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Sud Side Stori

In Roberta Torre's "true story of Romeo and Julet", Toni Giulietto is a vulnerable street singer and Little Tony-impersonator (who is himself an Italian Elvis-impersonator) who is constantly deceived and hoodwinked by almost everyone he knows. Romea is an attractive Nigerian immigrant who sells sex on the streets of Palermo to pay off her huge fee to the man who smuggled her in to the country. Various characters plot against each other and the plots, which draw in people from all the different social strata, spiral out of control as the tug-of-war between these different factions of Sicilian society is fought to the last.

Sud Side Stori

7.0 2000
The Metropolitan Opera: The Marriage of Figaro

Richard Eyre’s elegant production, which opened the Met’s 2014–15 season, sets the action of Mozart’s timeless social comedy in a manor house in 1930s Seville. Ildar Abdrazakov leads the cast as the resourceful Figaro set on outwitting his master, the philandering Count Almaviva, played by Peter Mattei. Marlis Petersen sings Susanna, the object of the Count’s affection and Figaro’s bride-to-be, Amanda Majeski is the Countess, and Isabel Leonard gives a standout performance as the pageboy Cherubino. Music Director James Levine on the podium brings out all the humor, drama, and humanity of Mozart’s score.

The Metropolitan Opera: The Marriage of Figaro

NR 2014
The Fiery Angel

Sergey Prokofiev's operatic tragedy The Fiery Angel was never performed in the composers lifetime the musics brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony. The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. Director Emma Dante describes the opera as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes, and this Teatro dellOpera di Roma production was acclaimed as a presentation of Prokofievs masterpiece which sparkles in all its grotesque glory (operawire.com)

The Fiery Angel

NR 2021
Turandot

Internationally acclaimed Chinese film-maker Chen Kaige delivers an opulent staging of the fairy-tale story of Chinese Princess Turandot, who will only marry a prince capable of solving her riddles. With sumptuous costumes and palace sets designed in China, Kaige's production adds a compellingly authentic accent to Puccini's exotic orchestral palette. Zubin Metha and his brilliant Orquestra de la Comunitet Valenciana offer "genuine foreworks of sound" (Wiener Zeitung), Maria Guleghina triumphs as Turandot. Recorded in 2008 at the Palau de les Arts in Valencia. Zubin Mehta (conductor).

Turandot

8.0 2008
Manon Lescaut

"Manon", wrote Puccini to his publisher Giulio Ricordi in 1889, "is a heroine I believe in and therefore she cannot fail to win the heart of the public." This turned out to be a truly prophetic statement since none of Puccini’s other world successes were received on their first nights as rapturously as Manon Lescaut. The popularity of Puccini’s great masterpiece has never waned and the highly acclaimed Götz Friedrich production at Covent Garden was hailed as an operatic milestone. Two of the world’s leading stars--Kiri Te Kanawa and Placido Domingo--head a strong cast conducted by the brilliant Italian conductor Giuseppe Sinopoli.

Manon Lescaut

8.5 1983
Turandot - Sferisterio Opera Festival in Macerata

A beautiful, coldhearted Chinese princess has issued a decree for her suitors: whoever cannot solve her riddles to win her hand will be beheaded. When a mysterious man passes her test, will she finally open her heart to love? Puccini’s last opera Turandot, unfinished at his death, is musically his most adventurous work. Infused with Asian touches, it cannot deny its Italian heritage, culminating in the world-famous aria ‘Nessun dorma’. In 2017, the director duo Ricci/Forte were awarded the prestigious Italian Music Critics Award Franco Abbiati for best direction for their creative project.

Turandot - Sferisterio Opera Festival in Macerata

NR 2020
Vincenzo Bellini - Norma (De Nederlandse Opera)

In Guy Joosten's ingenious production of Bellini's masterpiece, Norma is about more than just beautiful singing. It becomes a layered, timeless drama in which Norma is the archetypal successful woman struggling to retain her dominant but vulnerable position. Hasmik Papian's lyrical and intense interpretation of the title role accentuates the striking similarity between a Druid high priestess and a modern opera diva. Conductor Julian Reynolds guides the brilliant cast, choir and Netherlands Chamber Orchestra to great heights, providing a refreshing new take on the chef d’oeuvre of bel canto.

Vincenzo Bellini - Norma (De Nederlandse Opera)

NR 2005
Perfide.... ma belle

Michele, a young mechanic, is in love with Angela Antonia, beautiful but capricious: the girl's father, once he learns of the relationship, has him fired from the place where he works and is forced to move to Naples. He asks for hospitality from his aunt Carmela, concierge in a building, but she has no vacancies and arranges him as Donna Tecla, the owner of a pension who, having three young daughters eager to get married, hopes to arrange at least one. But the three girls are not the best of beauty and Michele, gifted with a beautiful voice, agrees to sing in a club on behalf of an impresario who becomes his friend.

Perfide.... ma belle

10.0 1958
Gluck: Orfeo ed Euridice

To celebrate the 25th anniversary of the small but ambitious Castell de Peralada Festival, the famous Catalan theatre collective La Fura dels Baus and its director Carlus Padrissa staged Christoph Willibald Gluck's opera Orfeo ed Euridice. A splendid cast as well as an avant-garde production that makes extensive use of large projection screens and includes the members of the orchestra as actors onstage result in one of the most exciting opera performances in recent years. La Fura's concept is surprising and its originality demands our attention ... it gives rise to moments of great beauty and evocative power (El País).

Gluck: Orfeo ed Euridice

NR 2011
The Metropolitan Opera: Madama Butterfly

Anthony Minghella’s stunning production of Puccini’s opera opened the Met’s 2006–07 season and was seen by thousands of people around the world as part of the company’s Live in HD series. Patricia Racette is Cio-Cio-San, the trusting and innocent young geisha of the title, who disastrously falls in love with American Navy lieutenant B. F. Pinkerton (Marcello Giordani), only to be abandoned by him. Maria Zifchak is her loyal servant Suzuki and Dwayne Croft is Sharpless, the sympathetic American consul who does all he can but is unable to avert tragedy. Performance Date Mar 7, 2009

The Metropolitan Opera: Madama Butterfly

9.0 2009
Don Pasquale

This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.

Don Pasquale

NR 1979