty keeps her mouth shut. When Johnnie's pal Andy reports a stage holdup, Curtwright's henchman, Ben Borden, talks the sheriff and Judge Holden into suspecting Johnnie. Johnnie reveals himself to Judge Holden as a government marshal, and the judge voices his opinion that Curtwright is the leader of the road agents, but voices it in the presence of his granddaughter, Louise Holden.

The Vigilantes Return

3.8 1947